The Artist as Monster: The Cinema of David Cronenberg
PAPERBACK INCLUDES TWO NEW CHAPTERSDavid Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2017]
|
| Schriftenreihe: | Heritage
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | PAPERBACK INCLUDES TWO NEW CHAPTERSDavid Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the first book-length scholarly work in English on Cronenberg's films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002).Through close readings and visual analyses, Beard argues that the structure of Cronenberg's cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self.Bringing a wealth of analytical observation and insight into Cronenberg's films, Beard's sweeping, comprehensive work has established the benchmark for the study of one of Canada's best-known filmmakers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442656703 |
| DOI: | 10.3138/9781442656703 |
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| 520 | |a PAPERBACK INCLUDES TWO NEW CHAPTERSDavid Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the first book-length scholarly work in English on Cronenberg's films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002).Through close readings and visual analyses, Beard argues that the structure of Cronenberg's cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self.Bringing a wealth of analytical observation and insight into Cronenberg's films, Beard's sweeping, comprehensive work has established the benchmark for the study of one of Canada's best-known filmmakers | ||
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| spelling | Beard, William aut The Artist as Monster The Cinema of David Cronenberg William Beard Toronto University of Toronto Press [2017] © 2001 1 online resource txt rdacontent c rdamedia cr rdacarrier Heritage Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017) PAPERBACK INCLUDES TWO NEW CHAPTERSDavid Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the first book-length scholarly work in English on Cronenberg's films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002).Through close readings and visual analyses, Beard argues that the structure of Cronenberg's cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self.Bringing a wealth of analytical observation and insight into Cronenberg's films, Beard's sweeping, comprehensive work has established the benchmark for the study of one of Canada's best-known filmmakers In English Cronenberg, David 1943- (DE-588)119114852 gnd rswk-swf DISCOUNT-B. Film (DE-588)4017102-4 gnd rswk-swf Cronenberg, David 1943- (DE-588)119114852 p Film (DE-588)4017102-4 s 1\p DE-604 https://doi.org/10.3138/9781442656703 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Beard, William The Artist as Monster The Cinema of David Cronenberg Cronenberg, David 1943- (DE-588)119114852 gnd DISCOUNT-B. Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119114852 (DE-588)4017102-4 |
| title | The Artist as Monster The Cinema of David Cronenberg |
| title_auth | The Artist as Monster The Cinema of David Cronenberg |
| title_exact_search | The Artist as Monster The Cinema of David Cronenberg |
| title_full | The Artist as Monster The Cinema of David Cronenberg William Beard |
| title_fullStr | The Artist as Monster The Cinema of David Cronenberg William Beard |
| title_full_unstemmed | The Artist as Monster The Cinema of David Cronenberg William Beard |
| title_short | The Artist as Monster |
| title_sort | the artist as monster the cinema of david cronenberg |
| title_sub | The Cinema of David Cronenberg |
| topic | Cronenberg, David 1943- (DE-588)119114852 gnd DISCOUNT-B. Film (DE-588)4017102-4 gnd |
| topic_facet | Cronenberg, David 1943- DISCOUNT-B. Film |
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