Dance, ideology and power in Francoist Spain (1938-1968):
This book aims to study for the first time the relationship between dance and Francoism In 1938, the first regular Government of General Franco was constituted in the "national area". Under this regime, and for almost 40 years between the end of the Civil War in 1939 and the death of the d...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English Spanish |
| Veröffentlicht: |
Turnhout
Brepols
2017
|
| Schriftenreihe: | Music, criticism & politics
volume 5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book aims to study for the first time the relationship between dance and Francoism In 1938, the first regular Government of General Franco was constituted in the "national area". Under this regime, and for almost 40 years between the end of the Civil War in 1939 and the death of the dictator in 1975, the arts in Spain developed inevitably within the frame of promotion, repression and control imposed by Francoism. In this sense, dance constitutes a privileged field of study to explore not only the propagandistic uses of ballet and dance, but also the construction of a national imagery through the activities displayed in diverse functional spectra of the time. This book aims to study systematically for the first time the relationship of dance with the dictatorial regime, the role models endorsed by the political party Falange Española, the traditionalist spheres and the so-called National-Catholicism, along with the propaganda and censorship strategies emanated from the State before 1968. Scholars from various disciplines —Musicology, Anthropology, History, History of Dance, Cinematography— analyse the ideological and political dimensions of choreographic art. Special attention is paid to the practises and discourses on Body, Gender and Nation and to the cultural policies regarding the Festivales de España organized by the Ministry of Information and Tourism. Furthermore, to the imagery of flamenco exhibited in government media and questioned in certain films, the processes of instrumentalisation of traditional dance as also to the existing mechanisms of control and transgression effected in dance halls and other spaces of sociability. Together with the cultural and biopolitical strategies of Francoism, the survival of concepts arising at that time is highlighted where it is still present in the performance and teaching of Spanish dance. Beatriz Martínez del Fresno: Senior Lecturer of Musicology at the University of Oviedo (Spain). Editor of book Coreografiar la historia europea: cuerpo, política, identidad y género en la danza (Universidad de Oviedo - MICINN, 2011) and Lead Researcher of the current project Danza durante la Guerra Civil y el franquismo (1936-1960). - Belén Vega Pichaco: Ph.D. in Musicology (2013). Postdoctoral Researcher ‘Juan de la Cierva’ at the University of Oviedo. Her main research topics are Cuban Art Music and Twentieth-Century Music and Dance (History and Aesthetics). |
| Beschreibung: | xxxvi, 568 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Diagramme |
| ISBN: | 9782503577401 |
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| 520 | |a This book aims to study for the first time the relationship between dance and Francoism In 1938, the first regular Government of General Franco was constituted in the "national area". Under this regime, and for almost 40 years between the end of the Civil War in 1939 and the death of the dictator in 1975, the arts in Spain developed inevitably within the frame of promotion, repression and control imposed by Francoism. In this sense, dance constitutes a privileged field of study to explore not only the propagandistic uses of ballet and dance, but also the construction of a national imagery through the activities displayed in diverse functional spectra of the time. This book aims to study systematically for the first time the relationship of dance with the dictatorial regime, the role models endorsed by the political party Falange Española, the traditionalist spheres and the so-called National-Catholicism, along with the propaganda and censorship strategies emanated from the State before 1968. Scholars from various disciplines —Musicology, Anthropology, History, History of Dance, Cinematography— analyse the ideological and political dimensions of choreographic art. Special attention is paid to the practises and discourses on Body, Gender and Nation and to the cultural policies regarding the Festivales de España organized by the Ministry of Information and Tourism. Furthermore, to the imagery of flamenco exhibited in government media and questioned in certain films, the processes of instrumentalisation of traditional dance as also to the existing mechanisms of control and transgression effected in dance halls and other spaces of sociability. Together with the cultural and biopolitical strategies of Francoism, the survival of concepts arising at that time is highlighted where it is still present in the performance and teaching of Spanish dance. | ||
| 520 | |a Beatriz Martínez del Fresno: Senior Lecturer of Musicology at the University of Oviedo (Spain). Editor of book Coreografiar la historia europea: cuerpo, política, identidad y género en la danza (Universidad de Oviedo - MICINN, 2011) and Lead Researcher of the current project Danza durante la Guerra Civil y el franquismo (1936-1960). - Belén Vega Pichaco: Ph.D. in Musicology (2013). Postdoctoral Researcher ‘Juan de la Cierva’ at the University of Oviedo. Her main research topics are Cuban Art Music and Twentieth-Century Music and Dance (History and Aesthetics). | ||
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Datensatz im Suchindex
| _version_ | 1808865562252541952 |
|---|---|
| adam_text |
Contents
Acknowledgements ix
Beatriz Martínez del Fresno
Introduction: Researching Dance under Franco’s Dictatorship xi
Spanish Dance and Ideology: Body, Gender and Nation
Inbal Ofer
Nation and Body: Physical Culture and Politics in
Francoist Spain and Fascist Italy (1919-1945) 3
Karlos Sánchez Ekiza
«Cuando en Castilla sepan que se toca el chistu»: la participación
vasca en los concursos de danza de la Sección Femenina y en sus viajes 31
Belén Vega Pichaco
De danza, toreo y el ‘enigma de España’:
el discurso de Vicente Marrero y la Generación de 1948 67
Pedro Ordóñez Eslava
Politics of Purity: Vicente Escudero and the
Ideological Construction of Flamenco 105
State Cultural Policies: Festivales de España
Gemma Pérez Zalduondo
«Spain Is a Fiesta» / «Spain Is a Festival»: Music and Dance
in Spanish Festivals (1953-1963) 139
Eladio Mateos Miera
Danza española y ballet clásico en el Festival de Granada (1952-1962)
175
Jesús Ferrer Cayón
La «atracción máxima» del Festival Internacional de Santander (FIS):
Antonio ‘El Bailarín’ y la instrumentalización política
de la dictadura franquista (1955-1969) 219
Flamenco in Audiovisual Media: Propaganda and Dissent
Bohumira Smidakova
Carmen Amaya: New Aesthetics of Gypsiness in Spanish Cinema
Cristina Cruces-Roldan
Entre el anonimato, el exhibicionismo y la propaganda.
Mujeres del flamenco y el baile español en el NO-DO
del primer franquismo (1943-1958)
Christian Franco Torre
Hacia una oposición cultural y estética:
Duende y misterio del flamenco (1952) de Edgar Neville
257
285
323
Control and Transgression in the Sociability Spaces
Atenea Fernández Higuero
Control in Dance Recitals in the Teatro Español in
Madrid during the first Post-War Period (1939-1942) 353
Guadalupe Mera Felipe
Reconquistar la honestidad: la Iglesia católica
y el baile social durante el franquismo (1939-1964) 393
Iván Iglesias
Everyday Resistances to Fascism: The Falange and
Modem Popular Dances in Franco’s Spain (1939-1947) 427
Carmen P. Pulpón Jiménez
Transgression and Observance of Rules in Professional Dancing
Practices of baílaoras flamencas during Franco Regime (1950-1968)
457
Post-Francoist Epilogue
Lloriän Garcia-Florez
Spectral Francoisin, Ethnographic Archive,
Anarchic Choralities in Post-Francoist Asturias 501
Appendix
Abstracts 541
Bibliographies 549
Index of Names 553 |
| any_adam_object | 1 |
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| discipline | Allgemeines |
| era | Geschichte 1938-1968 gnd |
| era_facet | Geschichte 1938-1968 |
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| series | Music, criticism & politics |
| series2 | Music, criticism & politics |
| spelling | Dance, ideology and power in Francoist Spain (1938-1968) edited by Beatriz Martínez del Fresno and Belén Vega Pichaco Turnhout Brepols 2017 xxxvi, 568 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Music, criticism & politics volume 5 This book aims to study for the first time the relationship between dance and Francoism In 1938, the first regular Government of General Franco was constituted in the "national area". Under this regime, and for almost 40 years between the end of the Civil War in 1939 and the death of the dictator in 1975, the arts in Spain developed inevitably within the frame of promotion, repression and control imposed by Francoism. In this sense, dance constitutes a privileged field of study to explore not only the propagandistic uses of ballet and dance, but also the construction of a national imagery through the activities displayed in diverse functional spectra of the time. This book aims to study systematically for the first time the relationship of dance with the dictatorial regime, the role models endorsed by the political party Falange Española, the traditionalist spheres and the so-called National-Catholicism, along with the propaganda and censorship strategies emanated from the State before 1968. Scholars from various disciplines —Musicology, Anthropology, History, History of Dance, Cinematography— analyse the ideological and political dimensions of choreographic art. Special attention is paid to the practises and discourses on Body, Gender and Nation and to the cultural policies regarding the Festivales de España organized by the Ministry of Information and Tourism. Furthermore, to the imagery of flamenco exhibited in government media and questioned in certain films, the processes of instrumentalisation of traditional dance as also to the existing mechanisms of control and transgression effected in dance halls and other spaces of sociability. Together with the cultural and biopolitical strategies of Francoism, the survival of concepts arising at that time is highlighted where it is still present in the performance and teaching of Spanish dance. Beatriz Martínez del Fresno: Senior Lecturer of Musicology at the University of Oviedo (Spain). Editor of book Coreografiar la historia europea: cuerpo, política, identidad y género en la danza (Universidad de Oviedo - MICINN, 2011) and Lead Researcher of the current project Danza durante la Guerra Civil y el franquismo (1936-1960). - Belén Vega Pichaco: Ph.D. in Musicology (2013). Postdoctoral Researcher ‘Juan de la Cierva’ at the University of Oviedo. Her main research topics are Cuban Art Music and Twentieth-Century Music and Dance (History and Aesthetics). Beiträge teilweise englisch, teilweise spanisch Geschichte 1938-1968 gnd rswk-swf Ideologie (DE-588)4026486-5 gnd rswk-swf Staatsgewalt (DE-588)4056648-1 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Macht (DE-588)4036824-5 gnd rswk-swf Franquismus (DE-588)4155196-5 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Franquismus (DE-588)4155196-5 s Tanz (DE-588)4059028-8 s Geschichte 1938-1968 z DE-604 Spanien (DE-588)4055964-6 g Ideologie (DE-588)4026486-5 s Staatsgewalt (DE-588)4056648-1 s Macht (DE-588)4036824-5 s Martínez del Fresno, Beatriz (DE-588)1054561109 edt Vega Pichaco, Belén (DE-588)1026271959 edt Music, criticism & politics volume 5 (DE-604)BV043468126 5 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030067725&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dance, ideology and power in Francoist Spain (1938-1968) Music, criticism & politics Ideologie (DE-588)4026486-5 gnd Staatsgewalt (DE-588)4056648-1 gnd Tanz (DE-588)4059028-8 gnd Macht (DE-588)4036824-5 gnd Franquismus (DE-588)4155196-5 gnd |
| subject_GND | (DE-588)4026486-5 (DE-588)4056648-1 (DE-588)4059028-8 (DE-588)4036824-5 (DE-588)4155196-5 (DE-588)4055964-6 |
| title | Dance, ideology and power in Francoist Spain (1938-1968) |
| title_auth | Dance, ideology and power in Francoist Spain (1938-1968) |
| title_exact_search | Dance, ideology and power in Francoist Spain (1938-1968) |
| title_full | Dance, ideology and power in Francoist Spain (1938-1968) edited by Beatriz Martínez del Fresno and Belén Vega Pichaco |
| title_fullStr | Dance, ideology and power in Francoist Spain (1938-1968) edited by Beatriz Martínez del Fresno and Belén Vega Pichaco |
| title_full_unstemmed | Dance, ideology and power in Francoist Spain (1938-1968) edited by Beatriz Martínez del Fresno and Belén Vega Pichaco |
| title_short | Dance, ideology and power in Francoist Spain (1938-1968) |
| title_sort | dance ideology and power in francoist spain 1938 1968 |
| topic | Ideologie (DE-588)4026486-5 gnd Staatsgewalt (DE-588)4056648-1 gnd Tanz (DE-588)4059028-8 gnd Macht (DE-588)4036824-5 gnd Franquismus (DE-588)4155196-5 gnd |
| topic_facet | Ideologie Staatsgewalt Tanz Macht Franquismus Spanien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030067725&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV043468126 |
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