Museums and source communities: a Routledge reader
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2003
|
| Schlagworte: | |
| Beschreibung: | Includes bibliographical references (p. 252-273) and index |
| Beschreibung: | xv, 280 p. |
Internformat
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| 041 | 0 | |a eng | |
| 082 | 0 | |a 305.8/0074 |2 21 | |
| 245 | 1 | 0 | |a Museums and source communities |b a Routledge reader |c edited by Laura Peers and Alison K. Brown |
| 264 | 1 | |a London |b Routledge |c 2003 | |
| 300 | |a xv, 280 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 252-273) and index | ||
| 505 | 0 | |a Yup'ik elders in museums: fieldwork turned on its head -- The object in view: Aborigines, Melanesians, and museums -- The Arts of the Sikh Kingdoms: collaborating with a community -- Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian -- Taking the photographs home: the recovery of a Mãori history -- Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska -- Snapshots on the dreaming: photographs of the past and present -- How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology -- Curating African Worlds -- Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge -- Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt -- Glenbow's Blackfoot Gallery: working towards co-existence | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Ethnological museums and collections |x Social aspects | |
| 650 | 4 | |a Museums |x Acquisitions |x Social aspects | |
| 700 | 1 | |a Peers, Laura L. |e Sonstige |4 oth | |
| 700 | 1 | |a Brown, Alison K. |d 1971- |e Sonstige |4 oth | |
| 912 | |a ZDB-30-PAD | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029968318 | ||
Datensatz im Suchindex
| _version_ | 1804177948608036864 |
|---|---|
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV044569794 |
| collection | ZDB-30-PAD |
| contents | Yup'ik elders in museums: fieldwork turned on its head -- The object in view: Aborigines, Melanesians, and museums -- The Arts of the Sikh Kingdoms: collaborating with a community -- Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian -- Taking the photographs home: the recovery of a Mãori history -- Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska -- Snapshots on the dreaming: photographs of the past and present -- How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology -- Curating African Worlds -- Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge -- Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt -- Glenbow's Blackfoot Gallery: working towards co-existence |
| ctrlnum | (ZDB-30-PAD)EBC237356 (ZDB-89-EBL)EBL237356 (ZDB-38-EBR)ebr10097353 (OCoLC)60788519 (DE-599)BVBBV044569794 |
| dewey-full | 305.8/0074 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 305 - Groups of people |
| dewey-raw | 305.8/0074 |
| dewey-search | 305.8/0074 |
| dewey-sort | 3305.8 274 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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| id | DE-604.BV044569794 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:56:11Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029968318 |
| oclc_num | 60788519 |
| open_access_boolean | |
| physical | xv, 280 p. |
| psigel | ZDB-30-PAD |
| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | Routledge |
| record_format | marc |
| spelling | Museums and source communities a Routledge reader edited by Laura Peers and Alison K. Brown London Routledge 2003 xv, 280 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. 252-273) and index Yup'ik elders in museums: fieldwork turned on its head -- The object in view: Aborigines, Melanesians, and museums -- The Arts of the Sikh Kingdoms: collaborating with a community -- Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian -- Taking the photographs home: the recovery of a Mãori history -- Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska -- Snapshots on the dreaming: photographs of the past and present -- How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology -- Curating African Worlds -- Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge -- Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt -- Glenbow's Blackfoot Gallery: working towards co-existence Gesellschaft Ethnological museums and collections Social aspects Museums Acquisitions Social aspects Peers, Laura L. Sonstige oth Brown, Alison K. 1971- Sonstige oth |
| spellingShingle | Museums and source communities a Routledge reader Yup'ik elders in museums: fieldwork turned on its head -- The object in view: Aborigines, Melanesians, and museums -- The Arts of the Sikh Kingdoms: collaborating with a community -- Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian -- Taking the photographs home: the recovery of a Mãori history -- Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska -- Snapshots on the dreaming: photographs of the past and present -- How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology -- Curating African Worlds -- Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge -- Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt -- Glenbow's Blackfoot Gallery: working towards co-existence Gesellschaft Ethnological museums and collections Social aspects Museums Acquisitions Social aspects |
| title | Museums and source communities a Routledge reader |
| title_auth | Museums and source communities a Routledge reader |
| title_exact_search | Museums and source communities a Routledge reader |
| title_full | Museums and source communities a Routledge reader edited by Laura Peers and Alison K. Brown |
| title_fullStr | Museums and source communities a Routledge reader edited by Laura Peers and Alison K. Brown |
| title_full_unstemmed | Museums and source communities a Routledge reader edited by Laura Peers and Alison K. Brown |
| title_short | Museums and source communities |
| title_sort | museums and source communities a routledge reader |
| title_sub | a Routledge reader |
| topic | Gesellschaft Ethnological museums and collections Social aspects Museums Acquisitions Social aspects |
| topic_facet | Gesellschaft Ethnological museums and collections Social aspects Museums Acquisitions Social aspects |
| work_keys_str_mv | AT peerslaural museumsandsourcecommunitiesaroutledgereader AT brownalisonk museumsandsourcecommunitiesaroutledgereader |