The Oxford handbook of dance and reenactment:
The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic p...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2017]
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| Schriftenreihe: | Oxford handbooks
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| Schlagworte: | |
| Zusammenfassung: | The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media. - Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoming at Routledge. |
| Beschreibung: | XX, 656 Seiten Illustrationen |
| ISBN: | 9780199314201 |
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| 505 | 8 | 0 | |t The power of recall in a post-ephemeral era |r Mark Franko |t Phenomenology of the archive |t Tracing sense/reading sensation : an essay on imprints and other matters |r Martin Nachbar |t Giving sense to the past : historical d(ist)ance and the chiasmatic interlacing of affect and knowledge |r Timmy De Laet |t Martha@ ... the 1963 interview : sonic bodies, seizures, and spells |r Richard Move |t Historical fiction and historical fact |t Reenactment, dance identity, and historical fictions |r Anna Pakes |t Bound and unbound : reconstructing Merce Cunningham's Crises |r Carrie Noland |t The motion of memory, the question of history : recreating Rudolf Laban's choreographic legacy |r Susanne Franco |t Proleptic iteration |t To the letter : Lettrism, dance, reenactment |r Frédéric Pouillaude |t Letters to Lila and dramaturg's notes on Future memory : inheriting dance's alternative histories |r Kate Elswit with letters by Rani Nair |t Investigative reenactment : transmission as heuristic device |t (Re)enacting thinking in movement |r Maaike Bleeker |t Not made by hand, or arm, or leg : the acheiropoietics of performance |r Branislav Jakovljević |t Pedagogic in(ter)ventions : on the potential of (re)enacting Yvonne Rainer's Continuous project/Altered daily in a dance education context |r Yvonne Hardt |t Enacting testimony/performing cultural memory/spectatorship as practice |t What remains of the witness? Testimony as epistemological category : schlepping the trace |r Susanne Foellmer |t Baroque relations : performing silver and gold in Daniel Rabel's Ballets of the Americas |r VK Preston |
| 505 | 8 | 0 | |t Reenacting Kaisika natakam : ritual dance-theater of India / Ketu H. Katrak with Anita Ratnam |t Gloriously inept and satisfyingly true : reenactment and the practice of spectating |r P.A. Skantze |t The politics of reenactment |t Blasting out of the past : the politics of history and memory in Janez Janša's reconstructions |r Ramsay Burt |t Reenactment as racialized scandal |r Anthea Kraut |t Reenacting modernist time : William Kentridge's The refusal of time |r Christel Stalpaert |t Redistributions of time in geography, architecture, and modernist narrative |t Quito-Brussels : a dancer's cultural geography |r Fabián Barba |t Dance and the distributed body : Odissi and Mahari performance |r Anurima Banerji |t Choreographic re-embodiment between text and dance |r Susan Jones |t Epistemologies of inter-temporality |t Affect, technique, and discourse : being actively passive in the face of history : reconstruction of reconstruction |r Gerald Siegmund |t Epilogue to an epilogue : historicizing the re- in danced reenactment |r Mark Franko |t The time of reenactment in basse danse and bassadanza |r Seeta Chaganti |t Time layers, time leaps, time loss : methodologies of dance historiography |r Christina Thurner |t Reenactment in/as global knowledge circulation |t (In)distinct positions : the politics of theorizing choreography |r Jens Richard Giersdorf |t Scenes of reenactment/logics of derivation in dance |r Randy Martin |t A proposition for reenactment : Disco Angola by Stan Douglas |r Catherine M. Soussloff |
| 505 | 8 | 0 | |t Dance in search of its own history : on the contemporary circulation of past knowledge |r Sabine Huschka |t Notes after the fact |r Lucia Ruprecht |
| 520 | |a The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media. - Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoming at Routledge. | ||
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Datensatz im Suchindex
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| author2 | Franko, Mark 1946- |
| author2_role | edt |
| author2_variant | m f mf |
| author_GND | (DE-588)188561889 |
| author_additional | Mark Franko Martin Nachbar Timmy De Laet Richard Move Anna Pakes Carrie Noland Susanne Franco Frédéric Pouillaude Kate Elswit with letters by Rani Nair Maaike Bleeker Branislav Jakovljević Yvonne Hardt Susanne Foellmer VK Preston P.A. Skantze Ramsay Burt Anthea Kraut Christel Stalpaert Fabián Barba Anurima Banerji Susan Jones Gerald Siegmund Seeta Chaganti Christina Thurner Jens Richard Giersdorf Randy Martin Catherine M. Soussloff Sabine Huschka Lucia Ruprecht |
| author_facet | Franko, Mark 1946- |
| building | Verbundindex |
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| callnumber-raw | GV1782.5 |
| callnumber-search | GV1782.5 |
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| contents | The power of recall in a post-ephemeral era Phenomenology of the archive Tracing sense/reading sensation : an essay on imprints and other matters Giving sense to the past : historical d(ist)ance and the chiasmatic interlacing of affect and knowledge Martha@ ... the 1963 interview : sonic bodies, seizures, and spells Historical fiction and historical fact Reenactment, dance identity, and historical fictions Bound and unbound : reconstructing Merce Cunningham's Crises The motion of memory, the question of history : recreating Rudolf Laban's choreographic legacy Proleptic iteration To the letter : Lettrism, dance, reenactment Letters to Lila and dramaturg's notes on Future memory : inheriting dance's alternative histories Investigative reenactment : transmission as heuristic device (Re)enacting thinking in movement Not made by hand, or arm, or leg : the acheiropoietics of performance Pedagogic in(ter)ventions : on the potential of (re)enacting Yvonne Rainer's Continuous project/Altered daily in a dance education context Enacting testimony/performing cultural memory/spectatorship as practice What remains of the witness? Testimony as epistemological category : schlepping the trace Baroque relations : performing silver and gold in Daniel Rabel's Ballets of the Americas Reenacting Kaisika natakam : ritual dance-theater of India / Ketu H. Katrak with Anita Ratnam Gloriously inept and satisfyingly true : reenactment and the practice of spectating The politics of reenactment Blasting out of the past : the politics of history and memory in Janez Janša's reconstructions Reenactment as racialized scandal Reenacting modernist time : William Kentridge's The refusal of time Redistributions of time in geography, architecture, and modernist narrative Quito-Brussels : a dancer's cultural geography Dance and the distributed body : Odissi and Mahari performance Choreographic re-embodiment between text and dance Epistemologies of inter-temporality Affect, technique, and discourse : being actively passive in the face of history : reconstruction of reconstruction Epilogue to an epilogue : historicizing the re- in danced reenactment The time of reenactment in basse danse and bassadanza Time layers, time leaps, time loss : methodologies of dance historiography Reenactment in/as global knowledge circulation (In)distinct positions : the politics of theorizing choreography Scenes of reenactment/logics of derivation in dance A proposition for reenactment : Disco Angola by Stan Douglas Dance in search of its own history : on the contemporary circulation of past knowledge Notes after the fact |
| ctrlnum | (OCoLC)1011419819 (DE-599)BVBBV044576427 |
| dewey-full | 792.809 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.809 |
| dewey-search | 792.809 |
| dewey-sort | 3792.809 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV044576427 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:56:23Z |
| institution | BVB |
| isbn | 9780199314201 |
| language | English |
| lccn | 016050922 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029974937 |
| oclc_num | 1011419819 |
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| owner_facet | DE-188 DE-703 DE-B170 DE-19 DE-BY-UBM DE-12 DE-B486 |
| physical | XX, 656 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford handbooks |
| spelling | The Oxford handbook of dance and reenactment edited by Mark Franko The handbook of dance and reenactment New York, NY Oxford University Press [2017] © 2017 XX, 656 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Oxford handbooks The power of recall in a post-ephemeral era Mark Franko Phenomenology of the archive Tracing sense/reading sensation : an essay on imprints and other matters Martin Nachbar Giving sense to the past : historical d(ist)ance and the chiasmatic interlacing of affect and knowledge Timmy De Laet Martha@ ... the 1963 interview : sonic bodies, seizures, and spells Richard Move Historical fiction and historical fact Reenactment, dance identity, and historical fictions Anna Pakes Bound and unbound : reconstructing Merce Cunningham's Crises Carrie Noland The motion of memory, the question of history : recreating Rudolf Laban's choreographic legacy Susanne Franco Proleptic iteration To the letter : Lettrism, dance, reenactment Frédéric Pouillaude Letters to Lila and dramaturg's notes on Future memory : inheriting dance's alternative histories Kate Elswit with letters by Rani Nair Investigative reenactment : transmission as heuristic device (Re)enacting thinking in movement Maaike Bleeker Not made by hand, or arm, or leg : the acheiropoietics of performance Branislav Jakovljević Pedagogic in(ter)ventions : on the potential of (re)enacting Yvonne Rainer's Continuous project/Altered daily in a dance education context Yvonne Hardt Enacting testimony/performing cultural memory/spectatorship as practice What remains of the witness? Testimony as epistemological category : schlepping the trace Susanne Foellmer Baroque relations : performing silver and gold in Daniel Rabel's Ballets of the Americas VK Preston Reenacting Kaisika natakam : ritual dance-theater of India / Ketu H. Katrak with Anita Ratnam Gloriously inept and satisfyingly true : reenactment and the practice of spectating P.A. Skantze The politics of reenactment Blasting out of the past : the politics of history and memory in Janez Janša's reconstructions Ramsay Burt Reenactment as racialized scandal Anthea Kraut Reenacting modernist time : William Kentridge's The refusal of time Christel Stalpaert Redistributions of time in geography, architecture, and modernist narrative Quito-Brussels : a dancer's cultural geography Fabián Barba Dance and the distributed body : Odissi and Mahari performance Anurima Banerji Choreographic re-embodiment between text and dance Susan Jones Epistemologies of inter-temporality Affect, technique, and discourse : being actively passive in the face of history : reconstruction of reconstruction Gerald Siegmund Epilogue to an epilogue : historicizing the re- in danced reenactment Mark Franko The time of reenactment in basse danse and bassadanza Seeta Chaganti Time layers, time leaps, time loss : methodologies of dance historiography Christina Thurner Reenactment in/as global knowledge circulation (In)distinct positions : the politics of theorizing choreography Jens Richard Giersdorf Scenes of reenactment/logics of derivation in dance Randy Martin A proposition for reenactment : Disco Angola by Stan Douglas Catherine M. Soussloff Dance in search of its own history : on the contemporary circulation of past knowledge Sabine Huschka Notes after the fact Lucia Ruprecht The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media. - Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoming at Routledge. Geschichte Choreography Dance History Dance Study and teaching Reenactment (DE-588)1025861841 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Choreografie (DE-588)4069977-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Tanz (DE-588)4059028-8 s Choreografie (DE-588)4069977-8 s Reenactment (DE-588)1025861841 s DE-604 Franko, Mark 1946- (DE-588)188561889 edt Erscheint auch als Online-Ausgabe 978-0-19-933862-7 (DE-604)BV048319700 |
| spellingShingle | The Oxford handbook of dance and reenactment The power of recall in a post-ephemeral era Phenomenology of the archive Tracing sense/reading sensation : an essay on imprints and other matters Giving sense to the past : historical d(ist)ance and the chiasmatic interlacing of affect and knowledge Martha@ ... the 1963 interview : sonic bodies, seizures, and spells Historical fiction and historical fact Reenactment, dance identity, and historical fictions Bound and unbound : reconstructing Merce Cunningham's Crises The motion of memory, the question of history : recreating Rudolf Laban's choreographic legacy Proleptic iteration To the letter : Lettrism, dance, reenactment Letters to Lila and dramaturg's notes on Future memory : inheriting dance's alternative histories Investigative reenactment : transmission as heuristic device (Re)enacting thinking in movement Not made by hand, or arm, or leg : the acheiropoietics of performance Pedagogic in(ter)ventions : on the potential of (re)enacting Yvonne Rainer's Continuous project/Altered daily in a dance education context Enacting testimony/performing cultural memory/spectatorship as practice What remains of the witness? Testimony as epistemological category : schlepping the trace Baroque relations : performing silver and gold in Daniel Rabel's Ballets of the Americas Reenacting Kaisika natakam : ritual dance-theater of India / Ketu H. Katrak with Anita Ratnam Gloriously inept and satisfyingly true : reenactment and the practice of spectating The politics of reenactment Blasting out of the past : the politics of history and memory in Janez Janša's reconstructions Reenactment as racialized scandal Reenacting modernist time : William Kentridge's The refusal of time Redistributions of time in geography, architecture, and modernist narrative Quito-Brussels : a dancer's cultural geography Dance and the distributed body : Odissi and Mahari performance Choreographic re-embodiment between text and dance Epistemologies of inter-temporality Affect, technique, and discourse : being actively passive in the face of history : reconstruction of reconstruction Epilogue to an epilogue : historicizing the re- in danced reenactment The time of reenactment in basse danse and bassadanza Time layers, time leaps, time loss : methodologies of dance historiography Reenactment in/as global knowledge circulation (In)distinct positions : the politics of theorizing choreography Scenes of reenactment/logics of derivation in dance A proposition for reenactment : Disco Angola by Stan Douglas Dance in search of its own history : on the contemporary circulation of past knowledge Notes after the fact Geschichte Choreography Dance History Dance Study and teaching Reenactment (DE-588)1025861841 gnd Tanz (DE-588)4059028-8 gnd Choreografie (DE-588)4069977-8 gnd |
| subject_GND | (DE-588)1025861841 (DE-588)4059028-8 (DE-588)4069977-8 (DE-588)4143413-4 |
| title | The Oxford handbook of dance and reenactment |
| title_alt | The handbook of dance and reenactment The power of recall in a post-ephemeral era Phenomenology of the archive Tracing sense/reading sensation : an essay on imprints and other matters Giving sense to the past : historical d(ist)ance and the chiasmatic interlacing of affect and knowledge Martha@ ... the 1963 interview : sonic bodies, seizures, and spells Historical fiction and historical fact Reenactment, dance identity, and historical fictions Bound and unbound : reconstructing Merce Cunningham's Crises The motion of memory, the question of history : recreating Rudolf Laban's choreographic legacy Proleptic iteration To the letter : Lettrism, dance, reenactment Letters to Lila and dramaturg's notes on Future memory : inheriting dance's alternative histories Investigative reenactment : transmission as heuristic device (Re)enacting thinking in movement Not made by hand, or arm, or leg : the acheiropoietics of performance Pedagogic in(ter)ventions : on the potential of (re)enacting Yvonne Rainer's Continuous project/Altered daily in a dance education context Enacting testimony/performing cultural memory/spectatorship as practice What remains of the witness? Testimony as epistemological category : schlepping the trace Baroque relations : performing silver and gold in Daniel Rabel's Ballets of the Americas Reenacting Kaisika natakam : ritual dance-theater of India / Ketu H. Katrak with Anita Ratnam Gloriously inept and satisfyingly true : reenactment and the practice of spectating The politics of reenactment Blasting out of the past : the politics of history and memory in Janez Janša's reconstructions Reenactment as racialized scandal Reenacting modernist time : William Kentridge's The refusal of time Redistributions of time in geography, architecture, and modernist narrative Quito-Brussels : a dancer's cultural geography Dance and the distributed body : Odissi and Mahari performance Choreographic re-embodiment between text and dance Epistemologies of inter-temporality Affect, technique, and discourse : being actively passive in the face of history : reconstruction of reconstruction Epilogue to an epilogue : historicizing the re- in danced reenactment The time of reenactment in basse danse and bassadanza Time layers, time leaps, time loss : methodologies of dance historiography Reenactment in/as global knowledge circulation (In)distinct positions : the politics of theorizing choreography Scenes of reenactment/logics of derivation in dance A proposition for reenactment : Disco Angola by Stan Douglas Dance in search of its own history : on the contemporary circulation of past knowledge Notes after the fact |
| title_auth | The Oxford handbook of dance and reenactment |
| title_exact_search | The Oxford handbook of dance and reenactment |
| title_full | The Oxford handbook of dance and reenactment edited by Mark Franko |
| title_fullStr | The Oxford handbook of dance and reenactment edited by Mark Franko |
| title_full_unstemmed | The Oxford handbook of dance and reenactment edited by Mark Franko |
| title_short | The Oxford handbook of dance and reenactment |
| title_sort | the oxford handbook of dance and reenactment |
| topic | Geschichte Choreography Dance History Dance Study and teaching Reenactment (DE-588)1025861841 gnd Tanz (DE-588)4059028-8 gnd Choreografie (DE-588)4069977-8 gnd |
| topic_facet | Geschichte Choreography Dance History Dance Study and teaching Reenactment Tanz Choreografie Aufsatzsammlung |
| work_keys_str_mv | AT frankomark theoxfordhandbookofdanceandreenactment AT frankomark thehandbookofdanceandreenactment |