Czech Bluegrass: notes from the heart of Europe
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2017]
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| Schriftenreihe: | Folklore studies in a multicultural world
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Beschreibung: | xviii, 168 Seiten Illustrationen |
| ISBN: | 9780252083006 |
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| adam_text | CONTENTS
Foreword by Tony Trischka vii
Introduction xi
1 Place, Meaning, Community, and In-Betweenness 1
2 Czech Bluegrass Histories and Backgrounds 21
3 Making Bluegrass at Home, Abroad,
and In Between 52
4 Learning and Playing Americanness on the Fiddle 69
5 Singing Truth, Fidelity, and Play
in Czech Bluegrass Gospel 99
A Tag: America/Amerika 119
Notes on Language 125
Notes 131
Glossary of Czech Terms 141
References 143
Recommended Media 153
Index 161
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INDEX
Abaliget, Hungary, 52, 54
Abrams Brothers, 56
affordances, 74
African American music, 75, 96,105,
i36n28
Akusztikus Zenei Fesztivál, 52, 54
All Bells and Whistles (band), xvi, i39n3
‘Amazing Grace,” 115,118
America. See United States/America
American bluegrass groups, 55
American folk song, 23, 26
Americanism(s), 31, 41-42, 92, 96,105,
120; background of Czech, 20, 22-24;
concept, 19-20; folklore and tramp-
ing associations, 27-28, 37; media as
enabling, 28; and resistance, 37-38; value
of, 122-23
Americanness, 72-74, 90-91, 92, 97,120;
and language issues, 129-30
American popular culture, 28-29
American songs, re texting of, 43-44
animal glue, 63-64
anti-modernism, 70
Appalachian linguistic traits, 8
Appalachian music, 103
appeasement (in normalization-era
Czechoslovakia), 39
appropriation, 3
Armed Forces Network radio, 28, 30, 32,
106
Ash, Timothy Garton, 39
“Ashes of Love” (“Z lásky jen dým”), 46
authenticity, 8, 70, 96,118; critique of, 26;
quest for, 27
Averill, Gage, 25,113
Baez, Joan, 46-47
bagpipes, 26
Baird, Fay, xiii
Baker, Kenny, 77
Balbinka (Prague venue), 99,100,107,113,
117,118
Banjo from the foggy woods (Banjo z
mlžných lesů; Čermák), 31-32
Banjo Jamboree Festival, xv
Banjo Romantika (film), xvi, 67
banjos: construction of, 59, 94; five-string,
34, 58, i35n5; learning how to build, 33;
made by Roh, 61-64; Mastertone, 61;
photos of, 33; played by Seeger, 31, 33»
58-59; techniques, 93; tenor, 32; three-
finger “roll” technique, 59, 71, 93 i34n21
Banjo z mlžných lesů (Banjo from the foggy
woods; Čermák), 31-32
162
Index
Baringer, Lewin, 60
barriers to musical projects, 64, 65
Bateson, Gregory, 118
Bealle, John, 8, 41
Beavers (Bobři, band), 34, 50
Begbie, Jeremy, 117
Bells (Zvonky, band), 45
“Bells a Whistles,” 13903
Bendix, Regina, 26, 27
Bennett, Andy, 9
Berline, Byron, 48, 72, 77
BG Cwrkot (band), 86, 88
bimusicality, 20
Blanket (band), 45-46,105. See also Pout-
níci Praha (Pilgrims Prague)
Bluegrass Album Band, 41
Blue Grass Boys, 59,103
Bluegrass Hoppers (Fešáci, band), 34
bluegrass instruments, 34-35. See also
instruments
bluegrass lyrics, 44; translation of, 46-47
“Bluegrass/Modrá tráva,” 44
bluegrass music, 7-10; American groups,
55; communist-era, 36-37, 50; as conta-
gious, 79; cultural translations of, 66-68;
in the Czech Republic, 4-6, 7,9,10-11,
21-22; as dialogic engagement, 40-42;
“downloading,” 82-83; and the fiddle,
70-71; and gospel music, 103-5; history
of contention in, 15-16; learning, 31, 32,
82-83; links to place, 6, 7, 8; links to the
American South, 6, 90-91; meaning of,
4; newgrass style, 81-82; nostalgia move-
ment in, 50; parlor vs. frolic, 86; “polka”
feel, 71, 94; sound recordings of, 75-76;
standard songs, 14; trampgrass, 35. See
also “old-time” style
Blue Highway, 104
“Blue Ridge Cabin Home,” 2,14,41
Bobek, Pavel, 43
Bobři (Beavers), 34, 50
Bohemia, 24, 26, 39
boundaries, 118
bowing technique, 72, 86
Boym, Svetlana, 4
Brancuzsky, Luděk “Wolfi,” 19
Brandejs, Pavel “Brandy’ 88, 90
Brandejs, Petr, 21-22
Braun, Joseph “Buřt,” 23
Braun, Robert, vii
Bren, Paulina, 39
Brno, xv, 46,116,134
Brown, Alison, viii
Bryndač, Petr, 45, 71
Buller, Becky, 57
Burawoy, Michael, 107
Bureš, Zbyněk, xvii, 2-5,15, 69» 101-2,
105-7, in-15
Cantwell, Robert, xvii, 6,31,103
Čapek, Rosta, xiv, 60
“Cariboo,” 25
Carney, George, 6-7, 8
“Carolina in the Pines,” 17-18
Carson, Chuck, 44
“Cattle in the Cane,” 82
censorship, 36
Cerekvička, 62
Čermák, Jan “Honza,” 94-98,122,123
Čermák, Marko, 18, 30, 31-36, 40,59, 71,
106,120,123-24; banjo made by, 64;
visions of America, 121-24
Českost. See Czechness
Chari, Sharad, 107
Charlottesville, Va., 58,92
“Cheap Love Affair,” 44
Cherre, Vincent, 8
Chodsko region, 26
Chon, Richard, 8
Cíferský, Richard, 57-58
classical music {vážná hudba), viii, 70, 78,
80,95,142; as religious music, 102
Clements, Vassar, 80
Clifford, James, 6
close-harmony singing, 25,112-13. See also
quartet singing
computer software, 83
Confederate flag, 90-91
consumerism, 39-40
Cop (band), 18, 44,154
cottage culture, 37-39, 48-49, 69; cottaging
as process, 40
country music, 6-8, 29, 86
Country zpěvník II (songbook), 122
cowboy image, 32-33
Coyotes (Kojoti, band), 50
■
Index
163
Craig, R. Stephen, 30
Creed, Gerald, 107
criticism, 69-70
“Cross-Eyed Child,” 15
Crowe, J. D., 14
Cummings, Richard, 30
Čvančara, Jarda, 22, 33
Czech folk music, 26,105
Czech-made instruments, value of, 60-61
Czech nationalism, 91
Czechness (Českost), 5,18, 20, 27-28,31, 64,
76, 90, 97,110-11,118,129
Czech New Wave, 35
Czechoslovakia, vii
Czech Republic, xx; appeasement in, 39;
barriers to musical projects, 65; cottage
culture in, 23, 37-40; economy, 61;
folklore heritage in, 26-28; imitation
of foreign models, 30-35; influence
of foreign media, 28-30; instrument
manufacturing in, 29, 58-61; under late
communism, 45-48; under late social-
ism, 40-42; postcommunism, 48-49;
and the “Prague Spring,” 35,105; reter-
ritorialization in, 42-45; under Soviet
occupation, 35-40; tramping and tramp
songs in, 22-26,37; transnational chal-
lenges, 64-66
Czechs, visiting the United States, 67
Czechs and Balances (Kuras), 39
Czech/Slovak band touring in the United
States, 57-58
dance rhythms, 26
Deering Banjo Company, 122
Dent, Alexander, 8
deterritorialization, 41-45
“Dinah,” 25
Dixieland, 32
Dobro, viii, 4, 34,106,127. See also reso-
phonic guitar
Domažlice, 26
Dopyera, Emil, 4
Dopyera, John, viii, 4
Dopyera, Rudy, 4
Drbohlav, Ivo, 12-13, 37
Dŕevokov firm, 29
Druhá Tráva (band), viii, xiv, 123
Dubček, Alexander, 35, 36
Dvořák, Antonín, 22-23, 26
Dvořák, Tomáš, xvii, 2, 65-66,101,102,
106-7,109,110-13,116-17
Dylan, Bob, 46-47» 97
džibsonka, 35
Eanes, Jim, 123
Eastern Bloc, 30, 48,107
Elavsky, Michael, 35-36
Emerson, Ralph Waldo, 24
English, restrictions on use of, 36
environmentalism, 49
ethnography, 6,115
ethnomusicology, xii, xiv, 118
European Bluegrass Music Association, 54
European World of Bluegrass festival, xvi,
54-55» 78
“Everybody Does It in Hawaii,” 25
exclusion, 28
Fámy (band), 119
Feld, Steven, 113
Fešáci (Bluegrass Hoppers, band), 34
Fescue 911 (band), xiii, xvii
Fiala, Evžen, 30
fiddle, 69-72, 86
The Fiddlers Fakebooky 74
Finch, Mark, 8
First Quality Music, 60
Fischer, Rostislav, 17-18
Flatt, Lester, 15
Flatt and Scruggs (band), 41, 61, 71,106
Fleck, Béla, viii
“Foggy Mountain Breakdown,” 87-88
Foghorn Stringband, 92,137031
Foglar, Jaroslav, 120
folk culture, Czech, 27
folk idioms, 75
folklores: imagined, 26-28; regional, 26
folk-movement songs, 105
folk music, 23, 48; in the Czech Republic,
26,105
folk revival, 7, 9, 92
foreign radio stations, 28-30. See also
Armed Forces Network radio
forgetting, and normalization, 39
Fox, Aaron, 6
i64
Index
Fragment (band), 58
Franclíková, Slávka, 97,122; “catching”
bluegrass, 78-80; “downloading” music
in the digital age, 82-85; on expression
and playing “from within,” 85-86; inspi-
rations and aspirations, 80-82; learning
from David Koucký, 87-88
Fredericia, Denmark, 52, 55, 56
Friends of the Campfire (Kamarádí táboro-
vých ohně, band), 34
fun. See play
Gardner, Robert, 8
gender issues, 86
Gibson Company, 58-60
Gibson Mastertone banjos, 61
glue, 63-64
Goats Barn (Kozlova Stodola), 1
“The Golden Fish” (“Zlatá rybka”), 119-20
gospel music: a cappella, 99-102,106-7;
and bluegrass, 104; in the Czech context,
46,105,111-13; meaning of, 110-11; and
musical integrity, 107-9; as musical per-
formance, 116-17; spiritual dimension of,
101-3,116; and vyne, 111
Grappelli, Stephane, 80
Graves, Buck “Josh,” 4
“Great Balls of Fire,” 82
Greenbriar Boys, 33
Greenhorns (Zelenáči, band), 32, 33, 36, 43,
45 50, 71 105-6
Grey, Zane, 24
Gruber, Ruth Ellen, 4
guitars: exporting of, 29; Hawaiian, 25, 29;
jazz, 35; resophonic, viii, 4, 47, 99 (see
also Dobro)
gypsies. See Roma ethnic group
Hambly, Scott, 7
Handler, Richard, 38
Hardwig, Bill, 15
Hartford, John, 15
Haslam, Russell, 8
Hašler, Karel, 26
Hatě, 121
Havel, Vaclav, 40-41,109-10,111
Hawaiian guitar, 25, 29
“heart,” and music, 96-98
Hejda, Lubor, I34n27
Hejkal, Petr, 17-18, 95
Helľs Devils (band), 30
Hicks, Bobby, 80
hierarchy, of bands, 55
Hillbillies (Křupani, band), 45
Hillbilly Gasthaus (radio program), 30
Hillbilly Highway, 7
hillbilly music, 7, 33
Holoubek, Jiří “Jirka,” 2,11, 60,100-102,
106,109
Holoubek, Ondřej “Ondra,” 17, 60,107-12
Holý, Ladislav, 97,109-10
Hood, Mantle, 20
Hopper, Edward, 121
Hot Diggity Bluegrass Band, i39n7
Hrubý, Petr (Peter O. Ruby), xvi, 127,
i39n3
Huizinga, Johan, 117
identity, flexible, 41-42
identity politics, 27-28, 96
imitation, 31
impersonation, 31
“ľm Thinking of Colorado” (“Myslím na
Colorado”), 43
in-betweenness, 5-6, 7» i5 111; travel as, 53
Indianism, 27,122
insider/outsider, 20
instruments: bluegrass, 34-35; brand
names, 61-63; dzibsonka, 35; export, 29;
manufacturing/building, 29, 33» 58-61,
94,109; misunderstandings about,
34-35; part suppliers for, 60; value of,
109; value of Czech-made, 60-61. See
also specific instruments
International Bluegrass and Acoustic
Music Festival, 52, 54
International Bluegrass Music Association
(IBMA), 10, 124, i32n6
“I Saw the Light,” 105
Jamgrass Festival, 11-12
jamming and jam sessions, 13,14-15»
42-44, 84; as civil society, 14-15; eti-
quette for, 14
Index
165
Jaroslav Ježek Conservatory, 76
jazz guitar, 35
jazz music, 28, 32
Jedlička, Beda, 100-101
jeeps, 19
Jehlicka/Jehlička, Petr, 49,129
“Jesse James” 14
Jihlava, 40, 52
Jirásek, Pavel, 24
joking, 2-3, 5,16. See also play
“Joshua Fit the Battle of Jericho,” 105
Jurková, Zuzana, xvii, 89
Kacafirek, František “Franta,” 45,70, 71-74»
76, 97
Kamarádí táborových ohně (Friends of the
Campfire, band), 34
Kapitán Kid, 32
Karl May Festspiele (festival), 71
Kašperské Hory, 113-14
Keith, Bill, 59
Kisliuk, Michelle, xiv, xviii
knowing that vs. knowing how, 84
Kojoti (the Coyotes, band), 50
Kolya (film), 36
Kotek, Josef, 25, 26
Koucký, David, 86-92
Kovář, O., 25
Kozlova Stodola (Goafs Barn), 1
Králík, Jirka, xv, xvii, 74-78» 83, 97
Křesťan, Robert, vii, 46-47
Krishot, 60
Krištůfek, Eduard “Eda,” 16, 53
Krištůfek, Pavel, 58, 60, 63
Křupani (Hillbillies, band), 45
Kubíková, Věra, 43
Kur as, Benjamin, 39
Kůs, Petr, 2-4,15, 26, 45-46,105,119
landscape, 64
Lange, Shara, xvi, 67
language: and Americanness, 129-30;
Appalachian linguistic traits, 8; col-
loquial Czech, 17; cultural borrowings,
125-26; influence on music, 76; linguistic
transitions, 35; naming conventions,
127-29; performative, 41; pragmatics, 16;
pronunciation, 126-27; restrictions on
use of English, 36; sound of, 76
Lass, Andrew, 27-28
late socialism, 40-41
Lawson, Doyle, 46,102,104
learning, methods of, 82-83
Lears, T. J. Jackson, 27
Lebeda, Jiří, xiv, 60
Leicht, Míša, 44
Lhotka u Telče, 1, 2
Liberec, 78
Liberty Pike (band), 55
lidovka, 25-26
liminality, 5, 97
location, conception of, 42
Lodge, Martin, 66
London, Jack, 23, 24
Louňovice, 108
“Love, Please Come Home,” 82
Luka nad Jihlavou, xvii, 19
lutherie, as art/expression, 107-9
luthier, 94
Malé Svatoňovice, 21
Malina, Luboš, vii, 47
Malone, Bill, 6
Malostranská Beseda (club), 11,12,119
malý český člověk (“small Czech”), 109
mandolin, 32, 34-35, 59-6o, 107,109,
i35n8
Martin, Steve, 105
Masaryk, Tomáš Garrigue, 23,110
Mastertone banjos, 61
Matuška, Jindřich “Jindra,” 94, 98,122
May, Karl, 23, 27, 49
Mazálek, Vladimir, 60
Menda, Milan, 45
mimesis, 31
misunderstandings, 16
modality, 74-75» 76, 97
Molsky, Bruce, 92, 96
Monroe, Bill, 2-4, 7,15, 33-34» 44, 53» 59, 61,
70,110,113; as costumer, 103-4
Moore, Charlie, 123
Moravia, 26, 39
Mottl, Jaroslav, 25
Murphy, Clifford, 6
166
Index
music: African American, 75, 96,105,
136n28; amateur approach to, 117; Amer-
ican, 23, 26, 43-44; Appalachian, 103;
bluegrass-related, 34; and the creation
of social networks, 37; dance rhythms
in, 26; hillbilly, 7, 33; identification in,
17; popular, 28-29, 36; religious effects
of, 112; sonic effects of, 112-13; tone
materials (scales, modes), 76-77. See also
specific genres
musical instruments. See instruments
música sertaneja, 8
“Myslím na Colorado” (“fm Thinking of
Colorado”), 43
NaEx (band), i34n27
Namodro (band), 78, 80-82, 84
Náprstek, Vojtěch, 23, 27
Náprstek Museum, 23, 27
“Nashville Skyline Rag,” 82
Native American culture, 24
Negus, Keith, 6
Nemzetközi Bluegrass és Akusztikus Zenei
Fesztivál (International Bluegrass and
Acoustic Music Festival), 52, 54
newgrass style, 81-82
New South (band), 14
normalization, 35-40, 44
nostalgic longing, 4, 44, 50
Novotny, Luboš, vii
O’Connor, Mark, 48, 72, 80
Old Friends (band), 45
“Old Home Place,” 14
old Prague people’s songs (staropražské
lidové písničky), 26
“old-time” style, 34, 92-94» 96, 98, 137031
“On the Sea of Life,” 46
Opekar, Aleš, 28, 30
ornamentation, 96
Osborne Brothers, 46
otherness, 28
Pavlak, Lilly, 121-22
Pavličíková, Helena, 48
performance practice, 2
performative language, 41
Peroutka, Pavel, 106
personal networks, 40
Peterka, Josef, 25
Peterson, Richard, 8, 9,33, 70, 86
Pete Seeger in Prague, 1964 (CD), 31
Petr Brandejs Band, 78
Pilgrims (Poutníci, band), vii, viii, 46
Pilgrims Brno (Poutníci Brno, band),
46-48
Pilgrims Prague (Poutníci Praha, band), 45
See also Blanket
Plavci (Rangers, band), 34,43
play, 3, 82,117-18, i38n2i; vs. work, 66,118
Plocek, Jiří, 47
Plzeň, vii, viii, 18,19, 44,154
politics, 49
“polka” feel, 71» 94
popular music, 36; Czech, 28; postwar,
28-29
postsocialism, 48,107
Poutníci (Pilgrims, band), vii, viii, 46
Poutníci Brno (Pilgrims Brno, band),
46-48
Poutníci Praha (Pilgrims Prague, band), 45
See also Blanket
práce drobná, 110
pragmatics, 16
Prague (Praha): Balbinka club, 99,100;
Bidgood’s research in, xiv-xvii, 11,118,
126; bluegrass performance in, 1,11-13,
29, 45-46, 50, 73» 77» 105,128; club U
Supa, 13, 42, 83, 84; and the cottage
culture, 49; culture and folklore in, 23,
26, 29; instrument building and repair
in, 65, 66-67; Seeger s concert in, 31, 33,
58, 66; used instrument store in, 32
Prague Spring, 35,105
protest, 49
Průcha, Jaroslav, viii, 58, 59, 60, 63,13503
Ptáček, Laďa, 58, 60, 63
quartet singing, 101-2,104,106, io8,113
Quicksilver, 102,104,137113
Quintet (band), 105
racism, 89-91
Radio Free Europe/Radio Liberty, 30
Index
167
Radio Luxembourg, 28
Rakovnickej Potok (Rakovník Creek),
94-98,122
Rakovník, 94, 95
Rangers (Plavci, band), 34, 43
real imaginary, 4
recordings, illegal/pirated, 28-29, 75-76
“Red Haired Boy,” 74-76
Reidinger, Melinda, xvii, 23-24» 31» 38, 39,
40, 48-49
relationships, importance of, 40
Reliéf (band), xvi, 2-3, 5,11,12, 50,118,119,
122, i38n4; performing gospel music,
99-102,105-13,116; performing on stage,
99-101
Reno, Don, 19, 59
resophonic guitar, viii, 4, 99. See also
Dobro
reterritorialization, 41-44
retexting, of American songs, 43-44
Rinzler, Ralph, 33
road travel, 52-53
rock and roll music, 29, 36; copying of,
30-31
Rockwell, Joti, 10
Rocky Mountain Bluegrass Scene, 8
“Rocky Top,” 82
Rodgers, Jimmie, 25, 59
Roh, Zdeněk, viii, xv, xvii, 1, 43, 52, 53, 69,
122,13503; as banjo maker, 61-64, 66; in
Banjo Romantika, 67
Roh, Zdeňka, xvii, 62
Rolls Boys (band), xv-xvi, 50, 52,122;
foreign festival experiences, 56-57;
reception at foreign festivals, 54-55;
road-trip experience, 52-53
Roma ethnic group (gypsies), 28, 89
romanticism, 44
Rosenberg, Neil, xviii, 7,104
Rowan, Peter, 113
Rowdy Rascals (band), 78
Ruby, Peter O. (Petr Hrubý), xvi, 127,13903
Russia, daily lives in late socialism, 40-42
“Sailors lullaby” (“Ukolébavka
námořníka”), 25
Saloon “U Supa,” 13, 42-44, 83
Sammons, Jeffrey L., 27
Samuels, David, 4, 8
Schechner, Richard, 118
Schut, Chris, 122
Schut, Ralph, 53,119,122
Scouting movement, 24
Scruggs, Earl, 15,19, 33֊34 59» 62
Scruggs three-finger “roll,” 59, 71, 93,1341121
Scruton, Roger, 110
Seeger, Pete, 33, 58, 66; 1964 concert, 31
Seifert, Miloš, 24
self-assessment, 72
self-expression, 85-86
self-realization (seberealizace), 31, 37-39, 96
Seton, Ernest Thompson, 24, 49
Settlers Club (band), 25
Shank, Barry, 96
Skjåk, Norway, 53, 57
Sklar Diedre, 115
Škrobáková, Eva, 34-35
Škvorecký, Josef, 28
Šlapeto, 26
“Sloop John B.” 14
Slovakia, 57
“small Czech” (malý český člověk), 109
Smetana, Bedřich, 22,47
Smith, Mayne, 6
Smith, Valerie, 55, 56-57
socialism, late, 40-41
Solli, Kristin, 4, 8
Solzhenitsyn, Aleksandr, 40, 41,111
spirituality, 116
Spiritual Kvintet (band), 34,105
Spoken Prague Czech, 17
Spruce Pine (band), 123
Stanley, Ralph, 8, 53
Staří Greenhorni (album, Sunny Side), 50
staropražské lidové písničky (old Prague
peoples songs), 26
Štecha, Pavel, 38
Steep Canyon Rangers (band), xiii-xiv,
xvii, 13,105
Štěpánková, Svatka, 113-15
Stewart-McDonald, 60
Stickbuddy Jamboree (radio show), 30
Strakonice bagpipe traditions, 26
“Stránka pamětí” (Petr Kůs), 2-3
168
Index
Střešovice, 13
string band music, xiii, 14,19, 33, 71, 75,
92-95» 97» 98
Sullivan, Jerry, 104
Sullivan, Tammy, 104
Sunny Side (band), xv, 50, 75, 77
Sutton-Smith, Brian, 118
Svatý Mikuláš church (Kašperské Hory),
113-15
Sweetheart You Done Me Wrong” (Bill
Monroe), 2-3
Swing Low,” 105
tag lines, 119-20
Tenneva Ramblers (band), 25
tenor banjo, 32
T for Texas,” 59
There Is a God,” 101,112-13,118
Thile, Chris, 60
Thoreau, Henry David, 24-25
Tichota, Jiří, 34,105
Tillich, Paul, 117
Timiopulos, Antonis, 45-46
Titon, Jeff, xviii, 115,116
tone materials (scales, modes), 76-77
tonewood, 63
Toronto Area Bluegrass Committee, 8
Townsend, Charles, 17,18
traditionalism, 70
tramp camps, 23, 36
trampgrass, 35
tramping, 26, 32, 37; origins, 22-25
tramp singing, 29
Trampské písně (Supraphon recording co.)»
25
tramp song (trampská píseň), 25-26, 34, 81
Transcriber software, 83
transforming, vs. transporting, 113
transitional states, 55,107
translation, 66,142
travel, 38; as in between, 53
Trischka, Tony, 63,122
Turner, Victor, 117
“Ukolébavka námořníka” ( Sailor’s
lullaby”), 25
U Kozy, 82, 87
United States/America: Czech/Slovak band
touring, 57-58; Czech visions of, 121-24;
Czech visitors to, 67
U Supa (club), 13, 42-44» 83, 84
Val, Joe, 46
Velvet Revolution,” 59
Verdery, Katherine, 107
vnye, 18, 42; and gospel music, 111
Vondrák, Jiří, 22, 23, 26
vono as concept, 17-18, 38, 72, 76, 81, 87, 88
Voorthuizen, Netherlands, 54
Vyčítal, Honza, 32
Wagon Wheel Willie (deejay), 30
Wandervôgely 24
Warren, Paul, 71
Warsaw Pact invasion, 35-36
Weiss, Sarah, xiv, xvii
Weissberg, Eric, 33
“Whiskey before Breakfast,” 72
White Stars, 33-34» 43» 50
Williams, Hank, 105
Wise, Chubby, 80
Wissick, Brent, xiii, xvii
Wondrous Love (album, Blue Highway),
104
woodcraft, 49
workshop, 1, 21-22
Yellin, Bob, 33-34
Yurchak, Alexei, 18, 30, 40, 41, 48, m
Žák, Martin, 92-94
Ždár nad Sázavou, 123
Zelenáči (Greenhorns), 32, 33,36, 43, 45,
50, 71,105-6
Z lásky jen dým” (“Ashes of Love”), 46
“Zlatá rybka” (The golden fish), 119-20
Zvonky (Bells, band), 45
|
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| spelling | Bidgood, Lee Verfasser aut Czech Bluegrass notes from the heart of Europe Lee Bidgood Urbana ; Chicago ; Springfield University of Illinois Press [2017] © xviii, 168 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Folklore studies in a multicultural world Bluegrass (DE-588)4202493-6 gnd rswk-swf Amerikanismus (DE-588)4122791-8 gnd rswk-swf Musikpflege (DE-588)4128827-0 gnd rswk-swf Europa Tschechische Republik Tschechien (DE-588)4303381-7 gnd rswk-swf Bluegrass music / Czech Republic Bluegrass music / Europe Bluegrass music Czech Republic Europe Tschechien (DE-588)4303381-7 g Bluegrass (DE-588)4202493-6 s Amerikanismus (DE-588)4122791-8 s Musikpflege (DE-588)4128827-0 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029953947&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029953947&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029953947&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Bidgood, Lee Czech Bluegrass notes from the heart of Europe Bluegrass (DE-588)4202493-6 gnd Amerikanismus (DE-588)4122791-8 gnd Musikpflege (DE-588)4128827-0 gnd |
| subject_GND | (DE-588)4202493-6 (DE-588)4122791-8 (DE-588)4128827-0 (DE-588)4303381-7 |
| title | Czech Bluegrass notes from the heart of Europe |
| title_auth | Czech Bluegrass notes from the heart of Europe |
| title_exact_search | Czech Bluegrass notes from the heart of Europe |
| title_full | Czech Bluegrass notes from the heart of Europe Lee Bidgood |
| title_fullStr | Czech Bluegrass notes from the heart of Europe Lee Bidgood |
| title_full_unstemmed | Czech Bluegrass notes from the heart of Europe Lee Bidgood |
| title_short | Czech Bluegrass |
| title_sort | czech bluegrass notes from the heart of europe |
| title_sub | notes from the heart of Europe |
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| topic_facet | Bluegrass Amerikanismus Musikpflege Europa Tschechische Republik Tschechien |
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