Soviet salvage: imperial debris, revolutionary reuse, and Russian constructivism
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Cl...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
University Park, Pennsylvania
The Pennsylvania State University Press
[2017]
|
| Schriftenreihe: | RM : refiguring modernism
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the "engineer" and "bricoleur"—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929, and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 231 Seiten |
| ISBN: | 9780271077697 |
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| 520 | |a In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the "engineer" and "bricoleur"—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929, and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture. | ||
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Datensatz im Suchindex
| _version_ | 1804178040959270912 |
|---|---|
| adam_text | NOJ
NO. 2
3
NO. 5
LIST OF ILLUSTRATIONS VII
ACKNOWLEDGMENTS XI
NOTE TO THE READER XIII
INTRODUCTION
THE ECONOMIC SHAPING OF
CONSTRUCTIVISM 17
A BLANK SLATE: THE FIRST YEARS OF
SOVIET PROPAGANDA PORCELAIN 49
NADEZHDA LAMANOVA: ON THE ELEGANT
FRINGES OF CONSTRUCTIVIST DRESS 83
ESFIR SHUB: MAGICIAN OF THE
EDITING TABLE 129
THE FIVE-YEAR PLAN PROMPTS
A FIRE SALE 161
CONCLUSION 185
NOTES 189
BIBLIOGRAPHY 212
INDEX 223
|
| any_adam_object | 1 |
| author | Walworth, Catherine |
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| spelling | Walworth, Catherine Verfasser aut Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism Catherine Walworth University Park, Pennsylvania The Pennsylvania State University Press [2017] 231 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier RM : refiguring modernism Includes bibliographical references and index In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the "engineer" and "bricoleur"—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929, and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture. Geschichte 1912-1935 gnd rswk-swf Constructivism (Art) Russia (Federation) Art, Russian 20th century Design (DE-588)4011510-0 gnd rswk-swf Alltagsgegenstand (DE-588)4377380-1 gnd rswk-swf Konstruktivismus Kunst (DE-588)4129833-0 gnd rswk-swf Mode (DE-588)4039792-0 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Sowjetunion (DE-588)4077548-3 g Konstruktivismus Kunst (DE-588)4129833-0 s Design (DE-588)4011510-0 s Mode (DE-588)4039792-0 s Alltagsgegenstand (DE-588)4377380-1 s Geschichte 1912-1935 z DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030029768&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Walworth, Catherine Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism Constructivism (Art) Russia (Federation) Art, Russian 20th century Design (DE-588)4011510-0 gnd Alltagsgegenstand (DE-588)4377380-1 gnd Konstruktivismus Kunst (DE-588)4129833-0 gnd Mode (DE-588)4039792-0 gnd |
| subject_GND | (DE-588)4011510-0 (DE-588)4377380-1 (DE-588)4129833-0 (DE-588)4039792-0 (DE-588)4077548-3 |
| title | Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism |
| title_auth | Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism |
| title_exact_search | Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism |
| title_full | Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism Catherine Walworth |
| title_fullStr | Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism Catherine Walworth |
| title_full_unstemmed | Soviet salvage imperial debris, revolutionary reuse, and Russian constructivism Catherine Walworth |
| title_short | Soviet salvage |
| title_sort | soviet salvage imperial debris revolutionary reuse and russian constructivism |
| title_sub | imperial debris, revolutionary reuse, and Russian constructivism |
| topic | Constructivism (Art) Russia (Federation) Art, Russian 20th century Design (DE-588)4011510-0 gnd Alltagsgegenstand (DE-588)4377380-1 gnd Konstruktivismus Kunst (DE-588)4129833-0 gnd Mode (DE-588)4039792-0 gnd |
| topic_facet | Constructivism (Art) Russia (Federation) Art, Russian 20th century Design Alltagsgegenstand Konstruktivismus Kunst Mode Sowjetunion |
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