The theatre of Eugene O'Neill: American modernism on the world stage
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; Oxford ; New York ; New Dehli ; Sydney
Bloomsbury Methuen Drama
[2018]
|
Schriftenreihe: | Critical companions series
Methuen drama |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xiii, 241 Seiten Illustrationen |
ISBN: | 9781474238410 |
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Datensatz im Suchindex
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adam_text | CONTENTS
List of Illustrations x
List of Abbreviations xi
Preface xii
1 O^NeilFs American Theatre: Modernism Against Modernity 1
Modernism and tradition 2
Youthful mentors: Nietzsche and Strindberg 4
Modernism contra modernity 7
An American modernism 8
Melodrama as modernity 11
Prophesying a modern American stage 12
From Harvard to Greenwich Village 13
After Provincetown 16
Journeying into the past 17
2 A Modernist in the Making: O^Neill Before Broadway 21
An early “skit” 24
First publication: Testing the waters 25
Trying the longer form: Two early portraits of an artist 30
Finding his voice 32
Among the bohemians 34
The homeless life at sea 36
Haunted by the primitive sea 39
Staging suicide 43
After the revolution 44
3 Tragedy and the Postrevolutionary Condition 47
Youthful revolutionary verse and drama 49
Yanks personal revolution in The Hairy Ape 51
Defying empire in Lazarus Laughed 57
Days Without End: A failed revolution of the soul 58
A touch of the revolutionary: The American history cycle 50
Revolution as pipe dream: The Iceman Cometh 52
Contents
4 New Women, Male Destinies: The “Woman Plays” 71
Early portraits: Now I Ask You and The Straw 74
Women and marriage in three plays of the early 1920s 76
Her own boss: Anna Christie 78
O Neills woman play” 82
Dynamo and the modern goddess 86
A Moon for the Misbegotten: The limits of female
representation 88
5 “Souls under Skins”: Masks, Race, and the Divided
American Self 93
Modernity as double consciousness 94
Up from blackface: The Dreamy Kid 97
A nations alienated history: The Emperor Jones 98
All Goďs Chillun Got Wings: Race and American modernity 101
The Fountain and Marco Millions as mirrors of modernity 105
The play of masks in The Great God Brown 108
Unmasking Irishness in A Touch of the Poet 112
6 Transience and Tradition: O’Neill’s Modern Families 119
Filial strife in The Rope and Exorcism 122
Remaking the dramatic family: Beyond the Horizon 124
Removing the walls: Desire Under the Elms 128
Family as mask in Mourning Becomes Electra 132
The happy modernism of Ah Wilderness! 137
Homelessness in Long Days Journey Into Night 138
7 Critical Perspectives 147
O Neill: Biography, Autobiography, and Standing in for
Eugene (G.) O Neill William Davies King 147
The Literary O Neill
Alexander Pettit 163
O Neills Emperor Jones: Racing the Great White Way
Katie N Johnson 173
Tony Kushner s O’Neill: Seeking Meaning on
Marblehead Neck Sheila Hickey Garvey 186
Conclusion: O’Neill After O’Neill 199
Conjuring the dead 199
The Experimental Theatre, cont. 201
viii
Contents
A global legacy 203
A continuing dialogue 204
Chronology 207
Notes 210
Bibliography 218
Notes on Contributors 232
Index 234
IX
The Theatre of Eugene O Neill offers a new comprehensive
overview of O Neill s career and plays in the context of
the American theatre. Organized thematically, it considers
his Modernist intervention in the theatre, offers readers
detailed analysis of the plays, and assesses the recent
resurgence in his reputation and new approaches to staging
his work. It includes a study of all his major plays—
The Emperor Jones, The Hairy Ape, The Iceman Cometh, Long Day s
Journey Into Night, A Moon for the Misbegotten and Desire Under the
E/ms—besides numerous other full-length and one-act dramas.
Eugene O Neill is generally credited with inventing modern American
drama, in a time of cultural ferment and lively artistic and intellectual
change. Yet O Neill s theatrical instincts were always shaped by American
stage traditions that were inextricable from his sense of himself and his
own national culture. This study shows that his theatrical modernism
represents not so much a break from these traditions as a reinvention
of their scope and significance in the context of international stage
modernism, offering an image of national culture and character that
opens new possibilities for the stage while remaining rooted in its past.
|
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institution | BVB |
isbn | 9781474238410 |
language | English |
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physical | xiii, 241 Seiten Illustrationen |
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spelling | Eisen, Kurt Verfasser (DE-588)1164191985 aut The theatre of Eugene O'Neill American modernism on the world stage Kurt Eisen London ; Oxford ; New York ; New Dehli ; Sydney Bloomsbury Methuen Drama [2018] © 2018 xiii, 241 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Critical companions series Methuen drama Includes bibliographical references and index O'Neill, Eugene 1888-1953 Criticism and interpretation O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd rswk-swf Modernism (Literature) United States Drama (DE-588)4012899-4 gnd rswk-swf O'Neill, Eugene 1888-1953 (DE-588)118590014 p Drama (DE-588)4012899-4 s DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-474-23843-4 Erscheint auch als Online-Ausgabe 978-1-474-23842-7 Erscheint auch als Online-Ausgabe 978-1-4742-3844-1 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030043254&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030043254&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Eisen, Kurt The theatre of Eugene O'Neill American modernism on the world stage O'Neill, Eugene 1888-1953 Criticism and interpretation O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd Modernism (Literature) United States Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)118590014 (DE-588)4012899-4 |
title | The theatre of Eugene O'Neill American modernism on the world stage |
title_auth | The theatre of Eugene O'Neill American modernism on the world stage |
title_exact_search | The theatre of Eugene O'Neill American modernism on the world stage |
title_full | The theatre of Eugene O'Neill American modernism on the world stage Kurt Eisen |
title_fullStr | The theatre of Eugene O'Neill American modernism on the world stage Kurt Eisen |
title_full_unstemmed | The theatre of Eugene O'Neill American modernism on the world stage Kurt Eisen |
title_short | The theatre of Eugene O'Neill |
title_sort | the theatre of eugene o neill american modernism on the world stage |
title_sub | American modernism on the world stage |
topic | O'Neill, Eugene 1888-1953 Criticism and interpretation O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd Modernism (Literature) United States Drama (DE-588)4012899-4 gnd |
topic_facet | O'Neill, Eugene 1888-1953 Criticism and interpretation O'Neill, Eugene 1888-1953 Modernism (Literature) United States Drama |
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