Art moves: the material culture of procession in Renaissance Perugia
Art moves' reconstructs the appearance and conditions of use of processional artifacts, whether they were worn (uniforms and liveries), held by individuals, (maces, flags, and candles), or carried communally (canopy, reliquaries, banners, or statues). This is the first book on the material cult...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Turnhout
Harvey Miller Publishers
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Art moves' reconstructs the appearance and conditions of use of processional artifacts, whether they were worn (uniforms and liveries), held by individuals, (maces, flags, and candles), or carried communally (canopy, reliquaries, banners, or statues). This is the first book on the material culture of processions as a performative, multi-media, apparatus. It investigates how objects were charged with meaning from medium and fabrication to market value to size and weight. Ritual settings gave them a symbolic force that was heightened through their mobility. In the public events studied here - religious and civic celebrations, elite funerals, papal entries, city-wide penance, and relic transfers - ?moving? [pun intended] objects became the meaningful vehicles of ritual efficacy, shaping ideology, group solidarity, and social cohesion. Despite the liturgical framework, processional paraphernalia foregrounded the laity, notably secular authorities and confraternities. Art Moves also raises the issue of conflict that material ephemera could invite or even spark. Renaissance Perugia, a middling-sized city, presents a wealth of textual, visual, and material evidence, not to mention its medieval and renaissance topography. In Perugia more than anywhere else perhaps, several banners played a key role in crisis processions, becoming cult objects revered into the nineteenth century. This study also revisits artistic representations of corteges, questioning the extent of their documentary value. The approach intertwines the disciplines of art history, social history, material culture, religious studies, and anthropology. This publication offers a new way of looking at the dynamics of urban processions while revivifying the sensory experience of public life in Italy, ca. 1350-1600 |
| Beschreibung: | 323 Seiten Illustrationen |
| ISBN: | 9781909400832 |
Internformat
MARC
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| 245 | 1 | 0 | |a Art moves |b the material culture of procession in Renaissance Perugia |c Pascale Rihouet |
| 264 | 1 | |a London ; Turnhout |b Harvey Miller Publishers |c [2017] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a 323 Seiten |b Illustrationen | ||
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| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c Brown University |d 2008 |g überarbeitete Fassung | ||
| 520 | 3 | |a Art moves' reconstructs the appearance and conditions of use of processional artifacts, whether they were worn (uniforms and liveries), held by individuals, (maces, flags, and candles), or carried communally (canopy, reliquaries, banners, or statues). This is the first book on the material culture of processions as a performative, multi-media, apparatus. It investigates how objects were charged with meaning from medium and fabrication to market value to size and weight. Ritual settings gave them a symbolic force that was heightened through their mobility. In the public events studied here - religious and civic celebrations, elite funerals, papal entries, city-wide penance, and relic transfers - ?moving? [pun intended] objects became the meaningful vehicles of ritual efficacy, shaping ideology, group solidarity, and social cohesion. Despite the liturgical framework, processional paraphernalia foregrounded the laity, notably secular authorities and confraternities. Art Moves also raises the issue of conflict that material ephemera could invite or even spark. Renaissance Perugia, a middling-sized city, presents a wealth of textual, visual, and material evidence, not to mention its medieval and renaissance topography. In Perugia more than anywhere else perhaps, several banners played a key role in crisis processions, becoming cult objects revered into the nineteenth century. This study also revisits artistic representations of corteges, questioning the extent of their documentary value. The approach intertwines the disciplines of art history, social history, material culture, religious studies, and anthropology. This publication offers a new way of looking at the dynamics of urban processions while revivifying the sensory experience of public life in Italy, ca. 1350-1600 | |
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Datensatz im Suchindex
| _version_ | 1804177918203527168 |
|---|---|
| adam_text | CONTENTS
ABBREVIATIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
5
ACKNOWLEDGMENTS. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
PREFACE. . . . .
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..
. .
.......
......
. .
...
..
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.....
. .
............
...
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9
INTRODUCTION.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
15
PROCESSIONS: BETWEEN
LITURGY
AND
POLITICS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . .
19
RITUAL MOTION
AND
THE
SENSORIAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . .
..
20
SIGNS AND
SYMBOLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . .
..
22
PERUGIA
AS
A CASE-STUDY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . .
..
23
RITUAL AND
CONFLICT.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . .
..
26
SOURCES
....
,
........
.
..
...
..
. .
....
. .
....
.
.....
...
....
. . .
..
...........
. .
...
27
BOOK
ORGANIZATION.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . .
..
29
CIVIC GLAMOUR
ON THE MOVE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . .
..
31
THE STAGING
OF
A CIVIC SAINT: THE EXAMPLE
OF
ERCOLANO . . . . . . . . . . . . . . . . . . . . . . . . . .
..
32
DEPICTING
CIVIC RELIGION. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . .
..
39
THE RED
AND
SILVER
OF
CIVIC GLAMOUR.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . .
..
42
CONFRATERNAL
CLOTHING
............................
.
. . . . . . . . . . . . . . . . . . . . . . .
..
50
FLAGGING
LAW
AND
ORDER.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . .
53
FLAGS FOR PROFESSIONAL
IDENTITY.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . .
..
57
DEVOTIONAL
FLAGS
AS
SIGNS AND
SYMBOLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . .
..
60
THE ASSUMPTION
FESTIVAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . .
..
65
THE LAY
MANAGEMENT
OF
THE
PROCESSIONAL
CENTERPIECE. . . . . . . . . . . . . . . . . . . . . . . . . .
..
67
SOCIAL HARMONY?
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . .
..
70
CANDLES
..........................................................
,.
.
........
..
77
THE AFTER-PROCESSION
.....................................................
78
SYMBOLS
OF
CIVIC AUTHORITY. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .
..
80
MARKING
HIERARCHY
.......................................................
83
THE MATERIALITY
OF
PROCESSIONAL
CANDLES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . .
..
85
PURITY
AND
PIETY.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . .
88
FUNERALS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
91
ATTRACTIVE CANDLES. . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
93
I
1
I
CONTENTS
PERFORMING
WITH CANDLES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .
..
94
GENDER...................................................................
96
DISTURBANCES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
99
THE FLAMBOYANCE
OF
DEATH
.......................................................
103
THE PUBLIC
LIFE
OF
MALATESTA BAGLIONI, ALIVE AND
DEAD . . . . . . . . . . . . . . . . . . . . . . . . . .
..
105
A
RITE
OF
PASSAGE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . .
..
107
SEPARATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
107
LIMINALITY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
109
INCORPORATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . .
..
III
MOURNING
AS
A RITUAL
PERFORMANCE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . .
..
III
THE CHOREOGRAPHY
OF
HERALDRY.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . .
..
114
THE EMPTY
COFFIN
AS
SYMBOL
OF
DYNASTIC STABILITY
................................
122
BLACK
.....................................................................
126
MOVING
OBJECTS AND
RITUAL EFFICACY. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . .
..
128
THE SOVEREIGN S
PROGRESS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . .
..
131
PAPAL PERUGIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
132
RITUAL PRELUDE
AND
THE
SIGNIFICANCE
OF
KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
133
THE CORTEGE.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . .
..
138
THE WHITE AND
THE RED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .
..
140
FLAGS AND
PAPAL
HERALDRY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . .
..
146
THE BALDACHIN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
150
CHAOS
....................................................................
158
PAPAL
FAVORS AND
DISFAVORS: PAUL
III
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . .
..
161
CRISIS PROCESSIONS
AND
THE POWER
OF
BANNERS
........................................
167
MANAGING
THE
CRISIS
.......................................................
.
PURIFICATION
THROUGH
RITUAL
MOTION
..........................................
.
THE DIALOGUE
WITH
THE COSMOS
..............................................
.
TH 1 .
1
1
E APPEA TO
MATENA
SAMTS: RE
LCS
..........................................
.
THE RECOURSE TO ICONS
......................................................
.
STATUES
..................................................................
.
THE PREFERENCE
FOR BANNERS
.................................................
.
THE APPAREL
OF
MARY S
AUTHORITY
.............................................
.
THE
SANTISSIMI
GONFALONI
OF
PERUGIA
..........................................
.
RITUAL IMMOBILITY
.........................................................
.
THE POST-RENAISSANCE
LIFE
OF
BANNERS
........................................
.
LASTING
IMPRESSIONS
.......................................................
.
THE EXTRAORDINARY
RELIC TRANSFER
OF
1609
..........................................
.
A BISHOP S
RESOLUTE LEADERSHIP
...............................................
.
A BRILLIANT
IDEA
...........................................................
.
I
2
I
169
172
176
180
183
187
189
199
205
211
217
219
227
229
234
CONTENTS
PREPARATIONS
AND
LOGISTICS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . .
..
235
SYNESTHESIA AND
MATERIAL
CULTURE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . .
..
243
BEL ORDINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
245
THE AFTERMATH
OF
A PROCESSION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . .
..
248
EPILOGUE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
.
..
251
APPENDICES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
255
APPENDIX
1:
EXTANT UMBRIAN
BANNERS
........................................
255
APPENDIX
2:
FUNERAL
PROCEEDINGS
OF
MALATESTA BAGLIONI,
26
JAN.-6 FEB. 1437
........
273
APPENDIX
3:
MALATESTA BAGLIONI S
FUNERAL AND
ITS TERRITORIAL
LEGACY
.................
275
APPENDIX
4:
THE INCREDIBLE
ENTRY
OF
PERUGIA S
NEW
BISHOP, 20 JUNE 1574
.........
276
APPENDIX
5:
MASK
PROHIBITION
INSIDE CHURCHES ON THE
PROCESSIONAL ROUTE
AND
NO BATTLE
OF
THE
ROCKS DURING
THE SAINT
ERCOLANO FESTIVAL. . . . . . . . . . . . . . . . . . .
..
278
BIBLIOGRAPHY
...................................................................
279
ABBREVIATIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
279
PRIMARY
SOURCES
...........................................................
279
MANUSCRIPT
SOURCES
......................................................
279
PUBLISHED
PRIMARY
SOURCES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . .
..
280
ONLINE
SOURCES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . .
..
283
SECONDARY
SOURCES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . .
..
283
LIST
OF
ILLUSTRATIONS
............................................................
309
INDEX
.........................................................................
315
CREDITS.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..
323
I
3
I
|
| any_adam_object | 1 |
| author | Rihouet, Pascale |
| author_facet | Rihouet, Pascale |
| author_role | aut |
| author_sort | Rihouet, Pascale |
| author_variant | p r pr |
| building | Verbundindex |
| bvnumber | BV044552797 |
| classification_rvk | LN 56905 |
| ctrlnum | (OCoLC)1110098815 (DE-599)BVBBV044552797 |
| discipline | Kunstgeschichte |
| era | Geschichte 1350-1609 gnd Geschichte 1350-1600 gnd |
| era_facet | Geschichte 1350-1609 Geschichte 1350-1600 |
| format | Thesis Book |
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| genre_facet | Hochschulschrift |
| geographic | Perugia (DE-588)4045314-5 gnd |
| geographic_facet | Perugia |
| id | DE-604.BV044552797 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:55:42Z |
| institution | BVB |
| isbn | 9781909400832 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029951616 |
| oclc_num | 1110098815 |
| open_access_boolean | |
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| owner_facet | DE-Y3 DE-188 DE-11 DE-Y2 DE-255 DE-355 DE-BY-UBR |
| physical | 323 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Harvey Miller Publishers |
| record_format | marc |
| spelling | Rihouet, Pascale Verfasser aut Art moves the material culture of procession in Renaissance Perugia Pascale Rihouet London ; Turnhout Harvey Miller Publishers [2017] © 2017 323 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Dissertation Brown University 2008 überarbeitete Fassung Art moves' reconstructs the appearance and conditions of use of processional artifacts, whether they were worn (uniforms and liveries), held by individuals, (maces, flags, and candles), or carried communally (canopy, reliquaries, banners, or statues). This is the first book on the material culture of processions as a performative, multi-media, apparatus. It investigates how objects were charged with meaning from medium and fabrication to market value to size and weight. Ritual settings gave them a symbolic force that was heightened through their mobility. In the public events studied here - religious and civic celebrations, elite funerals, papal entries, city-wide penance, and relic transfers - ?moving? [pun intended] objects became the meaningful vehicles of ritual efficacy, shaping ideology, group solidarity, and social cohesion. Despite the liturgical framework, processional paraphernalia foregrounded the laity, notably secular authorities and confraternities. Art Moves also raises the issue of conflict that material ephemera could invite or even spark. Renaissance Perugia, a middling-sized city, presents a wealth of textual, visual, and material evidence, not to mention its medieval and renaissance topography. In Perugia more than anywhere else perhaps, several banners played a key role in crisis processions, becoming cult objects revered into the nineteenth century. This study also revisits artistic representations of corteges, questioning the extent of their documentary value. The approach intertwines the disciplines of art history, social history, material culture, religious studies, and anthropology. This publication offers a new way of looking at the dynamics of urban processions while revivifying the sensory experience of public life in Italy, ca. 1350-1600 Geschichte 1350-1609 gnd rswk-swf Geschichte 1350-1600 gnd rswk-swf Standarte (DE-588)4182876-8 gnd rswk-swf Religiöses Fest (DE-588)4121583-7 gnd rswk-swf Reliquie (DE-588)4177751-7 gnd rswk-swf Prozession (DE-588)4176065-7 gnd rswk-swf Bruderschaft (DE-588)4130300-3 gnd rswk-swf Perugia (DE-588)4045314-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Perugia (DE-588)4045314-5 g Prozession (DE-588)4176065-7 s Religiöses Fest (DE-588)4121583-7 s Geschichte 1350-1600 z DE-604 Bruderschaft (DE-588)4130300-3 s Standarte (DE-588)4182876-8 s Reliquie (DE-588)4177751-7 s Geschichte 1350-1609 z V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029951616&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rihouet, Pascale Art moves the material culture of procession in Renaissance Perugia Standarte (DE-588)4182876-8 gnd Religiöses Fest (DE-588)4121583-7 gnd Reliquie (DE-588)4177751-7 gnd Prozession (DE-588)4176065-7 gnd Bruderschaft (DE-588)4130300-3 gnd |
| subject_GND | (DE-588)4182876-8 (DE-588)4121583-7 (DE-588)4177751-7 (DE-588)4176065-7 (DE-588)4130300-3 (DE-588)4045314-5 (DE-588)4113937-9 |
| title | Art moves the material culture of procession in Renaissance Perugia |
| title_auth | Art moves the material culture of procession in Renaissance Perugia |
| title_exact_search | Art moves the material culture of procession in Renaissance Perugia |
| title_full | Art moves the material culture of procession in Renaissance Perugia Pascale Rihouet |
| title_fullStr | Art moves the material culture of procession in Renaissance Perugia Pascale Rihouet |
| title_full_unstemmed | Art moves the material culture of procession in Renaissance Perugia Pascale Rihouet |
| title_short | Art moves |
| title_sort | art moves the material culture of procession in renaissance perugia |
| title_sub | the material culture of procession in Renaissance Perugia |
| topic | Standarte (DE-588)4182876-8 gnd Religiöses Fest (DE-588)4121583-7 gnd Reliquie (DE-588)4177751-7 gnd Prozession (DE-588)4176065-7 gnd Bruderschaft (DE-588)4130300-3 gnd |
| topic_facet | Standarte Religiöses Fest Reliquie Prozession Bruderschaft Perugia Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029951616&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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