Canadian painters in a modern world, 1925-1955: writings and reconsiderations
"A window onto the perspectives of Canadian artists during three eventful decades of local and global history. From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an int...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago
McGill-Queen's University Press
[2017]
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| Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "A window onto the perspectives of Canadian artists during three eventful decades of local and global history. From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection of writings, artwork, photos, and other documents that help to reconstruct the public spheres in which artists including Paul-Émile Borduas, Emily Carr, Alex Colville, Lawren Harris, David Milne, and Pegi Nicol MacLeod circulated. Each of the book's eight chapters consists of a narrative about a key issue or debate, consistently focusing on the relationship of art to politics and society, and on how these are negotiated in an individual's life. Relating artistic engagement with and responses to the Spanish Civil War, the Second World War, and the Cold War, Senechal Carney discovers a common desire for new connections between art and life before the atomic era. Revealing continuities, ruptures, and watershed moments, Canadian Painters in a Modern World showcases artistic production within specific socio-political contexts to shed new light on Canadian art during three decades of conflict and crisis."-- |
| Beschreibung: | xxx, 322 Seiten Illustrationen |
| ISBN: | 9780773551145 9780773551152 |
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Datensatz im Suchindex
| _version_ | 1804177926366691328 |
|---|---|
| adam_text | CONTENTS
ILLUSTRATIONS XIII
LIST OF CANADIAN ARTISTS NAMED IN THIS BOOK XVII
LIST OF PRE-1960 WRITERS ON ART NAMED IN THIS BOOK XXI
ACKNOWLEDGMENTS XXIII
A NOTE ON THE TEXT XXV
PREFACE XXVII
1 LAWREN STEWART HARRIS, EUROPE, AND THE BODHISATTVA IN THE NEXT ROOM 3
LAWREN S. HARRIS, REVIEW OF ROMAIN ROLLAND S BOOK MAHATMA GANDHI AND HIS
EXCHANGE
WITH JOHN D. SINCLAIR, 1925 20
W.G.M., A SUBSCRIBER WRITES OF THE GROUP SHOW, CANADIAN BOOKMAN, JUNE
1926 22
FROM AN ANONYMOUS EDITORIAL COMMENT ON THE SOCIETE ANONYME EXHIBITION,
CANADIAN FORUM,
1927 24
ANONYMOUS, FROM CLASSIFYING CANADIAN ART, CANADIAN BOOKMAN, 1927 25
LAWRENCE MASON, FROM MODERN ART DISPLAYED IN INTERNATIONAL EXHIBIT AT
TORONTO ART GALLERY,
THE GLOBE, 1927 26
LAWREN S. HARRIS, FROM MODERN ART AND AESTHETIC REACTIONS: AN
APPRECIATION, 1927 28
LAWREN S. HARRIS, FROM CREATIVE ART AND CANADA, SUPPLEMENT TO THE
MCGILL NEWS, 1928 30
LAWREN S. HARRIS, FROM THEOSOPHY AND ART, CANADIAN THEOSOPHIST, 1933
34
2 DISCOVERING DAVID MILNE 37
DONALD W. BUCHANAN, FROM DAVID B. MILNE, 1935 50
DAVID MILNE, LETTERS TO ALICE MASSEY, 1935 51
GRAHAM MCLNNES ON A MILNE EXHIBITION, FROM HIS ART COLUMN IN SATURDAY
NIGHT, 1935 54
GRAHAM MCLNNES ON ANOTHER MILNE EXHIBITION, FROM HIS SATURDAY NIGHT ART
COLUMN, 1936 55
DAVID MILNE, FROM A LETTER TO DONALD BUCHANAN ON THE SUBJECT OF
BUCHANAN S BIOGRAPHY
OF MORRICE, 1937 56
A CODA: HECTOR DE SAINT-DENYS GARNEAU ON MILNE, FROM A LETTER TO MAURICE
HEBERT, 1935 59
3 EMILY CARR AND THE WORDLESS SPEECH OF THINGS 63
EMILY CARR, FROM THE JOURNALS WRITTEN DURING AND AFTER HER 1927 TRIP TO
ONTARIO 73
EMILY CARR, FROM A TALK GIVEN IN VICTORIA, 1930 74
EMILY CARR, FROM THE 1930-1934 JOURNALS, WITH LETTERS FROM LAWREN S.
HARRIS 76
FROM EMILY CARR S LATER JOURNALS, 1935-1937 94
X CONTENTS
4 THE SPANISH CIVIL WAR AND THE MORAL DUTY OF ARTISTS 97
STATEMENT FOR THE MONTREAL EXHIBITION OF FRITZ BRANDTNER S PAINTINGS,
1936 112
HENRI GIRARD, FROM LA VIE ARTISTIQUE - FRITZ BRANDTNER, 1936 113
HECTOR DE SAINT-DENYS GARNEAU, CHRONIQUE DES BEAUX-ARTS: LOUIS
MUHLSTOCK, 1936 114
CHARLES COMFORT, WHERE I STAND ON SPAIN, 1936 117
FRANK H. UNDERHILL, FROM A REVIEW OF THE YEARBOOK OF THE ARTS IN CANADA,
1936 119
ELIZABETH WYN WOOD, FROM ART AND THE PRE-CAMBRIAN SHIELD, 1937 119
PARASKEVA CLARK, FROM COME OUT FROM BEHIND THE PRE-CAMBRIAN SHIELD,
1937 122
WALTER ABELL, FROM REPRESENTATION AND FORM, 1936 126
G. CAMPBELL (GRAHAM) MCLNNES, NEW HORIZONS IN CANADIAN ART, 1937 130
NORMAN BETHUNE, FROM AN APOLOGY FOR NOT WRITING LETTERS, 1936 134
5 DEFENDING ART VIVANT M MONTREAL 139
HENRI GIRARD, FROM AT SCOTT AND SONS GALLERY, J.W. MORRICE, 1933 157
JOHN LYMAN, FROM MORRICE - THE SHADOW AND THE SUBSTANCE, 1937 159
JEAN-CHARLES HARVEY, IN LITERATURE, IN ART, TO BE FREE OR NOT TO BE,
1937 160
JACQUES DE TONNANCOUR, FROM VIEWS FROM THE PROMISED LAND, 1940 161
JULIEN HEBERT, PELLAN, 1941 163
MARCEL PARIZEAU, FROM CANADIAN PAINTING TODAY, 1942 164
PAUL-EMILE BORDUAS, FROM WAYS OF SAVOURING A WORK OF ART, 1943 167
FERNAND LEDUC, BORDUAS, 1943 170
FRANCHISE SULLIVAN, FROM FEMININE ART, 1943 173
JACQUES G. DE TONNANCOUR, FROM ROBERTS, 1943 177
6 THE WAR AND NEW CULTURAL ORDER 179
ROBERT AYRE, FROM EXHIBITION OF ART OF OUR DAY BY CONTEMPORARY ARTS
SOCIETY FOUND
HAUNTING AND SIGNIFICANT, 1940 194
WALTER ABELL, FROM ART AND DEMOCRACY, 1941 195
JOHN GRIERSON, FROM DOCUMENTARY IDEA, 1942 197
ERNST NEUMANN, FROM SOME IDEAS ON PAINTING, 1942 200
MILLER BRITTAIN, ART TO-DAY, 1942 203
FREDERICK B. TAYLOR, FROM PAINTING WAR PRODUCTION, 1943 205
PARASKEVA CLARK, FROM THOUGHTS ON CANADIAN PAINTING, 1943 207
PEGI NICOL MACLEOD, RECORDING THE WOMEN S SERVICES, 1945 208
CONTENTS XI
7 THE AUTOMATISTES, TRUE POETS 211
THERESE RENAUD, POEM, 1945 223
REMI-PAUL FORGUES, SURREALISM IN MONTREAL, 1945 224
BRUNO CORMIER, FOR MODERN THOUGHT, 1945 225
FERNAND LEDUC, ALL NEW CONSCIOUSNESS ... 1946 228
CLAUDE GAUVREAU, FROM REVOLUTION AT THE CONTEMPORARY ARTS SOCIETY,
1946 229
MADELEINE GARIEPY, RIOPELLE, 1947 232
JOSEPHINE HAMBLETON, FROM A CANADIAN PAINTER OF VISION, 1948 233
PAUL-EMILE BORDUAS, LETTER TO JOSEPHINE HAMBLETON, 1948 235
PAUL-EMILE BORDUAS, FROM REFUS GLOBAL, 1948 238
8 COLD WAR CULTURE 243
MILLER BRITTAIN, A NOTE BY THE ARTIST, 1949 264
ALEX COLVILLE, STATEMENT, 1951 265
AGNES LEFORT, FROM REFLECTIONS OF A PICTURE SELLER, 1951 266
JACK SHADBOLT, FROM RECENT BRITISH COLUMBIA PAINTINGS AND THE
CONTEMPORARY TRADITION
1951 268
ALEXANDRA LUKE AND JOCK MACDONALD, STATEMENTS FROM CANADIAN ABSTRACT
EXHIBITION
1952 270
MANIFESTO OF THE PLASTICIENS, 1955 271
GUIDO MOLINARI, FROM THE TACHISTE SPACE OR THE AUTOMATIC SITUATION,
1955 274
JAMES A. HOUSTON, FROM IN SEARCH OF CONTEMPORARY ESKIMO ART, 1952 277
MARSHALL MCLUHAN, FROM NOTES ON THE MEDIA AS ART FORMS, 1954 280
NOTES 283
BIBLIOGRAPHY 299
INDEX 317
Contents
Illustrations xiii
List of Canadian Artists Named in This Book xvii
List of Pre-1960 Writers on Art Named in This Book xxi
Acknowledgments xxiii
A Note on the Text xxv
Preface xxvii
1 Lawren Stewart Harris, Europe, and the Bodhisattva in the Next Room 3
Lawren S. Harris, Review of Romain Rolland’s book Mahatma Gandhi and his exchange
with John D, Sinclair, 1925 20
W.G.M., “A Subscriber Writes of the Group Show,” Canadian Bookman, June 1926 22
From an anonymous editorial comment on the Société Anonyme exhibition, Canadian Forum,
1927 24
Anonymous, from “Classifying Canadian Art,” Canadian Bookman, 1927 25
Lawrence Mason, from ‘“Modern Art’ Displayed in International Exhibit at Toronto Art Gallery,”
The Globe, 1927 26
Lawren S. Harris, from “Modern Art and Aesthetic Reactions: An Appreciation, 1927 28
Lawren S. Harris, from “Creative Art and Canada, Supplement to the McGill News, 1928 30
Lawren S. Harris, from “Theosophy and Art,” Canadian Theosophist, 1933 34
2 Discovering David Milne 37
Donald W. Buchanan, from “David B. Milne,” 1935 50
David Milne, letters to Alice Massey, 1935 51
Graham Mclnnes on a Milne Exhibition, from his art column in Saturday Night, 1935 54
Graham Mclnnes on another Milne exhibition, from his Saturday Night art column, 1936 55
David Milne, from a letter to Donald Buchanan on the subject of Buchanan’s biography
of Morrice, 1937 56
A Coda: Hector de Saint-Denys Garneau on Milne, from a letter to Maurice Hébert, 1935 59
3 Emily Carr and the Wordless Speech of Things 63
Emily Carr, from the journals written during and after her 1927 trip to Ontario 73
Emily Carr, from a talk given in Victoria, 1930 74
Emily Carr, from the 1930-1934 journals, with letters from Lawren S. Harris 76
From Emily Carr’s later journals, 1935-1937 94
x Contents
4 The Spanish Civil War and the Moral Duty of Artists 97
Statement for the Montreal exhibition of Fritz Brandtner’s paintings, 1936 112
Henri Girard, from La vie artistique - Fritz Brandtner, 1936 113
Hector de Saint-Denys Garneau, “Chronique des beaux-arts: Louis Muhlstock,” 1936 114
Charles Comfort, “Where I Stand on Spain,” 1936 117
Frank H. Underhill, from a review of The Yearbook of the Arts in Canada, 1936 119
Elizabeth Wyn Wood, from “Art and the Pre-Cambrian Shield, 1937 119
Paraskeva Clark, from “Come Out From Behind the Pre-Cambrian Shield,” 1937 122
Walter Abell, from Representation and Form, 1936 126
G. Campbell (Graham) Mclnnes, “New Horizons in Canadian Art,” 1937 130
Norman Bethune, from “An Apology for Not Writing Letters,” 1936 134
5 Defending Art vivant in Montreal 139
Henri Girard, from “At Scott and Sons Gallery, J.W. Morrice,” 1933 157
John Lyman, from “Morrice - The Shadow and the Substance,” 1937 159
Jean-Charles Harvey, “In Literature, in Art, to Be Free or Not to Be,” 1937 160
Jacques de Tonnancour, from “Views from the Promised Land,” 1940 161
Julien Hébert, “Pellan,” 1941 163
Marcel Parizeau, from “Canadian Painting Today,” 1942 164
Paul-Émile Borduas, from “Ways of Savouring a Work of Art,” 1943 167
Fernand Leduc, “Borduas, 1943 170
Françoise Sullivan, from “Feminine Art,” 1943 173
Jacques G. de Tonnancour, from “Roberts,” 1943 177
6 The War and New Cultural Order 179
Robert Ayre, from “Exhibition of ‘Art of Our Day’ by Contemporary Arts Society Found
Haunting and Significant,” 1940 194
Walter Abell, from “Art and Democracy,” 1941 195
John Grierson, from “Documentary Idea, 1942” 197
Ernst Neumann, from “Some Ideas on Painting,” 1942 200
Miller Brittain, “Art To-day,” 1942 203
Frederick B. Taylor, from “Painting War Production,” 1943 205
Paraskeva Clark, from “Thoughts on Canadian Painting,” 1943 207
Pegi Nicol MacLeod, “Recording the Women’s Services, 1945 208
Contents xi
7 The Automatistes, True Poets 211
Thérèse Renaud, “Poem,” 1945 223
Rémi-Paul Forgues, Surrealism in Montreal,” 1945 224
Bruno Cormier, “For Modern Thought, 1945 225
Fernand Leduc, “All New Consciousness...” 1946 228
Claude Gauvreau, from “Revolution at the Contemporary Arts Society,” 1946 229
Madeleine Gariépy, “Riopelle,” 1947 232
Josephine Hambleton, from “A Canadian Painter of Vision,” 1948 233
Paul-Émile Borduas, letter to Josephine Hambleton, 1948 235
Paul-Émile Borduas, from Refus global, 1948 238
8 Cold War Culture 243
Miller Brittain, “A Note by the Artist,” 1949 264
Alex Colville, Statement, 1951 265
Agnès Lefort, from “Reflections of a Picture Seller,” 1951 266
Jack Shadbolt, from “Recent British Columbia Paintings and the Contemporary Tradition,”
1951 268
Alexandra Luke and Jock Macdonald, statements from Canadian Abstract Exhibition,
1952 270
Manifesto of the Plasticiens, 1955 271
Guido Molinari, from “The Tachiste Space or the Automatist Situation,” 1955 274
James A. Houston, from “In Search of Contemporary Eskimo Art,” 1952 277
Marshall McLuhan, from “Notes on the Media as Art Forms,” 1954 280
Notes 283
Bibliography 299
Index 317
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Kanada (DE-588)4029456-0 gnd |
| geographic_facet | Kanada |
| id | DE-604.BV044557610 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:55:50Z |
| institution | BVB |
| isbn | 9780773551145 9780773551152 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029956297 |
| oclc_num | 1012940585 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | xxx, 322 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | McGill-Queen's University Press |
| record_format | marc |
| series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| spelling | Carney, Lora Senechal 1948- Verfasser (DE-588)114533539X aut Canadian painters in a modern world, 1925-1955 writings and reconsiderations Lora Senechal Carney Montreal ; Kingston ; London ; Chicago McGill-Queen's University Press [2017] © 2017 xxx, 322 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier McGill-Queen's/Beaverbrook Canadian Foundation studies in art history "A window onto the perspectives of Canadian artists during three eventful decades of local and global history. From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection of writings, artwork, photos, and other documents that help to reconstruct the public spheres in which artists including Paul-Émile Borduas, Emily Carr, Alex Colville, Lawren Harris, David Milne, and Pegi Nicol MacLeod circulated. Each of the book's eight chapters consists of a narrative about a key issue or debate, consistently focusing on the relationship of art to politics and society, and on how these are negotiated in an individual's life. Relating artistic engagement with and responses to the Spanish Civil War, the Second World War, and the Cold War, Senechal Carney discovers a common desire for new connections between art and life before the atomic era. Revealing continuities, ruptures, and watershed moments, Canadian Painters in a Modern World showcases artistic production within specific socio-political contexts to shed new light on Canadian art during three decades of conflict and crisis."-- Geschichte 1925-1955 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf Painting, Canadian / 20th century Art and society / Canada / History / 20th century Art and society Painting, Canadian Canada 1900-1999 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Kanada (DE-588)4029456-0 g Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Geschichte 1925-1955 z DE-604 Künstler (DE-588)4033423-5 s Ästhetik (DE-588)4000626-8 s Kunstkritik (DE-588)4033659-1 s Erscheint auch als Online-Ausgabe, ePDF 978-0-7735-5192-3 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029956297&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029956297&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Carney, Lora Senechal 1948- Canadian painters in a modern world, 1925-1955 writings and reconsiderations Kunst (DE-588)4114333-4 gnd Politik (DE-588)4046514-7 gnd Kunstkritik (DE-588)4033659-1 gnd Künstler (DE-588)4033423-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4046514-7 (DE-588)4033659-1 (DE-588)4033423-5 (DE-588)4000626-8 (DE-588)4029456-0 (DE-588)4143413-4 |
| title | Canadian painters in a modern world, 1925-1955 writings and reconsiderations |
| title_auth | Canadian painters in a modern world, 1925-1955 writings and reconsiderations |
| title_exact_search | Canadian painters in a modern world, 1925-1955 writings and reconsiderations |
| title_full | Canadian painters in a modern world, 1925-1955 writings and reconsiderations Lora Senechal Carney |
| title_fullStr | Canadian painters in a modern world, 1925-1955 writings and reconsiderations Lora Senechal Carney |
| title_full_unstemmed | Canadian painters in a modern world, 1925-1955 writings and reconsiderations Lora Senechal Carney |
| title_short | Canadian painters in a modern world, 1925-1955 |
| title_sort | canadian painters in a modern world 1925 1955 writings and reconsiderations |
| title_sub | writings and reconsiderations |
| topic | Kunst (DE-588)4114333-4 gnd Politik (DE-588)4046514-7 gnd Kunstkritik (DE-588)4033659-1 gnd Künstler (DE-588)4033423-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Kunst Politik Kunstkritik Künstler Ästhetik Kanada Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029956297&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029956297&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT carneylorasenechal canadianpaintersinamodernworld19251955writingsandreconsiderations |
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Inhaltsverzeichnis