Musikalisches Improvisieren: eine generische Einheit von Handlung, Gestalt und Wirkung
Gespeichert in:
1. Verfasser: | |
---|---|
Weitere Verfasser: | |
Format: | Abschlussarbeit Elektronisch E-Book |
Sprache: | German |
Veröffentlicht: |
Wiesbaden
Springer
[2018]
|
Schriftenreihe: | BestMasters
|
Schlagworte: | |
Online-Zugang: | ASH01 BFP01 BTU01 EFN01 FAN01 FAW01 FAW02 FCO01 FHA01 FHD01 FHM01 FHN01 FHR01 FKE01 FLA01 FNU01 FRO01 FWS01 FWS02 HWR01 KSH02 KSH03 TUM01 UBG01 UBM01 UBR01 UBT01 UBW01 UBY01 UEI01 UER01 UPA01 Volltext |
Beschreibung: | This thesis examines different cognitive aspects in musical improvisation from a theoretical perspective. It focuses not only on the processes of real-time musical creation but also on expertise and acquiring skill. It demonstrates how an embodied knowledge-base can be constructed and how it is possible to improvise expressively, with fne-articulation and "self-adaption" and on a basis of soft-assembled-structures. Particular emphasis is on phenomenal perception and experience in the context of musical improvisation. In this respect it is suggested that musically-evoked affects play a signifcant role as they infuence the principles of musical perception, generation, evaluation, communication and also motivation. It can be noted that although improvisation research stresses the strong power of affective experiences in music consumption, so far little attention has been paid to the power of affects in regard to musical improvisation. This thesis argues that musically-evoked affects are essential "agents" in the improviser’s individual "creation system": A developed model shows that improvisers can not only generate desired affects through specifcally generated musical entities, but can also generate their music in respect to a personal mechanism of "affect regulation". Thus, improvisers try to generate and modify suitable inner (and by transferring also external) affective states in real-time. I argue that a key part of the fascination for improvising music and also intrinsic motivation behind consistent practicing, can be connected to the mechanisms of affect regulation. Overall, this work aims to give new impetus to (empirical) improvisation research, by exploring the mechanisms of mental and affective perception qualities in musical improvisation. Moreover, this research provides didactic impulses, which could be transferred to the feld of improvisation pedagogy. |
Beschreibung: | 1 Online-Ressource (XVIII, 230 Seiten) Notenbeispiele, Diagramme |
ISBN: | 9783658184230 |
DOI: | 10.1007/978-3-658-18423-0 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV044661110 | ||
003 | DE-604 | ||
005 | 20221230 | ||
006 | a m||| 00||| | ||
007 | cr|uuu---uuuuu | ||
008 | 171201s2018 |||| o||u| ||||||ger d | ||
020 | |a 9783658184230 |c Online |9 978-3-658-18423-0 | ||
024 | 7 | |a 10.1007/978-3-658-18423-0 |2 doi | |
035 | |a (ZDB-2-SEP)9783658184230 | ||
035 | |a (OCoLC)992996898 | ||
035 | |a (DE-599)BVBBV044661110 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a ger | |
049 | |a DE-703 |a DE-19 |a DE-20 |a DE-860 |a DE-B1533 |a DE-1052 |a DE-824 |a DE-29 |a DE-91 |a DE-739 |a DE-355 |a DE-706 |a DE-473 |a DE-Aug4 |a DE-858 |a DE-1050 |a DE-859 |a DE-M347 |a DE-M483 |a DE-92 |a DE-898 |a DE-861 |a DE-863 |a DE-862 |a DE-2070s |a DE-634 |a DE-525 |a DE-1102 |a DE-1949 |a DE-188 |a DE-1049 |a DE-1046 |a DE-1047 |a DE-11 | ||
082 | 0 | |a 150 |2 23 | |
084 | |a 150 |2 sdnb | ||
084 | |a 780 |2 sdnb | ||
084 | |a PSY 000 |2 stub | ||
100 | 1 | |a Roidinger, Philipp |d ca. Ende 20. Jh./Anfang 21. Jh. |e Verfasser |0 (DE-588)1238927785 |4 aut | |
240 | 1 | 0 | |a Improvising feelings - the feeling improviser |
245 | 1 | 0 | |a Musikalisches Improvisieren |b eine generische Einheit von Handlung, Gestalt und Wirkung |c Philipp Roidinger ; mit einem Geleitwort von Ao. Univ.-Prof. Mag. Dr. Thomas Slunecko |
264 | 1 | |a Wiesbaden |b Springer |c [2018] | |
300 | |a 1 Online-Ressource (XVIII, 230 Seiten) |b Notenbeispiele, Diagramme | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a BestMasters | |
500 | |a This thesis examines different cognitive aspects in musical improvisation from a theoretical perspective. It focuses not only on the processes of real-time musical creation but also on expertise and acquiring skill. It demonstrates how an embodied knowledge-base can be constructed and how it is possible to improvise expressively, with fne-articulation and "self-adaption" and on a basis of soft-assembled-structures. Particular emphasis is on phenomenal perception and experience in the context of musical improvisation. In this respect it is suggested that musically-evoked affects play a signifcant role as they infuence the principles of musical perception, generation, evaluation, communication and also motivation. It can be noted that although improvisation research stresses the strong power of affective experiences in music consumption, so far little attention has been paid to the power of affects in regard to musical improvisation. This thesis argues that musically-evoked affects are essential "agents" in the improviser’s individual "creation system": A developed model shows that improvisers can not only generate desired affects through specifcally generated musical entities, but can also generate their music in respect to a personal mechanism of "affect regulation". Thus, improvisers try to generate and modify suitable inner (and by transferring also external) affective states in real-time. I argue that a key part of the fascination for improvising music and also intrinsic motivation behind consistent practicing, can be connected to the mechanisms of affect regulation. Overall, this work aims to give new impetus to (empirical) improvisation research, by exploring the mechanisms of mental and affective perception qualities in musical improvisation. Moreover, this research provides didactic impulses, which could be transferred to the feld of improvisation pedagogy. | ||
502 | |b Diplomarbeit |c Universität Wien |d 2016 | ||
650 | 4 | |a Psychology | |
650 | 4 | |a Cognitive psychology | |
650 | 4 | |a Cross-cultural psychology | |
650 | 4 | |a Psychology | |
650 | 4 | |a General Psychology | |
650 | 4 | |a Cognitive Psychology | |
650 | 4 | |a Cross Cultural Psychology | |
650 | 0 | 7 | |a Improvisation |0 (DE-588)4127993-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kognition |0 (DE-588)4031630-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musizieren |0 (DE-588)4170838-6 |2 gnd |9 rswk-swf |
653 | |a JM | ||
653 | |a JMR | ||
653 | |a JMH | ||
653 | |a Emotion | ||
653 | |a Improvisation | ||
653 | |a Kognition | ||
653 | |a Embodiment | ||
653 | |a Musik | ||
653 | |a Jazz | ||
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Musizieren |0 (DE-588)4170838-6 |D s |
689 | 0 | 1 | |a Improvisation |0 (DE-588)4127993-1 |D s |
689 | 0 | 2 | |a Kognition |0 (DE-588)4031630-0 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Slunecko, Thomas |d 1963- |0 (DE-588)124717888 |4 aui | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Roidinger, Philipp |t Musikalisches Improvisieren |z 978-3-658-18422-3 |w (DE-604)BV044512909 |
856 | 4 | 0 | |u https://doi.org/10.1007/978-3-658-18423-0 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-2-SEP |a ebook | ||
940 | 1 | |q ZDB-2-SEP_2018 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030058611 | ||
942 | 1 | 1 | |c 781.4 |e 22/bsb |
942 | 1 | 1 | |c 780.2 |e 22/bsb |
942 | 1 | 1 | |c 780 |e 22/bsb |
942 | 1 | 1 | |c 780.1 |e 22/bsb |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l ASH01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l BFP01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l BTU01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l EFN01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FAN01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FAW01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FAW02 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FCO01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FHA01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FHD01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FHM01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FHN01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FHR01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FKE01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FLA01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FNU01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FRO01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FWS01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l FWS02 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l HWR01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l KSH02 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l KSH03 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l TUM01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UBG01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UBM01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UBR01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UBT01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UBW01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UBY01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UEI01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UER01 |p ZDB-2-SEP |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1007/978-3-658-18423-0 |l UPA01 |p ZDB-2-SEP |x Verlag |3 Volltext |
Datensatz im Suchindex
DE-BY-FWS_katkey | 680318 |
---|---|
_version_ | 1806183097886048256 |
any_adam_object | |
author | Roidinger, Philipp ca. Ende 20. Jh./Anfang 21. Jh |
author2 | Slunecko, Thomas 1963- |
author2_role | aui |
author2_variant | t s ts |
author_GND | (DE-588)1238927785 (DE-588)124717888 |
author_facet | Roidinger, Philipp ca. Ende 20. Jh./Anfang 21. Jh Slunecko, Thomas 1963- |
author_role | aut |
author_sort | Roidinger, Philipp ca. Ende 20. Jh./Anfang 21. Jh |
author_variant | p r pr |
building | Verbundindex |
bvnumber | BV044661110 |
classification_tum | PSY 000 |
collection | ZDB-2-SEP ebook |
ctrlnum | (ZDB-2-SEP)9783658184230 (OCoLC)992996898 (DE-599)BVBBV044661110 |
dewey-full | 150 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 150 - Psychology |
dewey-raw | 150 |
dewey-search | 150 |
dewey-sort | 3150 |
dewey-tens | 150 - Psychology |
discipline | Psychologie Musikwissenschaft |
doi_str_mv | 10.1007/978-3-658-18423-0 |
format | Thesis Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07881nmm a2201165 c 4500</leader><controlfield tag="001">BV044661110</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221230 </controlfield><controlfield tag="006">a m||| 00||| </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">171201s2018 |||| o||u| ||||||ger d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783658184230</subfield><subfield code="c">Online</subfield><subfield code="9">978-3-658-18423-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1007/978-3-658-18423-0</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-2-SEP)9783658184230</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)992996898</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044661110</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-B1533</subfield><subfield code="a">DE-1052</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-91</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-706</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-1050</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-M347</subfield><subfield code="a">DE-M483</subfield><subfield code="a">DE-92</subfield><subfield code="a">DE-898</subfield><subfield code="a">DE-861</subfield><subfield code="a">DE-863</subfield><subfield code="a">DE-862</subfield><subfield code="a">DE-2070s</subfield><subfield code="a">DE-634</subfield><subfield code="a">DE-525</subfield><subfield code="a">DE-1102</subfield><subfield code="a">DE-1949</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-1049</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">150</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">150</subfield><subfield code="2">sdnb</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">780</subfield><subfield code="2">sdnb</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">PSY 000</subfield><subfield code="2">stub</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Roidinger, Philipp</subfield><subfield code="d">ca. Ende 20. Jh./Anfang 21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1238927785</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Improvising feelings - the feeling improviser</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Musikalisches Improvisieren</subfield><subfield code="b">eine generische Einheit von Handlung, Gestalt und Wirkung</subfield><subfield code="c">Philipp Roidinger ; mit einem Geleitwort von Ao. Univ.-Prof. Mag. Dr. Thomas Slunecko</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Wiesbaden</subfield><subfield code="b">Springer</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XVIII, 230 Seiten)</subfield><subfield code="b">Notenbeispiele, Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">BestMasters</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">This thesis examines different cognitive aspects in musical improvisation from a theoretical perspective. It focuses not only on the processes of real-time musical creation but also on expertise and acquiring skill. It demonstrates how an embodied knowledge-base can be constructed and how it is possible to improvise expressively, with fne-articulation and "self-adaption" and on a basis of soft-assembled-structures. Particular emphasis is on phenomenal perception and experience in the context of musical improvisation. In this respect it is suggested that musically-evoked affects play a signifcant role as they infuence the principles of musical perception, generation, evaluation, communication and also motivation. It can be noted that although improvisation research stresses the strong power of affective experiences in music consumption, so far little attention has been paid to the power of affects in regard to musical improvisation. This thesis argues that musically-evoked affects are essential "agents" in the improviser’s individual "creation system": A developed model shows that improvisers can not only generate desired affects through specifcally generated musical entities, but can also generate their music in respect to a personal mechanism of "affect regulation". Thus, improvisers try to generate and modify suitable inner (and by transferring also external) affective states in real-time. I argue that a key part of the fascination for improvising music and also intrinsic motivation behind consistent practicing, can be connected to the mechanisms of affect regulation. Overall, this work aims to give new impetus to (empirical) improvisation research, by exploring the mechanisms of mental and affective perception qualities in musical improvisation. Moreover, this research provides didactic impulses, which could be transferred to the feld of improvisation pedagogy.</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Diplomarbeit</subfield><subfield code="c">Universität Wien</subfield><subfield code="d">2016</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Psychology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cognitive psychology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cross-cultural psychology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Psychology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">General Psychology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cognitive Psychology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cross Cultural Psychology</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kognition</subfield><subfield code="0">(DE-588)4031630-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musizieren</subfield><subfield code="0">(DE-588)4170838-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">JM</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">JMR</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">JMH</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Emotion</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Improvisation</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Kognition</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Embodiment</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Musik</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jazz</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musizieren</subfield><subfield code="0">(DE-588)4170838-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kognition</subfield><subfield code="0">(DE-588)4031630-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Slunecko, Thomas</subfield><subfield code="d">1963-</subfield><subfield code="0">(DE-588)124717888</subfield><subfield code="4">aui</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Roidinger, Philipp</subfield><subfield code="t">Musikalisches Improvisieren</subfield><subfield code="z">978-3-658-18422-3</subfield><subfield code="w">(DE-604)BV044512909</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-2-SEP</subfield><subfield code="a">ebook</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-2-SEP_2018</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030058611</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">ASH01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">BFP01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">BTU01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">EFN01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FAN01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FHD01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FHM01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FHN01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FHR01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FNU01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FRO01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FWS01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">FWS02</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">HWR01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">KSH02</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">KSH03</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">TUM01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UBW01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UBY01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1007/978-3-658-18423-0</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-2-SEP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV044661110 |
illustrated | Not Illustrated |
indexdate | 2024-08-01T13:07:10Z |
institution | BVB |
isbn | 9783658184230 |
language | German |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030058611 |
oclc_num | 992996898 |
open_access_boolean | |
owner | DE-703 DE-19 DE-BY-UBM DE-20 DE-860 DE-B1533 DE-1052 DE-824 DE-29 DE-91 DE-BY-TUM DE-739 DE-355 DE-BY-UBR DE-706 DE-473 DE-BY-UBG DE-Aug4 DE-858 DE-1050 DE-859 DE-M347 DE-M483 DE-92 DE-898 DE-BY-UBR DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-2070s DE-634 DE-525 DE-1102 DE-1949 DE-188 DE-1049 DE-1046 DE-1047 DE-11 |
owner_facet | DE-703 DE-19 DE-BY-UBM DE-20 DE-860 DE-B1533 DE-1052 DE-824 DE-29 DE-91 DE-BY-TUM DE-739 DE-355 DE-BY-UBR DE-706 DE-473 DE-BY-UBG DE-Aug4 DE-858 DE-1050 DE-859 DE-M347 DE-M483 DE-92 DE-898 DE-BY-UBR DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-2070s DE-634 DE-525 DE-1102 DE-1949 DE-188 DE-1049 DE-1046 DE-1047 DE-11 |
physical | 1 Online-Ressource (XVIII, 230 Seiten) Notenbeispiele, Diagramme |
psigel | ZDB-2-SEP ebook ZDB-2-SEP_2018 |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Springer |
record_format | marc |
series2 | BestMasters |
spellingShingle | Roidinger, Philipp ca. Ende 20. Jh./Anfang 21. Jh Musikalisches Improvisieren eine generische Einheit von Handlung, Gestalt und Wirkung Psychology Cognitive psychology Cross-cultural psychology General Psychology Cognitive Psychology Cross Cultural Psychology Improvisation (DE-588)4127993-1 gnd Kognition (DE-588)4031630-0 gnd Musizieren (DE-588)4170838-6 gnd |
subject_GND | (DE-588)4127993-1 (DE-588)4031630-0 (DE-588)4170838-6 (DE-588)4113937-9 |
title | Musikalisches Improvisieren eine generische Einheit von Handlung, Gestalt und Wirkung |
title_alt | Improvising feelings - the feeling improviser |
title_auth | Musikalisches Improvisieren eine generische Einheit von Handlung, Gestalt und Wirkung |
title_exact_search | Musikalisches Improvisieren eine generische Einheit von Handlung, Gestalt und Wirkung |
title_full | Musikalisches Improvisieren eine generische Einheit von Handlung, Gestalt und Wirkung Philipp Roidinger ; mit einem Geleitwort von Ao. Univ.-Prof. Mag. Dr. Thomas Slunecko |
title_fullStr | Musikalisches Improvisieren eine generische Einheit von Handlung, Gestalt und Wirkung Philipp Roidinger ; mit einem Geleitwort von Ao. Univ.-Prof. Mag. Dr. Thomas Slunecko |
title_full_unstemmed | Musikalisches Improvisieren eine generische Einheit von Handlung, Gestalt und Wirkung Philipp Roidinger ; mit einem Geleitwort von Ao. Univ.-Prof. Mag. Dr. Thomas Slunecko |
title_short | Musikalisches Improvisieren |
title_sort | musikalisches improvisieren eine generische einheit von handlung gestalt und wirkung |
title_sub | eine generische Einheit von Handlung, Gestalt und Wirkung |
topic | Psychology Cognitive psychology Cross-cultural psychology General Psychology Cognitive Psychology Cross Cultural Psychology Improvisation (DE-588)4127993-1 gnd Kognition (DE-588)4031630-0 gnd Musizieren (DE-588)4170838-6 gnd |
topic_facet | Psychology Cognitive psychology Cross-cultural psychology General Psychology Cognitive Psychology Cross Cultural Psychology Improvisation Kognition Musizieren Hochschulschrift |
url | https://doi.org/10.1007/978-3-658-18423-0 |
work_keys_str_mv | AT roidingerphilipp improvisingfeelingsthefeelingimproviser AT sluneckothomas improvisingfeelingsthefeelingimproviser AT roidingerphilipp musikalischesimprovisiereneinegenerischeeinheitvonhandlunggestaltundwirkung AT sluneckothomas musikalischesimprovisiereneinegenerischeeinheitvonhandlunggestaltundwirkung |