Traveler, there is no road: theatre, the Spanish Civil War, and the decolonial imagination in the Americas
"Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936-1939) circulated through Spanish and English...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Iowa City
University Of Iowa Press
2017
|
| Schriftenreihe: | Studies in theatre history and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936-1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere's longest-lived colonial power, Spain"... |
| Beschreibung: | Includes index |
| Beschreibung: | xii, 245 pages Illustrationen |
| ISBN: | 9781609384906 |
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| 520 | |a "Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936-1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere's longest-lived colonial power, Spain"... | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments ix
Introduction
Decolonial Spain i
1 1 Spectacles of Gender and Nation
Red Carmens within and without History 23
2 I The Making of a Transatlantic Sister Republic
Good Neighbors and Air Raids in Spain 54
3 1 Everyone Has His Lorca
Andalusi Pasts and US and Caribbean Resistance 81
4 I Moros a la costa
Blackness and the Spanish Civil War 119
5 i Dramaturgies of No-Where
Exile and Repression in Spain and the Americas 158
Conclusion
Worlds Otherwise 185
Notes 195
Index 235
|
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| spelling | Jackson-Schebetta, Lisa 1976- Verfasser (DE-588)1147317593 aut Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas Lisa Jackson-Schebetta Iowa City University Of Iowa Press 2017 xii, 245 pages Illustrationen txt rdacontent n rdamedia nc rdacarrier Studies in theatre history and culture Includes index "Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936-1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere's longest-lived colonial power, Spain"... Geschichte 1900-2000 Geschichte 1931-1943 gnd rswk-swf PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Politik Spanischer Bürgerkrieg (1936-1939) Theater Political aspects United States History 20th century PERFORMING ARTS / Theater / History & Criticism Spanischer Bürgerkrieg Motiv (DE-588)4129086-0 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Spanien USA Spain History Civil War, 1936-1939 Literature and the war Spain In literature Spain Foreign public opinion USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Spanischer Bürgerkrieg Motiv (DE-588)4129086-0 s Theater (DE-588)4059702-7 s Geschichte 1931-1943 z DE-604 Erscheint auch als Online-Ausgabe 9781609384913 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029951097&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jackson-Schebetta, Lisa 1976- Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Politik Spanischer Bürgerkrieg (1936-1939) Theater Political aspects United States History 20th century PERFORMING ARTS / Theater / History & Criticism Spanischer Bürgerkrieg Motiv (DE-588)4129086-0 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4129086-0 (DE-588)4059702-7 (DE-588)4078704-7 |
| title | Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas |
| title_auth | Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas |
| title_exact_search | Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas |
| title_full | Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas Lisa Jackson-Schebetta |
| title_fullStr | Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas Lisa Jackson-Schebetta |
| title_full_unstemmed | Traveler, there is no road theatre, the Spanish Civil War, and the decolonial imagination in the Americas Lisa Jackson-Schebetta |
| title_short | Traveler, there is no road |
| title_sort | traveler there is no road theatre the spanish civil war and the decolonial imagination in the americas |
| title_sub | theatre, the Spanish Civil War, and the decolonial imagination in the Americas |
| topic | PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Politik Spanischer Bürgerkrieg (1936-1939) Theater Political aspects United States History 20th century PERFORMING ARTS / Theater / History & Criticism Spanischer Bürgerkrieg Motiv (DE-588)4129086-0 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Politik Spanischer Bürgerkrieg (1936-1939) Theater Political aspects United States History 20th century PERFORMING ARTS / Theater / History & Criticism Spanischer Bürgerkrieg Motiv Theater Spanien USA Spain History Civil War, 1936-1939 Literature and the war Spain In literature Spain Foreign public opinion |
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