Le Corbusier's Modulor and the Debate on Proportion in France:
Finally codified in 1945 after several years of research, Le Corbusier’s Modulor is probably the most comprehensive proportional system imagined during the 20th century. Developed through contacts with consultants such as art historian Elisa Maillard, and referring to statistical measurements of the...
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Sprache: | English |
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24 Sep 2014
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Zusammenfassung: | Finally codified in 1945 after several years of research, Le Corbusier’s Modulor is probably the most comprehensive proportional system imagined during the 20th century. Developed through contacts with consultants such as art historian Elisa Maillard, and referring to statistical measurements of the human body, the Modulor concluded decades of discourse on proportions, a theme that preoccupied Le Corbusier ever since his sojourn in Germany in 1910. Matila Ghyka’s work on the golden section was one of the sources for the Modulor, but his work in general was used by other architects, such as Le Corbusier’s rival André Lurçat, who proposed his own range of proportions related to the work of builders as much as to that of designers. Proportions thus became a central issue in the postwar French reconstruction, as architects struggled to maintain their status amid changing procedures in building production. |
Beschreibung: | Illustrationen |
ISSN: | 2050-5833 |
DOI: | 10.5334/ah.by |
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spelling | Cohen, Jean-Louis 1949-2023 Verfasser (DE-588)12482787X aut Le Corbusier's Modulor and the Debate on Proportion in France Jean-Louis Cohen 24 Sep 2014 Illustrationen txt rdacontent c rdamedia cr rdacarrier Finally codified in 1945 after several years of research, Le Corbusier’s Modulor is probably the most comprehensive proportional system imagined during the 20th century. Developed through contacts with consultants such as art historian Elisa Maillard, and referring to statistical measurements of the human body, the Modulor concluded decades of discourse on proportions, a theme that preoccupied Le Corbusier ever since his sojourn in Germany in 1910. Matila Ghyka’s work on the golden section was one of the sources for the Modulor, but his work in general was used by other architects, such as Le Corbusier’s rival André Lurçat, who proposed his own range of proportions related to the work of builders as much as to that of designers. Proportions thus became a central issue in the postwar French reconstruction, as architects struggled to maintain their status amid changing procedures in building production. Architectural histories / European Architectural History Network, EAHN London, 2014 Volume 2, Issue 1 (2014) (DE-604)BV041185030 2050-5833 (DE-600)2726365-4 text/html http://doi.org/10.5334/ah.by Verlag kostenfrei Volltext |
spellingShingle | Cohen, Jean-Louis 1949-2023 Le Corbusier's Modulor and the Debate on Proportion in France |
title | Le Corbusier's Modulor and the Debate on Proportion in France |
title_auth | Le Corbusier's Modulor and the Debate on Proportion in France |
title_exact_search | Le Corbusier's Modulor and the Debate on Proportion in France |
title_full | Le Corbusier's Modulor and the Debate on Proportion in France Jean-Louis Cohen |
title_fullStr | Le Corbusier's Modulor and the Debate on Proportion in France Jean-Louis Cohen |
title_full_unstemmed | Le Corbusier's Modulor and the Debate on Proportion in France Jean-Louis Cohen |
title_short | Le Corbusier's Modulor and the Debate on Proportion in France |
title_sort | le corbusier s modulor and the debate on proportion in france |
url | http://doi.org/10.5334/ah.by |
work_keys_str_mv | AT cohenjeanlouis lecorbusiersmodulorandthedebateonproportioninfrance |