Sergei Prokofiev's Alexander Nevsky:
Audiences have long enjoyed Sergei Prokofievs musical score for Sergei Eisensteins 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofievs and...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2017]
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| Schriftenreihe: | Oxford keynotes
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| Zusammenfassung: | Audiences have long enjoyed Sergei Prokofievs musical score for Sergei Eisensteins 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofievs and Eisensteins work proved an enormous success, both as a collaboration of two of the twentieth centurys most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofievs music for Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofievs Alexander Nevsky from its inception through the present day. He considers the musics genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 161 Seiten Illustrationen |
| ISBN: | 9780190269562 9780190269579 |
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| 520 | |a Audiences have long enjoyed Sergei Prokofievs musical score for Sergei Eisensteins 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofievs and Eisensteins work proved an enormous success, both as a collaboration of two of the twentieth centurys most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofievs music for Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofievs Alexander Nevsky from its inception through the present day. He considers the musics genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s. | ||
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Datensatz im Suchindex
| _version_ | 1804178022865043456 |
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| adam_text | CONTENTS
ABOUT THE COMPANION WEBSITE Vtii
ACKNOWLEDGMENTS XX
1 Origins, Advantages, Anxieties i
2 Creating a Blockbuster 25
3 The Thirteenth Century in Sounds 47
4 Nevsky Goes to War 69
5 From Hot War to Cold War 95
6 Nevsky after the USSR 119
APPENDIX 135
ADDITIONAL SOURCES FOR READING
AND LISTENING J39
NOTES 141
INDEX 155
INDEX
Abuladze, Tangiz, 108
Adorno, Theodor, 10
algorithmic design, 22, 25, 47» 50, 53»
72-77» 79» 1251121
Arvo Part Centre, 46, 58
Asaf ev, Boris, 44
atonal music, 10, 32, 33, 42
Austria, 3, 61, 95,101,105
avant-garde music, 9,11,14» 19» 21-
22, 26, 28, 44» 63, 69-70,
73, 81, 91,101,111-12
Bach, Johann Sebastian, 27-28,
32-34, 38-41» 53» 56,
91» 93» 96
Barshai, Rudolf, 102
BBC Symphony Orchestra, 5,105
Beethoven, Ludwig van, 10, 66
Berger, Liubov՜, 108
Berlin. See East Berlin, West Berlin
Berlin Wall, 7, 9
Björk, 2-3
Bohlman, Philip V., 54
Bonn, 97-99» 107
Boulez, Pierre, 18, 23, 51-52, 73
BoutenefF, Peter C., 70
Brahms, Johannes, 63
Brauneiss, Leopold, 83
Brezhnev, Leonid, 11
Cage, John, 18, 51-52» 70-74» 79»
84-86, 91,111
canon, 78-79» 87
See also early music
chant, see Gregorian chant
Christianity, 9, 33-34» 71
See also Orthodox Christianity
Cizmic, Maria, 42
Clarke, David, 10-11
Cold War, 3, 7-12» 18-19»
51-52,106
Cologne, 5
communism, 10-֊11,106
Communist Party, 11, 20,
31-34,104
Composers’ Union. See Union of
Soviet Composers
Continuum (ensemble), 105
Corelli, Arcangelo, 86-87, 91
Cros, Charles, 83
Demichev, Petr, 97
dissidence, 5,18-19,102-3,106
dodecaphony. See serialism
Dufay, Guillaume, 47, 49
Dvoskina, Elena, 63-64
early music, 45-50, 54“55, 79» 99
See also Gregorian chant
East Berlin, 8
East Germany, 101
ECM Records, 8-9, 99,106-10
Egorov, Youri, 102
Eicher, Manfred, 99,106-8
electronics, 79-84, 91
See al$o magnetic tape
Eller, Heino, 29-30
Engelhardt, JefFers, 57, 70
Eno, Brian, 80-82, 92
Estonia, 4-5, 8,12-14, 20-21, 26,
29-30, 33 “35, 54-55
Estonian Radio, 33-36, 81
Frankie Goes to Hollywood, 8
Fukuyama, Francis, 10-12
Garton Ash, Timothy, 8
Georgia, Soviet, 35,101,108
Germany, 12, 96
See also East Germany, West
Germany
Giles, Patrick, 2-3, 74-75
glasnost, 29,108
Glass, Philip 9
Gorbachev, Mikhail, 6
Górecki, Henryk, 9-10
Gould, Glenn, 19
gramophone, 80
Gregorian chant, 36, 45-47»
54» 56-57
Griffìths, Paul, 107
Grindenko, Tatiana, 5, 61-65, 85,
93-94» 95-96, 98,100,
107, n6mi
Gubaidulina, Sofia, 19,101
Gutman, Natalia, 105
Hilliard Ensemble, 59
Hillier, Paul, 2-3,12, 25, 38, 59
Hortus Musicus, 47-50, 56, 58,
79,101
intonation (intonatsiia)i 44-45
Jarrett, Keith, 107-8
Järvi, Neeme, 33
Karajan, Herbert von, 96
Kareda, Saale, 47, 55-56
Kautny, Oliver, 4, 20, 33
Khrennikov, Tikhon, 20-21
Khrushchev, Nikita, 18, 20
Kiev, 94,100
Kittler, Friedrich, 80, 83
Klas, Eri, 62-64, 93, 96
Kogan, Leonid, 105
Kondrashin, Kirill, 5,102
Kõrver, Boris, 29-30
Kremer, Gidon, 5, 8-9, 61-65, 85, 88,
93-94, 95-98,100,102-3,
105,107
Kundera, Milan, 7-8
Lediijš, Hardijs, 101
Leningrad, 44, 58, 61, 94» 100-1,113
Levinson, Jerrold, 76-77
Lippus, Urve, 54-55
Lithuanian Chamber
Orchestra, 61, 95
Liubimov, Alexei, 54,100-1
London, 5, 97,102,105
magnetic tape, 73-74» 79-83
Mahler, Gustav, 45
Martynov, Vladimir, 101,111
mathematics, 46, 50-54, 57, 73
Mattner, Lothar, 66-68
medieval music. See early music
Mihkelson, Immo, 35, 58
minimalism, 9,106
holy, 9-11,106
mystical. See minimalism, holy
Ministry of Culture, Soviet, 18, 27,
34, 94, 97
132
ÍNDEX
Mosch, Ulrich, 69
Moscow, 7, 21, 26, 31, 34, 70, 97,
100,108
Mozart, Wolfgang Amadeus, 96
Mustonen, Andres, 47-49» 58-59»
79,100-1
Neoplatonism, 52, 55-57
New York, 6, 32, 84,105
number. See mathematics
Orthodox Christianity, 6,36, 45-46,
52, 57, 69-70,109
Paris, 6 20, 26,106
Part, Arvo, 4-7,13-14» 35-36,100-2
emigration, 37, 52,103-5,108
film music, 36, 46, 81-82,102
Soviet reception of, 12-13, 20-21,
26- 27, 29-30, 34-35»
92-94, 100-2,108-9
RECORDINGS
Alina, 1
An den Wassern zu Babel saßen
wir un weinten, 59-60
Tabula Rasa, 8-9,106-11
WORKS
An den Wassern zu Babel
saßen wir und weinten,
49-50, 59-60
Arbos, 51, 78
Calix, 48, 73, 78
Cantus in Memory of Benjamin
Britten, 5, 78,102,107
Collage über B-A-C-H, 22,
27- 28, 91
Credo, 32-36, 42, 46, 50, 54» 9i»
94,101
Diagrammid, 22
Festina Lente, 83
Fratres, 107
Für Alina, 47-50, 59
If Bach Had Kept Bees, 38-42,
48-50, 53» 56, 85
ƒ« Spe, 47-50, 59
Miserere, 48
Modus, 48-50, 58, 73, 82,116x111,
i22n2o, i25n2i, 125036
Nekrolog, 20-22, 24
“Op. 17, ” 31
Owr Garden (Meie aed),
21, 27, 46
Pari Intervallo, 48, 50
Passio, 53, 59
Perpetuum Mobile, 22-27,108
Pro et Contra, 84-85
Sarah Was Ninety Years Old,
48-50, llónil, 122n20
Solfeggio, 24-27» 42» 50, 73
Sotfg to f/zc Beloved (Laul
armastatule), 36, 47
Stride of the World (Maailma
samm), 21, 27
Symphony No. 1, 22, 27, 30
Symphony No. 2, 59
Symphony No. 3, 36, 47, 58
Tabula Rasa, 2-3, 22, 25, 27, 29,
47» 50-51» 60
composition of, 61-62,
72,126 n52
premiere of, 62-65, 92-94
“Tintinnabuli” suite, 43-44,
47-50, 58, 61,101
Variationen zur Gesundung von
Arinuschka, 123037
See also tintinnabuli
Pärt, Nora, 35-36, 43-44» 51»
58-59, 64-65, 92»
103-5, i25n2i
Pearce, Edward, 11
perestroika, 6, 29,108-9
phonograph, 80, 83
Pink Floyd, 99,110
Platonism. See Neoplatonism
INDEX
133
polystylism, 28-29, 32, 38, 50, 53, 66,
84-86, 91,109
Popov, Vladimir, 1271160
popular music, 8-9, 92, 99,110-12
Postnikova, Viktoria, 105
prepared piano, 62, 69-70, 75-77,
79»84-87
process. See algorithmic design
Purcell, Henry, 96
Quillen, William, 108
Raats, Jaan, 32
Reich, Steve 9, 25, 73-74» 79» 91» 107
religion, 10, 33, 54-55» 1211113
See also Christianity, Orthodox
Christianity
Restagno, Enzo, 59, 71
Rey, Anne, 103
Riga, 5, 63, 70, 94,100, ii6nn
Rihm, Wolfgang, 106s
Robinson, Thomas, 72
Rockwell, John, 51
Ross, Alex, 2-3,11
Rostropovich, Mstislav, 84-85
Rothstein, Edward, 10-11
Rozhdestvensky, Leonid, 105
Rudy, Mikhail, 102
Russia, 7-8,14, 26,102-3
Sandner, Wolfgang, 84-85,
91.109- 10
Savall, Jordi, 45, 52, 54
Savenko, Svetlana, 12-14, 24» 35»
68-69,108-9
Schmelz, Peter, 17-19» 26-27, 31
Schnittke, Alfred, 19, 28-29, 61-62,
64-66, 70-71» 84-86, 91-
93» 95-97» 101,105,107
See also polystylism
Schoenberg, Arnold, 10,18-22,
51.110- 11
Schubert, Franz, 93, 96
Second World War. See
World War II
Semper, Johannes, 32
serialism, 12-14,18-27, 30, 32» 42»
45-47, 50, 73,101,110-12
Shostakovich, Dmitri, 96
Siitan, Toomas, 21-22, 33-35» 46
silence, 66-72
socialist realism, 18, 21, 27-29»
44-45, 50
See also intonation (intonatsiia)
Solzhenitsyn, Aleksandr, 51
Sondeckis, Saulius, 6i, 95
Soomere, Uno, 12
Sovetskaia muzykay 13,19, 26, 30,109
Soviet Union. See USSR
St. Petersburg. See Leningrad
Stalin, Josef, 18, 51,109
Sterne, Jonathan, 83
Sting, 8
Stravinsky, Igor, 19,30
Tallinn, 19, 20-21, 26, 29, 3i~33» 36,
44, 47-48, 58, 60, 61-62,
92,100-1,103-4
Tamberg, Eino, 26
tape. See magnetic tape
Taruskin, Richard, 51-52,
54, 87-88
tintinnabulu 2-3, 5-6, 9,12-14,
17» 19, 36
contrapuntal structure of,
38-43, 57
Part s discovery of, 45-53,
55-56, 58
tonal intimation in, 41-43
Tokun, Elena, 41
tonality, 23, 33, 42-43» 87,101,
109-10
Trojan, Manfred, 106
twelve-tone music, see serialism
134
INDEX
Union of Soviet Composers, 18, 20,
29» 31-35» 100, 102, 104
Universal Edition, 105
unofficial music, 17-19» 21
USSR, 3, 5-7» 9» 12-13» 17-18, 29» 33-
35» 54-55» 61, 91,100,108-9
Vienna, 5» 7» 94» 97,105
Vivaldi, Antonio, 84-87, 90-91
Volkonsky, Andrei, 19-20
Warsaw Autumn, 30, 84,
100,119025
West Berlin, 5,7,13, 54
West Germany, 3, 5» 7, 61, 95,
96,101
World War II, 10, 21
Young, La Monte, 32
Zagreb, 20, 30, ii8n6
INDEX
wfcyerischo
Staatsbfbiiothek
Manchen
ische j
bJiothek I
chen J
135
INDEX
Abraham, Gerald: Eight Soviet
Composers, 109-10
accessibility, 5 7» 9» 17-18, 20, 21,
30, 50, 52-55» 63-64, 83-86,
98,101,110,117,122 (see also
dostupnost)
Adorno, Theodor, 104,105
Agincourt, Battle of, 122
Aleksich, Mikhail, 76, 77
Alexander Nevsky (film) (see also
Battle on Ice) (see also
composer-director
collaboration)
as contemporary allegory, 4, 73
filming, 25-26, 36-40
manuscript musical score, 46,
125,131,15309
origins of, 12-14
plot of, 4
Prokofiev’s contract and payment
for, 31,70,144119
Russian premiere, 45» 70,72-73
scenario, 3-4» 12» 3i 70
soundtrack recording, 43-45,
67,102,106,126 (see also
inverted orchestration)
UK premiere, 82
US premiere, 44,72, 82
West German premiere, 121
music in
“Arise, Ye Russian People,” 5» 43»
52, 56-57» 60,99-100,126,133
“Cavalry Attack,” 55
“Daybreak,” 53,103
“Field of the Dead, The”
(lament), 32, 52, 62, 80
minstrel music, 58-60
psalm singing, 49, 55
“Ravaged Rus,” 52
“Song About Alexander
Nevsky,” 52, 61-62
“Swine,” 50
Aleksandr Nevsky Cantata
“Arise, Ye Russian People”
(movement four), 75, 90,
111,117
composition of, 65-68,71
“Field of the Dead, The” (move-
ment six), 111,127
Prokofiev’s program note
for, 83-84
publication of, 90, 91, 95,149053
recording of, 6, 88-89, 90,
93,149049
Russian premiere, 75-80
“Song About Alexander Nevsky”
(movement two), 75
Stalin Prize considered for, 80-81
Aleksandr Nevsky Cantata (cont)
UK premiere, 83,148n40
US premiere, 82-85
Alexander Nevsky Film-Concert, 6,
124-29* 130-33
Alfred A. Knopf (publishing
house), 97
Alpers, Vera, 25-26,40
Am-Rus Music, 90
Asafiev, Boris, 76-77, i5oni5
Ashkenazy, Vladimir, 125
AT T, 128-29
Balakirev, Mily, 61, 62
Overture on the Themes of Three
Russian Songs, 62
Ballets Russes, 14
Battle on Ice, 4, 58, 62,99,109
Eisenstein s sketches of, 32, 33, 34
media coverage, 38-40
music for (film score and can-
tata), 31, 42-43, 50-53, 55, 66,
79, 87,109,110,111
musical plans for, 32, 34-35
rehearsal of, 25-26
set of, 36-38
Bartok, Béla, 117
Concerto for Orchestra, 117
Cantata Profana, 65
BBC, 2
BBC Proms, 108,122
Beethoven, Ludwig van, 68,119
Benois, Alexander, 14
Berger, Arthur, 86,116
Biesold, Maria, 120-21,123,124
Biriukova, Ekaterina, 132
Black, Helen, 90,149*153
Bliss, Arthur, 119-20,121
“blocking method” of composition,
41,106
bogatyri, 76
Boosey and Hawkes, 95
Bordwell, David, 52-53, 55
Borodin, Alexander, 22, 61, 62,75,
76-77, 78, 97
In the Steppes of Central
Asiay 61-62
Prince Igort 57, 62,110
Bourke-White, Margaret, 81
Bowles, Paul, 84-85,87-88
Brandenberger, David, 11,73
Brohn, William, 125-26,131
Brown, Royal S., 102,107-8
Bulgakowa, Oksana, 12
Burgess, Anthony: On Mozart,
119-20,121
Caldwell, Erskine, 81
Castellón, Federico, 113
censorship, 12, 82
Chapaev, 10, 28
Chavez, Carlos, 19
Chen, Ekaterina, 132
Cheremukhin, Mikhail, 57-58,6i
Cherkasov, Nikolai, 2,3,99
Cleveland Orchestra, 125
Cold War, 4, 96, 98,111,112,116,120,
122,128
Columbia Masterworks, 88, 89,
90, i49n49
Committee on Cinematography
Affairs, 35, 69
communism, 72,111,120,124
Communist Party, 69, 70, 73,122
Central Committee of, 97
Composer-director collaboration
Eisenstein and Prokofiev, 30-35,
40-43 50-53 102-3,105-6
Popov and Eisenstein, 27-30
Composers5 Union, 20, 21, 22
comprehensibility, see
accessibility
156
INDEX
contemporaneity, 96,101,128
content, musical, 20-21, 66, 78, 96,
98 (see also konkretnost)
Copland, Aaron, 17-18,19, 20,
22» 43, 45
Criterion Collection, 42,133
Cui, Cesar, 61
dekada, 71, 75,76, 77
Diaghilev, Serge, 14,16, 64
Disney, Walt: Make Mine Music, 105
Dobrenko, Evgeny, 13
dodecaphony, 66,100
Donskoi, Dmitri, 9
dostupnost (see also accessibility), 21
Downes, Olin, 19, 84, 85-86, 87,92,
93,112
Duke, Vernon, see Vladimir
Dukelsky
Dukelsky, Vladimir, 16,17, 45,92-93
“Fm Only Human after All,” 16
Eisenstein, Sergei (see also
composer-director
collaboration)
career of, 12-13
film theory of, 29, 31,103-106
“PRKFV,” 105
“Vertical Montage,” 103-104,
107,108
FILMS
Battleship Potemkin, 9,12
Bezhin Meadow, 12, 27,30
General Line, The, 12
Ivan the Terrible, 8,107
October, 12
Old and the New, The, see The
General Line
Strike, 12
Eisler, Hanns, 104,105
Egorova, Tatiana, 107,108
Elgar, Edward, 122
Ellul, Jaques, 123
Ewen, David, 6
“Fight for Freedom,” 90
Ford, Aleksander: Krzyzacy, 6
Foreign Office of the Federal
Republic of Germany, 131
formalism, 98,124
Fosler-Lussier, Danielle, 117
Frolova-Walker, Marina, 20, 79
Fuller, Donald, 86-87
Galaktionov, Mikhail, 9
Gance, Abel: Napoléon, 15, 26
Geldern, James von, .13
Glebov, Igor, see Boris Asafiev
Glinka, Mikhail, 54, 75,78, 80,97
Ivan Susanin, 11
Life for the Tsar, A, 11,54
Goberman, John, 124-25,126,
128.129
“God Save the Tsar,” 54
Goehr, Lydia, 45
Goethe Institute, 131
Goldenweiser, Alexander, 80
Gorbachev, Mikhail, 6,120
Gorbatov, Boris, 9,10,13,14
Gorbman, Claudia, 104
Great Divide, 17-18, 64
Gulf War, 128
Hanson, Lawrence, 112
Harrison, Jay S., 112-13
highbrow culture, 16,17, 45, 72, 93,
98.117.129
Hitler, Adolf, 4,113
Hollywood, 6,17,18,19, 30, 43, 44»
45» 106
House of Cinema, 69,74
Huyssen, Andreas, 16-17
ÍNDEX
157
If Tomorrow Brings War, 14
IMG Artists, 129
inverted orchestration, 106,108
Iurenev, Rostislav, 54
Izvestiia, 18, 30
Kabalevsky, Dmitri, 78,150112
Kalenov, Igor: Alexander: The Neva
Battle, 130
Khrapchenko, Mikhail, 80 ֊81
Khrennikov, Tikhon, 100
Khrushchev, Nikita, 100
Kino, 13,38, 40,73
Kleiman, Naum, 131,133
Kolodin, Irving, 88-89
konkretnost (see also musical
content), 21
Korin, Pavel, 2, 3
Koval, Marian, 75, 76,77» 80
Emelian Pugachev, 76, 80
Krebs, Stanley D., 116
Krivosheev, Yuri, 129-30
Kruzhkov, Nikolai, 70,74-75
Kuznetsov, Georgii: The Life of
Alexander Nevsky, 130
LaGuardia, Fiorello, 90
Lankester, Michael, 126
Leeds, 90,95
Leyda, Jay, 81
Liszt, Franz: Battle of the Huns, 79
Live From Lincoln Center, 124
Lives of Remarkable People, 108
Los Angeles Philharmonic, 125,128
lowbrow culture, 16
Lugovskoi, Vladimir, 31,56, 90
Magic PearU The, 44
Maliukova, Larisa, 130
“Marseillaise, La,” 54, 55
Marich, S., 75, 78,79
Masur, Kurt, 123
McLellan, Joseph, 127-128
Melodiya, 117
Miaskovsky, Nikolai, 21,80,148023
Twelfth Symphony, 21
middlebrow culture, 16,17, 93,109
Minin and Pozharsky, 73
Ministry of Information, 122
Modern Music, 86
modernism, 21, 77, 86, 98,100,109,
113,116,117
Moguchaia Kuchka, 6i, 62, 63» 75
musical style of, 61-62, 64,
78, 97,99
Morozov, Sergei, 108
Moscow Philharmonic, 71
Mosfilm, 8, 25, 35,37, 40, 47, 48, 49»
67,108
administration of, 30, 74
Muradeli, Vano, 74,78
Musorgsky, Modest, 61
Nadell, Rosalind, 85
Name of Russia, 1
narodnost, 21,97,122,15002
national identity, 3, 4,11, 56,
57, 63,130,134 (see also
narodnost)
National Symphony Orchestra,
125,126
nationalism, 10, 20, 72, 99,119,127
and music, 21, 57-64,75-78,
85, 87, 92, 97» 99-ioi, no,
117.122
Nazis, 4,13,55-56,73, 83, 92,99, ioi,
121.123
invasion of Soviet Union, 82, 83
nonaggression pact with Soviets,
81-82,131
NBC Symphony Orchestra, 84
neoclassicism, 100
158
INDEX
Nestyev, Israel, 5, 67-68, 75,76-77»
78,79» 80, 87,97» 98-99» 100-1,
102,103,108-9, H5 141116,
150112,1501115
New England Patriots, 123
New York Herald Tribune, 84,
87» 113
New York Times, 19, 73, 81, 84, 88,
92» 124
Nice, David, 108
Olivier, Laurence: Henry V, 121-22
Olkhovsky, Andrey: Music under
the Soviets: The Agony of an
Art, iio֊i2
Oppenheim Family, The, 81
Order of Alexander Nevsky, 99
Order of Saint Alexander
Nevsky, 132
Orff, Carl: Carmina Burana, 123
Ormandy, Eugene, 85, 88, 89, 93
Paramount Studios, 30
Pasolini, Pier Paolo: Gospel
According to St Matthew, 6
patriotism, 4,10,13, 47, 56, 57» 61, 64,
86, 88, 96,112,114,115,117,
123,129,132,133
Pavlenko, Petr, 3,12,31, 70
perestroika, 77, 78,148n23
Periscope, 74
Peter 1,9,11
Peter the Great, 10,11
Philadelphia Orchestra, 85, 88
Platt, Kevin, 11
Politburo, 12
Popov, Gavriil, 27-30 (see also
composer-director
collaboration)
First Symphony, 30
Pravda, 9, 70, 75, 77, 82
Press, Stephen, 19
Previn, Andre, 125,127,129
Professor Mamlok, 81
Prokofiev, Sergei (see also
composer-director
collaboration)
and ballet, 15,18,19, 26,
32-33» 64-65
“light-serious” music, see simpli-
fication of musical style
and mass audiences, 7,16-19,
63-64, 83-84 (see also
accessibility)
opinion of film music,
15-16, 73-75
simplification of musical
style, 18-19
works (see also Alexander
Nevsky)
Ala and Lolli, 64
Cantata for the Twentieth
Anniversary of October, 66,111
Chout (ballet and suite), 65
Fifth Symphony, 97, i5on2
First Symphony (“The
Classical”)» 88
Fourth Symphony, 78
Lieutenant Kijd (film score and
suite), 18,19, 41, 65,106
Peter and the Wolf, 105
Romeo and Juliet (ballet and
suites), 33, 65
Scythian Suite, 65, 76
Sixth Symphony, 98-99
Songs of Our Days, 22
Sur le Borysthene, 18
Third Piano Concerto, 88,
101, i5oni5
Third Symphony, 78
War and Peace, 97
Zdravitsa, 66,111,115
INDEX
159
Pronin, Vasily: Commandant of Bird
Islandy 74
propaganda, 8-14, 27 38-40, 45 72»
81-82, 85,107-9, no, 111-15,
121-24,128,129
Pudovkin, Vsevolod, 54
Pushkin, Alexander, 10-11
Putin, Vladimir, 4,130
Rabinowitz, Peter J., 117
Rachel Maddow Show, The, 123
Rachmaninov, Sergei, 17
Raimi, Sam: Darkman, 6
RCA Victor, 6,113,114,115
Reiner, Fritz, 6,113
Revolution, Russian, 7,10,12, 66,116
Riley, John, 107
Rimsky-Korsakov, Nikolai, 22, 61, 75,
78,122
Legend of the Invisible City of
Kitezh, The, 54, 79
Sadko, 62,110
Snow Maiden, The, 59-60
Robinson, Harlow, 116
Roman Catholicism, 47, 49
Romantic musical values, 16, 29,78,
96,110,112,120
Romm, Mikhail, 3,12
Roosevelt, Theodore, 82
Rostropovich, Mstislav, 125
Rothstein, Edward, 127
Rozenfeld, Mikhail, 43
Russian Civil War, 74
Russian Ministry of Culture, 131
Russian Orthodoxy, 47» 132
Sabinina, Marina, 101
Sam Fox (publishing house), 90
Samoilova, Svetlana, 133
Samuel, Claude, 112
Schmelz, Peter, 100
Schoenberg, Arnold:
Gurrelieder, 65
Schubert, Mark, 88
Schwartz-Bishir, Rebecca, 109
Scriabin, Alexander, 105
Second World War, 2, 7, 22, 68, 72»
92» 93 97 99 no» 114
serialism, see dodecaphony
SerofF, Victor: Sergei
Prokofiev: A Soviet Tragedy,
113-115
Sevastopol, Siege of, 6,101
Shaporin, Yuri, 75, 76, 77
On Kulikovo Field, 76
Shostakovich, Dmitri, 68, 77, 85,
100,107
Fifth Symphony, 68, 77
Seventh Symphony, 84
Shvarts, Lev, 44, 63, 75» 77 99-too
Sikorski, 133
Simpsons, The, 123
Socialist Realism, 7, 20, 22, 52,64,
79 97, 98,102,103,109,133,
I43n4i, i5on2
sonata form, 67-68
Soviet All-Union Society for
Cultural Ties Abroad,
see VOKS
Soviet Literature, 43
Soviet Symphonic Music, 100
sovremennost, see contemporaneity
Spielberg, Steven: Jaws, 6
Stakhanov, Aleksei, 39
Stakhanovism, 39, 43,102
Stalin Era, 4» 23» 44» 55-5$, 76,129,
130,131
Stalin, Joseph, 1, 2, 3,10,12,13,14,
66, 80, 99,100,111,115,119,
127,133
Stalin Prize, 80-81, 82
Stalinism, 8, 27,123,124,127,128
160
INDEX
Stasov, Vladimir, 75
Stokowski, Leopold, 84,90, 92
Stravinsky, Igor, 85, 87
Firebird, The, 116
Petrushka, 116
Symphony of Psalms, 87
Strobel, Frank, 130-31,132,133
Suvorov, 73
Svetlanov, Evgeny, 117
Swanson, Gloria, 17, 30, 31
Taruskin, Richard, 100,123-24
TASS, 89
Tchaikovsky, Peter, 54-55, 98
1812 Overture, 54
Tcherepnin, Nikolai, 15,16
Thaw, The, 96,100
Thomson, Virgil, 97
Tisse, Eduard, 3, 36, 38, 40, 43 102
Tourel, Jennie, 90
Tsukkerman, Viktor, 74
Tumarkin, Nina, 99
Turova, Varvara, 133
Vasnetsov, Viktor, 76
Verdi, Giuseppe, 58, 61
Vishnevsky, Vsevolod, 69-70
visuality, 51,52, 68, 79-80, 83-84,
87,105
VOKS, 83, 84, 89, 90, 92
Volsky, Boris, 48, 49, 102
Wagner, Richard, 58,105,119
Walküre, Die, 131
Walton, William: Score for Henry V,
121-123
Warhol, Andy, 88, 89
Washington Post, 127
Webern, Anton; cantatas, 65-66
Weill, Kurt, 19
Westminster Choir, 84
What a Widow!, 17
Wilson, John, 129
work concept, 45,126
Zhdanov, Andrei, 98
Zhdanov resolution, 97-98,102
INDEX
Bayerische
Staatsbibliothek
München
|
| any_adam_object | 1 |
| author | Bartig, Kevin |
| author_GND | (DE-588)1046560816 |
| author_facet | Bartig, Kevin |
| author_role | aut |
| author_sort | Bartig, Kevin |
| author_variant | k b kb |
| building | Verbundindex |
| bvnumber | BV044621339 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.P865 |
| callnumber-search | ML410.P865 |
| callnumber-sort | ML 3410 P865 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 94068 |
| ctrlnum | (OCoLC)1019893482 (DE-599)BVBBV044621339 |
| dewey-full | 781.5/42092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42092 |
| dewey-search | 781.5/42092 |
| dewey-sort | 3781.5 542092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV044621339 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:57:22Z |
| institution | BVB |
| isbn | 9780190269562 9780190269579 |
| language | English |
| lccn | 017006985 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030019607 |
| oclc_num | 1019893482 |
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| physical | x, 161 Seiten Illustrationen |
| psigel | BSB_NED_20190703 |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford keynotes |
| spelling | Bartig, Kevin Verfasser (DE-588)1046560816 aut Sergei Prokofiev's Alexander Nevsky Kevin Bartig New York, NY Oxford University Press [2017] © 2017 x, 161 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Oxford keynotes Includes bibliographical references and index Audiences have long enjoyed Sergei Prokofievs musical score for Sergei Eisensteins 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofievs and Eisensteins work proved an enormous success, both as a collaboration of two of the twentieth centurys most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofievs music for Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofievs Alexander Nevsky from its inception through the present day. He considers the musics genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s. Prokofiev, Sergey 1891-1953 Prokofʹev, Sergej Sergeevič 1891-1953 Aleksandr Nevskij Kantate (DE-588)300121407 gnd rswk-swf Geschichte gnd rswk-swf Prokofʹev, Sergej Sergeevič 1891-1953 Aleksandr Nevskij Kantate (DE-588)300121407 u Geschichte z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030019607&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030019607&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030019607&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Bartig, Kevin Sergei Prokofiev's Alexander Nevsky Prokofiev, Sergey 1891-1953 Prokofʹev, Sergej Sergeevič 1891-1953 Aleksandr Nevskij Kantate (DE-588)300121407 gnd |
| subject_GND | (DE-588)300121407 |
| title | Sergei Prokofiev's Alexander Nevsky |
| title_auth | Sergei Prokofiev's Alexander Nevsky |
| title_exact_search | Sergei Prokofiev's Alexander Nevsky |
| title_full | Sergei Prokofiev's Alexander Nevsky Kevin Bartig |
| title_fullStr | Sergei Prokofiev's Alexander Nevsky Kevin Bartig |
| title_full_unstemmed | Sergei Prokofiev's Alexander Nevsky Kevin Bartig |
| title_short | Sergei Prokofiev's Alexander Nevsky |
| title_sort | sergei prokofiev s alexander nevsky |
| topic | Prokofiev, Sergey 1891-1953 Prokofʹev, Sergej Sergeevič 1891-1953 Aleksandr Nevskij Kantate (DE-588)300121407 gnd |
| topic_facet | Prokofiev, Sergey 1891-1953 Prokofʹev, Sergej Sergeevič 1891-1953 Aleksandr Nevskij Kantate |
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