Architectural Symbolism: Body and Space in Heinrich Wölfflin and Wilhelm Worringer
The paper questions Jacques Rançière’s conception of the modern aesthetic regime as the correlation between visuality and language by returning to two fundamental figures of modern art history, Heinrich Wölfflin and Wilhelm Worringer. First, Wölfflin’s "Prolegomena" (1886) is interpreted a...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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30 Jun 2016
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| Zusammenfassung: | The paper questions Jacques Rançière’s conception of the modern aesthetic regime as the correlation between visuality and language by returning to two fundamental figures of modern art history, Heinrich Wölfflin and Wilhelm Worringer. First, Wölfflin’s "Prolegomena" (1886) is interpreted as an attempt to conceive architectural space in terms of affectivity. Second, this conception of space is related to the Th. Vischer’s and J. Volkelt’s theory of symbolism. Third, the paper integrates this aesthetics in a model that conceives form as force (Goethe). Fourth, this modulation of affectivity that justifies architectural space is confronted with Wilhelm Worringer’s concept of abstraction. After all, this notion responds also to a conception of art in terms of space and affectivity. Finally, the paper debates the role of Wölfflin’s "Prolegomena" from the perspective of architectural design and its relation to modernity. |
| Beschreibung: | Illustrationen |
| ISSN: | 2050-5833 |
| DOI: | 10.5334/ah.213 |
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| 520 | |a The paper questions Jacques Rançière’s conception of the modern aesthetic regime as the correlation between visuality and language by returning to two fundamental figures of modern art history, Heinrich Wölfflin and Wilhelm Worringer. First, Wölfflin’s "Prolegomena" (1886) is interpreted as an attempt to conceive architectural space in terms of affectivity. Second, this conception of space is related to the Th. Vischer’s and J. Volkelt’s theory of symbolism. Third, the paper integrates this aesthetics in a model that conceives form as force (Goethe). Fourth, this modulation of affectivity that justifies architectural space is confronted with Wilhelm Worringer’s concept of abstraction. After all, this notion responds also to a conception of art in terms of space and affectivity. Finally, the paper debates the role of Wölfflin’s "Prolegomena" from the perspective of architectural design and its relation to modernity. | ||
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| spelling | Ionescu, Vlad Verfasser (DE-588)1139142216 aut Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer Vlad Ionescu 30 Jun 2016 Illustrationen txt rdacontent c rdamedia cr rdacarrier The paper questions Jacques Rançière’s conception of the modern aesthetic regime as the correlation between visuality and language by returning to two fundamental figures of modern art history, Heinrich Wölfflin and Wilhelm Worringer. First, Wölfflin’s "Prolegomena" (1886) is interpreted as an attempt to conceive architectural space in terms of affectivity. Second, this conception of space is related to the Th. Vischer’s and J. Volkelt’s theory of symbolism. Third, the paper integrates this aesthetics in a model that conceives form as force (Goethe). Fourth, this modulation of affectivity that justifies architectural space is confronted with Wilhelm Worringer’s concept of abstraction. After all, this notion responds also to a conception of art in terms of space and affectivity. Finally, the paper debates the role of Wölfflin’s "Prolegomena" from the perspective of architectural design and its relation to modernity. architectural theory, aesthetics, psychology of art, art history, modernity Architectural histories / European Architectural History Network, EAHN London, 2016 Volume 4, Issue 1 (2016) (DE-604)BV041185030 2050-5833 (DE-600)2726365-4 text/html http://doi.org/10.5334/ah.213 Verlag kostenfrei Volltext |
| spellingShingle | Ionescu, Vlad Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer architectural theory, aesthetics, psychology of art, art history, modernity |
| title | Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer |
| title_auth | Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer |
| title_exact_search | Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer |
| title_full | Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer Vlad Ionescu |
| title_fullStr | Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer Vlad Ionescu |
| title_full_unstemmed | Architectural Symbolism Body and Space in Heinrich Wölfflin and Wilhelm Worringer Vlad Ionescu |
| title_short | Architectural Symbolism |
| title_sort | architectural symbolism body and space in heinrich wolfflin and wilhelm worringer |
| title_sub | Body and Space in Heinrich Wölfflin and Wilhelm Worringer |
| topic | architectural theory, aesthetics, psychology of art, art history, modernity |
| topic_facet | architectural theory, aesthetics, psychology of art, art history, modernity |
| url | http://doi.org/10.5334/ah.213 |
| work_keys_str_mv | AT ionescuvlad architecturalsymbolismbodyandspaceinheinrichwolfflinandwilhelmworringer |