Bark:
"Bark, originally published as Écorces by Les Éditions de Minuit in 2011, is a photographic and literary essay by leading French philosopher and art historian Georges Didi-Huberman (winner of the Adorno Prize in 2015), documenting the author's visit to the site of the Auschwitz-Birkenau ca...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2017]
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| Schlagworte: | |
| Zusammenfassung: | "Bark, originally published as Écorces by Les Éditions de Minuit in 2011, is a photographic and literary essay by leading French philosopher and art historian Georges Didi-Huberman (winner of the Adorno Prize in 2015), documenting the author's visit to the site of the Auschwitz-Birkenau camp in the summer of that year. The book comprises some 10,000 words, as well as 19 photographs taken by Didi-Huberman, which punctuate the text and serve both as signposts to the reader and as focal points for the tension between individual acts of looking and the construction of collective memory. Didi-Huberman refuses to consider Auschwitz as the name and site of some unimaginable, metaphysical absolute; rather, he advocates what he calls an archaeological point of view, attentive to the material details of the site as well as to the phenomenology and history of the images that have emerged from it. Unlike his previous work, however, Bark is less an academic study than a personal and literarily inflected meditation. The three strips of birch bark torn from a tree at the Birkenau site, laid out on a table in the book's opening photograph, appear to the author like 'the beginning of a letter to write.' While by no means an autobiographical text, Bark does lay bare the fact that Didi-Huberman's grandparents died at Auschwitz. The understated poignancy of the text is reinforced by the author's photographs, whose power could be said to lie precisely in their banality, as they make tangible the various features of the present site (walls, floors, fences, even flowers) and invite readers to look more closely in their effort to imagine the reality of the camps"...Provided by publisher |
| Beschreibung: | ix, 121 Seiten Illustrationen |
| ISBN: | 9780262036849 |
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| 520 | |a "Bark, originally published as Écorces by Les Éditions de Minuit in 2011, is a photographic and literary essay by leading French philosopher and art historian Georges Didi-Huberman (winner of the Adorno Prize in 2015), documenting the author's visit to the site of the Auschwitz-Birkenau camp in the summer of that year. The book comprises some 10,000 words, as well as 19 photographs taken by Didi-Huberman, which punctuate the text and serve both as signposts to the reader and as focal points for the tension between individual acts of looking and the construction of collective memory. Didi-Huberman refuses to consider Auschwitz as the name and site of some unimaginable, metaphysical absolute; rather, he advocates what he calls an archaeological point of view, attentive to the material details of the site as well as to the phenomenology and history of the images that have emerged from it. Unlike his previous work, however, Bark is less an academic study than a personal and literarily inflected meditation. The three strips of birch bark torn from a tree at the Birkenau site, laid out on a table in the book's opening photograph, appear to the author like 'the beginning of a letter to write.' While by no means an autobiographical text, Bark does lay bare the fact that Didi-Huberman's grandparents died at Auschwitz. The understated poignancy of the text is reinforced by the author's photographs, whose power could be said to lie precisely in their banality, as they make tangible the various features of the present site (walls, floors, fences, even flowers) and invite readers to look more closely in their effort to imagine the reality of the camps"...Provided by publisher | ||
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Datensatz im Suchindex
| _version_ | 1804178069806645248 |
|---|---|
| any_adam_object | |
| author | Didi-Huberman, Georges 1953- |
| author2 | Martin, Samuel E. 1924-2009 |
| author2_role | trl |
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| author_GND | (DE-588)122040562 (DE-588)1135800286 |
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| author_role | aut |
| author_sort | Didi-Huberman, Georges 1953- |
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| building | Verbundindex |
| bvnumber | BV044645641 |
| callnumber-first | D - World History |
| callnumber-label | D805 |
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| callnumber-search | D805.5.B57 |
| callnumber-sort | D 3805.5 B57 |
| callnumber-subject | D - General History |
| classification_rvk | LH 64840 NQ 2350 |
| ctrlnum | (OCoLC)1019717902 (DE-599)BVBBV044645641 |
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| dewey-ones | 940 - History of Europe |
| dewey-raw | 940.53/1853862 |
| dewey-search | 940.53/1853862 |
| dewey-sort | 3940.53 71853862 |
| dewey-tens | 940 - History of Europe |
| discipline | Kunstgeschichte Geschichte |
| era | Geschichte 2011 gnd |
| era_facet | Geschichte 2011 |
| format | Book |
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| spelling | Didi-Huberman, Georges 1953- (DE-588)122040562 aut Écorces Bark Georges Didi-Huberman ; translated by Samuel Martin Cambridge, Massachusetts ; London, England The MIT Press [2017] © 2017 ix, 121 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier "Bark, originally published as Écorces by Les Éditions de Minuit in 2011, is a photographic and literary essay by leading French philosopher and art historian Georges Didi-Huberman (winner of the Adorno Prize in 2015), documenting the author's visit to the site of the Auschwitz-Birkenau camp in the summer of that year. The book comprises some 10,000 words, as well as 19 photographs taken by Didi-Huberman, which punctuate the text and serve both as signposts to the reader and as focal points for the tension between individual acts of looking and the construction of collective memory. Didi-Huberman refuses to consider Auschwitz as the name and site of some unimaginable, metaphysical absolute; rather, he advocates what he calls an archaeological point of view, attentive to the material details of the site as well as to the phenomenology and history of the images that have emerged from it. Unlike his previous work, however, Bark is less an academic study than a personal and literarily inflected meditation. The three strips of birch bark torn from a tree at the Birkenau site, laid out on a table in the book's opening photograph, appear to the author like 'the beginning of a letter to write.' While by no means an autobiographical text, Bark does lay bare the fact that Didi-Huberman's grandparents died at Auschwitz. The understated poignancy of the text is reinforced by the author's photographs, whose power could be said to lie precisely in their banality, as they make tangible the various features of the present site (walls, floors, fences, even flowers) and invite readers to look more closely in their effort to imagine the reality of the camps"...Provided by publisher Didi-Huberman, Georges Travel Poland Didi-Huberman, Georges 1953- (DE-588)122040562 gnd rswk-swf Państwowe Muzeum Auschwitz-Birkenau (DE-588)1015236-2 gnd rswk-swf Konzentrationslager Auschwitz (DE-588)4003697-2 gnd rswk-swf Geschichte 2011 gnd rswk-swf Birkenau (Concentration camp) Auschwitz (Concentration camp) Birkenau (Concentration camp) Pictorial works Auschwitz (Concentration camp) Pictorial works Holocaust, Jewish (1939-1945) Poland Reise (DE-588)4049275-8 gnd rswk-swf (DE-588)4076645-7 Reisebericht gnd-content Didi-Huberman, Georges 1953- (DE-588)122040562 p Reise (DE-588)4049275-8 s Konzentrationslager Auschwitz (DE-588)4003697-2 b Geschichte 2011 z DE-604 Państwowe Muzeum Auschwitz-Birkenau (DE-588)1015236-2 b 1\p DE-604 Martin, Samuel E. 1924-2009 (DE-588)1135800286 trl 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Didi-Huberman, Georges 1953- Bark Didi-Huberman, Georges Travel Poland Didi-Huberman, Georges 1953- (DE-588)122040562 gnd Państwowe Muzeum Auschwitz-Birkenau (DE-588)1015236-2 gnd Konzentrationslager Auschwitz (DE-588)4003697-2 gnd Birkenau (Concentration camp) Auschwitz (Concentration camp) Birkenau (Concentration camp) Pictorial works Auschwitz (Concentration camp) Pictorial works Holocaust, Jewish (1939-1945) Poland Reise (DE-588)4049275-8 gnd |
| subject_GND | (DE-588)122040562 (DE-588)1015236-2 (DE-588)4003697-2 (DE-588)4049275-8 (DE-588)4076645-7 |
| title | Bark |
| title_alt | Écorces |
| title_auth | Bark |
| title_exact_search | Bark |
| title_full | Bark Georges Didi-Huberman ; translated by Samuel Martin |
| title_fullStr | Bark Georges Didi-Huberman ; translated by Samuel Martin |
| title_full_unstemmed | Bark Georges Didi-Huberman ; translated by Samuel Martin |
| title_short | Bark |
| title_sort | bark |
| topic | Didi-Huberman, Georges Travel Poland Didi-Huberman, Georges 1953- (DE-588)122040562 gnd Państwowe Muzeum Auschwitz-Birkenau (DE-588)1015236-2 gnd Konzentrationslager Auschwitz (DE-588)4003697-2 gnd Birkenau (Concentration camp) Auschwitz (Concentration camp) Birkenau (Concentration camp) Pictorial works Auschwitz (Concentration camp) Pictorial works Holocaust, Jewish (1939-1945) Poland Reise (DE-588)4049275-8 gnd |
| topic_facet | Didi-Huberman, Georges Travel Poland Didi-Huberman, Georges 1953- Państwowe Muzeum Auschwitz-Birkenau Konzentrationslager Auschwitz Birkenau (Concentration camp) Auschwitz (Concentration camp) Birkenau (Concentration camp) Pictorial works Auschwitz (Concentration camp) Pictorial works Holocaust, Jewish (1939-1945) Poland Reise Reisebericht |
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