Arvo Pärt's Tabula rasa:
One of today's most widely acclaimed composers, Arvo Pärt broke into the soundscape of the Cold War West with Tabula Rasa in 1977, a work that introduced his signature tintinnabuli style to listeners throughout the world. In the first book dedicated to this pathbreaking composition, author Kevi...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
[2017]
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Schriftenreihe: | Oxford keynotes
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | One of today's most widely acclaimed composers, Arvo Pärt broke into the soundscape of the Cold War West with Tabula Rasa in 1977, a work that introduced his signature tintinnabuli style to listeners throughout the world. In the first book dedicated to this pathbreaking composition, author Kevin C. Karnes tells the story of Tabula Rasa as one of Pärt and of Europe itself, traced over the course of a quarter-century that saw momentous transitions in European culture and politics, history and memory. Beginning at the site of the work's creation in the Estonian SSR, and drawing extensively upon a range of previously unexamined archival materials, Karnes recounts Pärt's discovery of tintinnabuli amidst his experiments with the music of the Western and Soviet avant-gardes. He examines Tabula Rasa in relation to modernist conceptions of musical structure, the ascetic practice of Orthodox Christianity, postwar experiences of electronic music, and the polystylistic approaches to composition that have become emblematic of the Soviet 1970s. Tracing the export of Tabula Rasa to the West and Pärt's emigration in 1980, the book reveals intersections of critical commentary with visions of the "end of history" that attended the collapse of European communism to suggest that it was in this confluence of listening, discovery, and geopolitical reordering that enduring lines of conversation about Pärt and his music took shape. - Kevin C. Karnes is Professor of Music at Emory University. He is the author of A Kingdom Not of This World: Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna (Oxford University Press, 2013) and Music, Criticism, and the Challenge of History (Oxford University Press, 2008) |
Beschreibung: | xii, 135 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780190468989 9780190468972 |
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Datensatz im Suchindex
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adam_text |
ARVO PAIRT'S TABULA RASA
/ KARNES, KEVINYYD1972-YYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
THE BLANK SLATE
UNOFFICIAL MUSIC : A HISTORY FOR PAIRT
TINTINNABULI
TABULA RASA : LISTENING, READING
EXPORT AND EMIGRATION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
any_adam_object | 1 |
author | Karnes, Kevin C. 1972- |
author_GND | (DE-588)136236480 |
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dewey-sort | 3784.2 272 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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isbn | 9780190468989 9780190468972 |
language | English |
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spelling | Karnes, Kevin C. 1972- Verfasser (DE-588)136236480 aut Arvo Pärt's Tabula rasa Kevin C. Karnes New York Oxford University Press [2017] © 2017 xii, 135 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Oxford keynotes One of today's most widely acclaimed composers, Arvo Pärt broke into the soundscape of the Cold War West with Tabula Rasa in 1977, a work that introduced his signature tintinnabuli style to listeners throughout the world. In the first book dedicated to this pathbreaking composition, author Kevin C. Karnes tells the story of Tabula Rasa as one of Pärt and of Europe itself, traced over the course of a quarter-century that saw momentous transitions in European culture and politics, history and memory. Beginning at the site of the work's creation in the Estonian SSR, and drawing extensively upon a range of previously unexamined archival materials, Karnes recounts Pärt's discovery of tintinnabuli amidst his experiments with the music of the Western and Soviet avant-gardes. He examines Tabula Rasa in relation to modernist conceptions of musical structure, the ascetic practice of Orthodox Christianity, postwar experiences of electronic music, and the polystylistic approaches to composition that have become emblematic of the Soviet 1970s. Tracing the export of Tabula Rasa to the West and Pärt's emigration in 1980, the book reveals intersections of critical commentary with visions of the "end of history" that attended the collapse of European communism to suggest that it was in this confluence of listening, discovery, and geopolitical reordering that enduring lines of conversation about Pärt and his music took shape. - Kevin C. Karnes is Professor of Music at Emory University. He is the author of A Kingdom Not of This World: Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna (Oxford University Press, 2013) and Music, Criticism, and the Challenge of History (Oxford University Press, 2008) Pärt, Arvo Pärt, Arvo 1935- Tabula rasa (DE-588)30011673X gnd rswk-swf Geschichte gnd rswk-swf Pärt, Arvo 1935- Tabula rasa (DE-588)30011673X u Geschichte z DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030019617&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Karnes, Kevin C. 1972- Arvo Pärt's Tabula rasa Pärt, Arvo Pärt, Arvo 1935- Tabula rasa (DE-588)30011673X gnd |
subject_GND | (DE-588)30011673X |
title | Arvo Pärt's Tabula rasa |
title_auth | Arvo Pärt's Tabula rasa |
title_exact_search | Arvo Pärt's Tabula rasa |
title_full | Arvo Pärt's Tabula rasa Kevin C. Karnes |
title_fullStr | Arvo Pärt's Tabula rasa Kevin C. Karnes |
title_full_unstemmed | Arvo Pärt's Tabula rasa Kevin C. Karnes |
title_short | Arvo Pärt's Tabula rasa |
title_sort | arvo part s tabula rasa |
topic | Pärt, Arvo Pärt, Arvo 1935- Tabula rasa (DE-588)30011673X gnd |
topic_facet | Pärt, Arvo Pärt, Arvo 1935- Tabula rasa |
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