Touch of evil retouched: in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
1999
|
| ISBN: | 0-312-24493-2 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044576489 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 171103s1999 |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV044576489 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Rosenbaum, Jonathan |d 1943- |0 (DE-588)120586274 |4 aut | |
| 245 | 1 | 0 | |a Touch of evil retouched |b in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened |c by Jonathan Rosenbaum |
| 264 | 1 | |c 1999 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 773 | 1 | 8 | |g pages:133-136 |
| 773 | 0 | 8 | |t The best American movie writing 1999 / ed. by Peter Bogdanovich |b 1. ed. |d New York, 1999 |g Seiten 133-136 |w (DE-604)BV013847116 |z 0-312-24493-2 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029974995 | ||
| 941 | |s 133-136 | ||
Datensatz im Suchindex
| _version_ | 1804177960658272257 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV013847116 |
| author | Rosenbaum, Jonathan 1943- |
| author_GND | (DE-588)120586274 |
| author_facet | Rosenbaum, Jonathan 1943- |
| author_role | aut |
| author_sort | Rosenbaum, Jonathan 1943- |
| author_variant | j r jr |
| building | Verbundindex |
| bvnumber | BV044576489 |
| ctrlnum | (DE-599)BVBBV044576489 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00997naa a2200253 c 4500</leader><controlfield tag="001">BV044576489</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">171103s1999 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044576489</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rosenbaum, Jonathan</subfield><subfield code="d">1943-</subfield><subfield code="0">(DE-588)120586274</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Touch of evil retouched</subfield><subfield code="b">in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened</subfield><subfield code="c">by Jonathan Rosenbaum</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1999</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:133-136</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">The best American movie writing 1999 / ed. by Peter Bogdanovich</subfield><subfield code="b">1. ed.</subfield><subfield code="d">New York, 1999</subfield><subfield code="g">Seiten 133-136</subfield><subfield code="w">(DE-604)BV013847116</subfield><subfield code="z">0-312-24493-2</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029974995</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">133-136</subfield></datafield></record></collection> |
| id | DE-604.BV044576489 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:56:23Z |
| institution | BVB |
| isbn | 0-312-24493-2 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029974995 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| record_format | marc |
| spelling | Rosenbaum, Jonathan 1943- (DE-588)120586274 aut Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened by Jonathan Rosenbaum 1999 txt rdacontent n rdamedia nc rdacarrier pages:133-136 The best American movie writing 1999 / ed. by Peter Bogdanovich 1. ed. New York, 1999 Seiten 133-136 (DE-604)BV013847116 0-312-24493-2 |
| spellingShingle | Rosenbaum, Jonathan 1943- Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened |
| title | Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened |
| title_auth | Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened |
| title_exact_search | Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened |
| title_full | Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened by Jonathan Rosenbaum |
| title_fullStr | Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened by Jonathan Rosenbaum |
| title_full_unstemmed | Touch of evil retouched in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened by Jonathan Rosenbaum |
| title_short | Touch of evil retouched |
| title_sort | touch of evil retouched in 1957 after his film noir classic had been hijacked and recut by the studio orson welles wrote a fifty eight page memo detailing how touch of evil could be save forty one years later someone listened |
| title_sub | in 1957, after his film noir classic had been hijacked and recut by the Studio, Orson Welles wrote a fifty-eight-page memo detailing how Touch of evil could be save. Forty-one years later, someone listened |
| work_keys_str_mv | AT rosenbaumjonathan touchofevilretouchedin1957afterhisfilmnoirclassichadbeenhijackedandrecutbythestudioorsonwelleswroteafiftyeightpagememodetailinghowtouchofevilcouldbesavefortyoneyearslatersomeonelistened |