Reclaiming critical remix video: the role of sampling in transformative works
Remix is now considered by many to be a form of derivative work, but such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. Gallagher argues, however, that remix is a fundamentally transformative practice. The assumption that cultura...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2018
|
| Schriftenreihe: | Routledge research in cultural and media studies
118 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Remix is now considered by many to be a form of derivative work, but such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. Gallagher argues, however, that remix is a fundamentally transformative practice. The assumption that cultural works should be considered a form of private property is called into question in the digital age; thus, he proposes an alternative system to balance the economic interests of cultural producers with the ability of the public to engage with a growing intellectual commons of cultural works. Multimodal analyses of both remixed and non-remixed intertextual work, with a particular focus on examples of critical remix video, fuel the discussion, synthesizing a number of investigative methods including semiotic, rhetorical and ideological analysis |
| Beschreibung: | xviii, 286 Seiten Illustrationen |
| ISBN: | 9781138285262 |
Internformat
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| 653 | 0 | |a Video recordings / History and criticism | |
| 653 | 0 | |a Popular culture / Study and teaching | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures and Tables
Preface
A cknowledgments
ix
xiii
xvii
Introduction 1
Critical Remix Video 1
1 The Specificity of Intertextual Media: Distinctive
Characteristics of Remix Video 10
1.1 Painting vs. Poetry: An Age-Old Debate 11
1.2 Photography-Film-Video 14
1.3 The Evolution of Media 17
1.4 Remixing Genre: An Evolving Taxonomy of
Remix Video 21
1.5 Sampling vs. Original Recording; An Ongoing Struggle 25
1.6 Remixes, Remakes, and Adaptations: Not
Everything Is a Remix 31
1.7 New Media Specificity: Alternative Distinctions 38
2 Visual Semiosis in Critical Remix Video: Decoding
Echoes of the Past 47
2.1 Visual Semiosis in Non-Remixed Media Content 49
2.2 Methods of Remix Analysis: A Semiotic Approach 52
2.3 Remix Semiosis: The Recontextualization of Meaning 55
2.4 Syntactics, Semantics, and Pragmatics in Remix Video 70
2.5 The Memory Still Remains: Perception and
Cognition in Remix Video 80
3 Seeing Is Believing: The Multimodal Rhetorical
Potential of Remix Video 91
3.1 Visual Rhetoric, Language, and Argumentation 93
3.2 Methods of Remix Analysis: A Rhetorical Approach 97
viii Contents
3.3 Persuasion and Propaganda 99
3A The Perception of Truth in the Photographic Image 102
3.5 Motivation, Intent, and Techniques of Persuasion 107
3.6 Rhetoric in Critical Remix Video 111
3.7 The Impact of Media Manipulation on CRV
Argumentation 116
4 Critical Remix as Ideology Critique: A Social Libertarian
Alternative World View 131
4.1 The Dominant Ideology Thesis 133
4.2 The Ruling Class in Contemporary Western Societies 134
4.3 Negative Effects of Neoliberal Capitalism 140
4.4 Resisting Ideology 151
4.5 Methods of Remix Analysis: An Ideological Approach 160
4.6 The Spectrum of Ideology in Critical Remix Video 165
5 Rethinking Intellectual Property: In Defense of the Right
to Remix 205
5.1 The Myth of Intellectual Property 206
5.2 Transformativeness and Fair Use 217
5.3 Ethics of Appropriation in Remix Culture 222
5.4 Politics and Rhetoric of Cultural Ownership 231
5.5 Societal Costs of Copyright and the Benefits
of Remix Culture 238
5.6 Remixing Copyright and the Culture Industry 244
Conclusion 271
Glossary of Terms 277
Acronyms 279
Index 281
|
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| indexdate | 2024-07-10T07:58:47Z |
| institution | BVB |
| isbn | 9781138285262 |
| language | English |
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| spelling | Gallagher, Owen Verfasser (DE-588)1150187875 aut Reclaiming critical remix video the role of sampling in transformative works Owen Gallagher New York ; London Routledge, Taylor & Francis Group 2018 xviii, 286 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge research in cultural and media studies 118 Remix is now considered by many to be a form of derivative work, but such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. Gallagher argues, however, that remix is a fundamentally transformative practice. The assumption that cultural works should be considered a form of private property is called into question in the digital age; thus, he proposes an alternative system to balance the economic interests of cultural producers with the ability of the public to engage with a growing intellectual commons of cultural works. Multimodal analyses of both remixed and non-remixed intertextual work, with a particular focus on examples of critical remix video, fuel the discussion, synthesizing a number of investigative methods including semiotic, rhetorical and ideological analysis Remix (DE-588)4700208-6 gnd rswk-swf Video (DE-588)4078895-7 gnd rswk-swf Appropriation (Arts) Remixes / History and criticism Video recordings / History and criticism Popular culture / Study and teaching ART / Performance ART / Reference Electronic books Video (DE-588)4078895-7 s Remix (DE-588)4700208-6 s DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-315-26911-5 Routledge research in cultural and media studies 118 (DE-604)BV011954860 118 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030065288&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| subject_GND | (DE-588)4700208-6 (DE-588)4078895-7 |
| title | Reclaiming critical remix video the role of sampling in transformative works |
| title_auth | Reclaiming critical remix video the role of sampling in transformative works |
| title_exact_search | Reclaiming critical remix video the role of sampling in transformative works |
| title_full | Reclaiming critical remix video the role of sampling in transformative works Owen Gallagher |
| title_fullStr | Reclaiming critical remix video the role of sampling in transformative works Owen Gallagher |
| title_full_unstemmed | Reclaiming critical remix video the role of sampling in transformative works Owen Gallagher |
| title_short | Reclaiming critical remix video |
| title_sort | reclaiming critical remix video the role of sampling in transformative works |
| title_sub | the role of sampling in transformative works |
| topic | Remix (DE-588)4700208-6 gnd Video (DE-588)4078895-7 gnd |
| topic_facet | Remix Video |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030065288&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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