The Routledge companion to Latin American cinema:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Beschreibung: | xviii, 400 Seiten Illustrationen |
| ISBN: | 9781138855267 |
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| adam_text | CONTENTS
List of figures x
Notes on contributors xv
Introduction: troubling histories 1
Marvin D’Lugo, Ana M. Lopez, and Laura Podolsky
PARTI
Historiographies 15
1 National cinema 17
Juan Poblete
2 Silent and early sound cinema in Latin America: local,
national, and transnational perspectives 31
Rielle Navitski
3 National cinemas (re)ignited: film and the state 44
Lisa Shaw} Luis Duno-Gottberg, Joanna Page} and
Ignacio M. Sanchez Prado
4 Unpacking periodization 62
Laura Podalsky
5 Off-screen culture 75
Maite Conde, Laura Isabel Serna, and Maria Fernanda
Arias Osorio
6 Space, politics, and the crisis of hegemony in Latin American film 92
Geoffrey Kantaris
vii
Contents
7 Encounters with the centaur: forms of the film-essay in Latin America 105
Maria Luisa Ortega
8 Realism, documentary, and the process genre in early
New Latin American Cinema 119
Salomé Aguilera Skvirsky
PART II
Interrogating critical paradigms 133
9 Cosmopolitan nationalisms: transnational aesthetic
negotiations in early Latin American sound cinema 135
Adrian Pérez Melgosa
10 Genre films then and now 150
Gerard Dapena
11 New Latin American stardom 164
Dolores Tierney, Victoria Rué talo, and Roberto Carlos Ortiz
12 Radical ruptures in the cinema of Latin America around “1968” 180
Mariano Mestman
13 Transnational genealogies of institutional film culture
of Cuba, 1960s-1970s 192
Masha Salazkina
14 New frameworks: collaborative and indigenous media activism 204
Frey a Schiwy, Amalia Cordova, David Wood, and Horacio Legras
15 Productions of space/places of construction: landscape and
architecture in contemporary Latin American film 223
Jens Andermann
16 Enduring art cinema 235
Nilo Couret
PART III
Business practices 249
17 Transnational networks of financing and distribution:
international co-productions 251
Luisela Alvaray
viii
Climtcnts
18 The interlocking dynamics of domestic and international film
festivals: the case of Latin American and Caribbean cinema 266
Tamara L. Falicov
PART IV
Intermedialities 279
19 Film and photography: an archeology 281
Andrea Cuarterolo
20 Problematizing film and photography 297
Alejandro Kelly Hopfenblatt and Silvana Flores
21 Film and radio intermedialities in early Latin American
sound cinema 316
Ana M. Lopez
22 Music in Latin American cinema: aural communities
on- and off-screen 329
Marvin D’Lugo
23 Film and television 344
Josetxo Cerdan and Miguel Fernandez Labayen
24 Latin American film in the digital age 358
Gonzalo Aguilar, Mariana Lacunza, and Niamh Thornton
Index 375
IX
Routledge Companions
“This excellent volume of essays provides a state-of-the-field survey of Latin American
cinemas, addressing current debates surrounding contemporary production systems,
distribution, aesthetic tendencies and reception from a cohesive, historical perspective. The
essays offer an outstanding comparative and contrastive view of developments across Latin
America that acknowledges the continuities and discontinuities that coexist in the region’s
cinema. The volume is a must-read for scholars of Latin American cinemas.”
Leslie L. Marsh, Georgia State University, USA
The Routledge Companion to Latin American Cinema is the most comprehensive survey of
Latin American cinemas available in a single volume. While highlighting state-of-the-field
research, essays also offer readers a cohesive overview of multiple facets of filmmaking in
the region, from the production system and aesthetic tendencies, to the nature of circulation
and reception. The volume recognizes the recent “new cinemas” in Argentina, Brazil,
Chile, and Mexico, and, at the same time, provides a much deeper understanding of the
contemporary moment by commenting on the aesthetic trends and industrial structures
in earlier periods. The collection features essays by established scholars as well as up-
and-coming investigators in ways that depart from existing scholarship and suggest new
directions for the field.
Contributors: Gonzalo Aguilar, Salomé Aguilera Skvirsky, Luisela Alvaray, Jens Andermann,
Maria Fernanda Arias Osorio, Josetxo Cerdán, Maite Conde, Amalia Cordova, Nilo Couret,
Andrea Cuarterolo, Gerard Dapena, Luis Duno-Gottberg, Tamara L. Falicov, Miguel
Fernández Labayen, Silvana Flores, Geoffrey Kantaris, Alejandro Kelly Hopfenblatt, Mariana
Lacunza, Horacio Legrás, Adrián Pérez Melgosa, Mariano Mestman, Rielle Navitski, María
Luisa Ortega, Roberto Carlos Ortiz, Joanna Page, Juan Poblete, Victoria Ruétalo, Masha
Salazkina, Ignacio M. Sánchez Prado, Freya Schiwy, Laura Isabel Serna, Lisa Shaw, Niamh
Thornton, Dolores Tierney, David Wood.
Marvin D’Lugo is Research Professor at Clark University, USA. He has written extensively
on Hispanic transnational cinema, focusing on “audio politics” in Latin American film. He is
currently completing a book on the digital cinema revolution in Mexico.
Ana M. López is Director of the Cuban and Caribbean Studies Institute at Tulane University,
USA. Her research is focused on Latin American and Latino film and cultural studies. She is
currently the editor of Studies in Spanish and Latin American Cinemas.
Laura Podalsky has authored The Politics of Affect and Emotion in the Contemporary Latin
American Cinema (2011) and Specular City: Transforming Culture, Consumption, and Space
in Buenos Aires, 1955-1973 (2004). She teaches Latin American film and cultural studies at
the Ohio State University, USA.
CONTENTS
List of figures x
Notes on contributors xv
Introduction: troubling histories 1
Marvin D’Lugo, Ana M. Lopez, and Laura Podolsky
PARTI
Historiographies 15
1 National cinema 17
Juan Poblete
2 Silent and early sound cinema in Latin America: local,
national, and transnational perspectives 31
Rielle Navitski
3 National cinemas (re)ignited: film and the state 44
Lisa Shaw} Luis Duno-Gottberg, Joanna Page} and
Ignacio M. Sanchez Prado
4 Unpacking periodization 62
Laura Podalsky
5 Off-screen culture 75
Maite Conde, Laura Isabel Serna, and Maria Fernanda
Arias Osorio
6 Space, politics, and the crisis of hegemony in Latin American film 92
Geoffrey Kantaris
vii
Contents
7 Encounters with the centaur: forms of the film-essay in Latin America 105
Maria Luisa Ortega
8 Realism, documentary, and the process genre in early
New Latin American Cinema 119
Salomé Aguilera Skvirsky
PART II
Interrogating critical paradigms 133
9 Cosmopolitan nationalisms: transnational aesthetic
negotiations in early Latin American sound cinema 135
Adrian Pérez Melgosa
10 Genre films then and now 150
Gerard Dapena
11 New Latin American stardom 164
Dolores Tierney, Victoria Rué talo, and Roberto Carlos Ortiz
12 Radical ruptures in the cinema of Latin America around “1968” 180
Mariano Mestman
13 Transnational genealogies of institutional film culture
of Cuba, 1960s-1970s 192
Masha Salazkina
14 New frameworks: collaborative and indigenous media activism 204
Frey a Schiwy, Amalia Cordova, David Wood, and Horacio Legras
15 Productions of space/places of construction: landscape and
architecture in contemporary Latin American film 223
Jens Andermann
16 Enduring art cinema 235
Nilo Couret
PART III
Business practices 249
17 Transnational networks of financing and distribution:
international co-productions 251
Luisela Alvaray
viii
Climtcnts
18 The interlocking dynamics of domestic and international film
festivals: the case of Latin American and Caribbean cinema 266
Tamara L. Falicov
PART IV
Intermedialities 279
19 Film and photography: an archeology 281
Andrea Cuarterolo
20 Problematizing film and photography 297
Alejandro Kelly Hopfenblatt and Silvana Flores
21 Film and radio intermedialities in early Latin American
sound cinema 316
Ana M. Lopez
22 Music in Latin American cinema: aural communities
on- and off-screen 329
Marvin D’Lugo
23 Film and television 344
Josetxo Cerdan and Miguel Fernandez Labayen
24 Latin American film in the digital age 358
Gonzalo Aguilar, Mariana Lacunza, and Niamh Thornton
Index 375
IX
Routledge Companions
“This excellent volume of essays provides a state-of-the-field survey of Latin American
cinemas, addressing current debates surrounding contemporary production systems,
distribution, aesthetic tendencies and reception from a cohesive, historical perspective. The
essays offer an outstanding comparative and contrastive view of developments across Latin
America that acknowledges the continuities and discontinuities that coexist in the region’s
cinema. The volume is a must-read for scholars of Latin American cinemas.”
Leslie L. Marsh, Georgia State University, USA
The Routledge Companion to Latin American Cinema is the most comprehensive survey of
Latin American cinemas available in a single volume. While highlighting state-of-the-field
research, essays also offer readers a cohesive overview of multiple facets of filmmaking in
the region, from the production system and aesthetic tendencies, to the nature of circulation
and reception. The volume recognizes the recent “new cinemas” in Argentina, Brazil,
Chile, and Mexico, and, at the same time, provides a much deeper understanding of the
contemporary moment by commenting on the aesthetic trends and industrial structures
in earlier periods. The collection features essays by established scholars as well as up-
and-coming investigators in ways that depart from existing scholarship and suggest new
directions for the field.
Contributors: Gonzalo Aguilar, Salomé Aguilera Skvirsky, Luisela Alvaray, Jens Andermann,
Maria Fernanda Arias Osorio, Josetxo Cerdán, Maite Conde, Amalia Cordova, Nilo Couret,
Andrea Cuarterolo, Gerard Dapena, Luis Duno-Gottberg, Tamara L. Falicov, Miguel
Fernández Labayen, Silvana Flores, Geoffrey Kantaris, Alejandro Kelly Hopfenblatt, Mariana
Lacunza, Horacio Legrás, Adrián Pérez Melgosa, Mariano Mestman, Rielle Navitski, María
Luisa Ortega, Roberto Carlos Ortiz, Joanna Page, Juan Poblete, Victoria Ruétalo, Masha
Salazkina, Ignacio M. Sánchez Prado, Freya Schiwy, Laura Isabel Serna, Lisa Shaw, Niamh
Thornton, Dolores Tierney, David Wood.
Marvin D’Lugo is Research Professor at Clark University, USA. He has written extensively
on Hispanic transnational cinema, focusing on “audio politics” in Latin American film. He is
currently completing a book on the digital cinema revolution in Mexico.
Ana M. López is Director of the Cuban and Caribbean Studies Institute at Tulane University,
USA. Her research is focused on Latin American and Latino film and cultural studies. She is
currently the editor of Studies in Spanish and Latin American Cinemas.
Laura Podalsky has authored The Politics of Affect and Emotion in the Contemporary Latin
American Cinema (2011) and Specular City: Transforming Culture, Consumption, and Space
in Buenos Aires, 1955-1973 (2004). She teaches Latin American film and cultural studies at
the Ohio State University, USA.
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| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | The Routledge companion to Latin American cinema edited by Marvin D'Lugo, Ana M. López and Laura Podalsky Companion to Latin American cinema London ; New York Routledge, Taylor & Francis Group 2018 xviii, 400 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Film Motion pictures Latin America History and criticism Film (DE-588)4017102-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Lateinamerika Lateinamerika (DE-588)4074032-8 gnd rswk-swf Lateinamerika (DE-588)4074032-8 g Film (DE-588)4017102-4 s Geschichte (DE-588)4020517-4 s DE-604 D'Lugo, Marvin 1943- (DE-588)172035856 edt López, Ana M. (DE-588)1056703725 edt Podalsky, Laura 1964- (DE-588)1045585408 edt Erscheint auch als Online-Ausgabe 978-1-315-72044-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000006&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Routledge companion to Latin American cinema Film Motion pictures Latin America History and criticism Film (DE-588)4017102-4 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4020517-4 (DE-588)4074032-8 |
| title | The Routledge companion to Latin American cinema |
| title_alt | Companion to Latin American cinema |
| title_auth | The Routledge companion to Latin American cinema |
| title_exact_search | The Routledge companion to Latin American cinema |
| title_full | The Routledge companion to Latin American cinema edited by Marvin D'Lugo, Ana M. López and Laura Podalsky |
| title_fullStr | The Routledge companion to Latin American cinema edited by Marvin D'Lugo, Ana M. López and Laura Podalsky |
| title_full_unstemmed | The Routledge companion to Latin American cinema edited by Marvin D'Lugo, Ana M. López and Laura Podalsky |
| title_short | The Routledge companion to Latin American cinema |
| title_sort | the routledge companion to latin american cinema |
| topic | Film Motion pictures Latin America History and criticism Film (DE-588)4017102-4 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Film Motion pictures Latin America History and criticism Geschichte Lateinamerika |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029963314&sequence=000006&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
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