Chaste value: economic crisis, female chastity and the production of difference on Shakespeare's stage
Examines the way that theatrical representations of chastity inform broader concerns about the commoditisation of people in early capitalism. Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
|
| Schriftenreihe: | Edinburgh critical studies in Shakespeare and philosophy
|
| Schlagworte: | |
| Zusammenfassung: | Examines the way that theatrical representations of chastity inform broader concerns about the commoditisation of people in early capitalism. Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity-itself a quasi-commodity-to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange |
| Beschreibung: | x, 310 Seiten 25 cm |
| ISBN: | 147441771X 9781474417716 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044548072 | ||
| 003 | DE-604 | ||
| 005 | 20190820 | ||
| 007 | t | ||
| 008 | 171020s2017 b||| 00||| eng d | ||
| 020 | |a 147441771X |c hardback |9 1-4744-1771-X | ||
| 020 | |a 9781474417716 |c hardback |9 978-1-4744-1771-6 | ||
| 035 | |a (OCoLC)1013178765 | ||
| 035 | |a (DE-599)BVBBV044548072 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-19 | ||
| 084 | |a HI 3560 |0 (DE-625)50040: |2 rvk | ||
| 084 | |a HI 3390 |0 (DE-625)50023: |2 rvk | ||
| 100 | 1 | |a Gillen, Katherine |e Verfasser |0 (DE-588)114732039X |4 aut | |
| 245 | 1 | 0 | |a Chaste value |b economic crisis, female chastity and the production of difference on Shakespeare's stage |c Katherine Gillen |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2017] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a x, 310 Seiten |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Edinburgh critical studies in Shakespeare and philosophy | |
| 505 | 8 | |a Introduction: Chastity and the Question of Value; 1. Chastity and the Ethics of Commercial Theater in Measure for Measure, Pericles, and The Revenger's Tragedy; 2. Commercial Chastity and Aristocratic Value in Troilus and Cressida, The White Devil, and The Changeling; 3. Chaste Selfhood: Ben Jonson's Critique of Urban Chastity Tropes; 4. Chastity and Blackness: Racial Value and Commodity Potential in The Fair Maid of West, Part I and Othello; 5. Mediterranean Markets, Commoditized Masculinity, and the Whitening of Christian Chastity in The Merchant of Venice and The Renegado; 6. Chaste Treasure and National Identity in The Rape of Lucrece and Cymbeline; Coda: Approaching Capitalist Modernity | |
| 520 | 3 | |a Examines the way that theatrical representations of chastity inform broader concerns about the commoditisation of people in early capitalism. Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity-itself a quasi-commodity-to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange | |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1500-1600 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Frau | |
| 650 | 0 | 7 | |a Frau |g Motiv |0 (DE-588)4113617-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Keuschheit |g Motiv |0 (DE-588)4373434-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Wert |g Motiv |0 (DE-588)4740803-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Characters / Women | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 | |
| 653 | 0 | |a English drama / Early modern and Elizabethan, 1500-1600 / History and criticism | |
| 653 | 0 | |a Chastity in literature | |
| 653 | 0 | |a Chastity in literature | |
| 653 | 0 | |a English drama / Early modern and Elizabethan | |
| 653 | 0 | |a Women in literature | |
| 653 | 4 | |a 1500-1600 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |D p |
| 689 | 0 | 1 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 0 | 2 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 3 | |a Frau |g Motiv |0 (DE-588)4113617-2 |D s |
| 689 | 0 | 4 | |a Keuschheit |g Motiv |0 (DE-588)4373434-0 |D s |
| 689 | 0 | 5 | |a Wert |g Motiv |0 (DE-588)4740803-0 |D s |
| 689 | 0 | 6 | |a Geschichte 1500-1600 |A z |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029946991 | ||
Datensatz im Suchindex
| _version_ | 1804177910255321088 |
|---|---|
| any_adam_object | |
| author | Gillen, Katherine |
| author_GND | (DE-588)114732039X |
| author_facet | Gillen, Katherine |
| author_role | aut |
| author_sort | Gillen, Katherine |
| author_variant | k g kg |
| building | Verbundindex |
| bvnumber | BV044548072 |
| classification_rvk | HI 3560 HI 3390 |
| contents | Introduction: Chastity and the Question of Value; 1. Chastity and the Ethics of Commercial Theater in Measure for Measure, Pericles, and The Revenger's Tragedy; 2. Commercial Chastity and Aristocratic Value in Troilus and Cressida, The White Devil, and The Changeling; 3. Chaste Selfhood: Ben Jonson's Critique of Urban Chastity Tropes; 4. Chastity and Blackness: Racial Value and Commodity Potential in The Fair Maid of West, Part I and Othello; 5. Mediterranean Markets, Commoditized Masculinity, and the Whitening of Christian Chastity in The Merchant of Venice and The Renegado; 6. Chaste Treasure and National Identity in The Rape of Lucrece and Cymbeline; Coda: Approaching Capitalist Modernity |
| ctrlnum | (OCoLC)1013178765 (DE-599)BVBBV044548072 |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03972nam a2200637 c 4500</leader><controlfield tag="001">BV044548072</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190820 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">171020s2017 b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">147441771X</subfield><subfield code="c">hardback</subfield><subfield code="9">1-4744-1771-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474417716</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-4744-1771-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1013178765</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044548072</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 3560</subfield><subfield code="0">(DE-625)50040:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 3390</subfield><subfield code="0">(DE-625)50023:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gillen, Katherine</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)114732039X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Chaste value</subfield><subfield code="b">economic crisis, female chastity and the production of difference on Shakespeare's stage</subfield><subfield code="c">Katherine Gillen</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 310 Seiten</subfield><subfield code="c">25 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh critical studies in Shakespeare and philosophy</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: Chastity and the Question of Value; 1. Chastity and the Ethics of Commercial Theater in Measure for Measure, Pericles, and The Revenger's Tragedy; 2. Commercial Chastity and Aristocratic Value in Troilus and Cressida, The White Devil, and The Changeling; 3. Chaste Selfhood: Ben Jonson's Critique of Urban Chastity Tropes; 4. Chastity and Blackness: Racial Value and Commodity Potential in The Fair Maid of West, Part I and Othello; 5. Mediterranean Markets, Commoditized Masculinity, and the Whitening of Christian Chastity in The Merchant of Venice and The Renegado; 6. Chaste Treasure and National Identity in The Rape of Lucrece and Cymbeline; Coda: Approaching Capitalist Modernity</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Examines the way that theatrical representations of chastity inform broader concerns about the commoditisation of people in early capitalism. Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity-itself a quasi-commodity-to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Frau</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Keuschheit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4373434-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wert</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4740803-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Shakespeare, William / 1564-1616 / Characters / Women</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Shakespeare, William / 1564-1616</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">English drama / Early modern and Elizabethan, 1500-1600 / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Chastity in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Chastity in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">English drama / Early modern and Elizabethan</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1500-1600</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Keuschheit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4373434-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Wert</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4740803-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029946991</subfield></datafield></record></collection> |
| id | DE-604.BV044548072 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:55:35Z |
| institution | BVB |
| isbn | 147441771X 9781474417716 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029946991 |
| oclc_num | 1013178765 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-19 DE-BY-UBM |
| physical | x, 310 Seiten 25 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Edinburgh critical studies in Shakespeare and philosophy |
| spelling | Gillen, Katherine Verfasser (DE-588)114732039X aut Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage Katherine Gillen Edinburgh Edinburgh University Press [2017] © 2017 x, 310 Seiten 25 cm txt rdacontent n rdamedia nc rdacarrier Edinburgh critical studies in Shakespeare and philosophy Introduction: Chastity and the Question of Value; 1. Chastity and the Ethics of Commercial Theater in Measure for Measure, Pericles, and The Revenger's Tragedy; 2. Commercial Chastity and Aristocratic Value in Troilus and Cressida, The White Devil, and The Changeling; 3. Chaste Selfhood: Ben Jonson's Critique of Urban Chastity Tropes; 4. Chastity and Blackness: Racial Value and Commodity Potential in The Fair Maid of West, Part I and Othello; 5. Mediterranean Markets, Commoditized Masculinity, and the Whitening of Christian Chastity in The Merchant of Venice and The Renegado; 6. Chaste Treasure and National Identity in The Rape of Lucrece and Cymbeline; Coda: Approaching Capitalist Modernity Examines the way that theatrical representations of chastity inform broader concerns about the commoditisation of people in early capitalism. Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity-itself a quasi-commodity-to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1500-1600 gnd rswk-swf Frau Frau Motiv (DE-588)4113617-2 gnd rswk-swf Keuschheit Motiv (DE-588)4373434-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Wert Motiv (DE-588)4740803-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William / 1564-1616 / Characters / Women Shakespeare, William / 1564-1616 English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Chastity in literature English drama / Early modern and Elizabethan Women in literature 1500-1600 Criticism, interpretation, etc Shakespeare, William 1564-1616 (DE-588)118613723 p Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Frau Motiv (DE-588)4113617-2 s Keuschheit Motiv (DE-588)4373434-0 s Wert Motiv (DE-588)4740803-0 s Geschichte 1500-1600 z DE-604 |
| spellingShingle | Gillen, Katherine Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage Introduction: Chastity and the Question of Value; 1. Chastity and the Ethics of Commercial Theater in Measure for Measure, Pericles, and The Revenger's Tragedy; 2. Commercial Chastity and Aristocratic Value in Troilus and Cressida, The White Devil, and The Changeling; 3. Chaste Selfhood: Ben Jonson's Critique of Urban Chastity Tropes; 4. Chastity and Blackness: Racial Value and Commodity Potential in The Fair Maid of West, Part I and Othello; 5. Mediterranean Markets, Commoditized Masculinity, and the Whitening of Christian Chastity in The Merchant of Venice and The Renegado; 6. Chaste Treasure and National Identity in The Rape of Lucrece and Cymbeline; Coda: Approaching Capitalist Modernity Shakespeare, William 1564-1616 (DE-588)118613723 gnd Frau Frau Motiv (DE-588)4113617-2 gnd Keuschheit Motiv (DE-588)4373434-0 gnd Englisch (DE-588)4014777-0 gnd Wert Motiv (DE-588)4740803-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4113617-2 (DE-588)4373434-0 (DE-588)4014777-0 (DE-588)4740803-0 (DE-588)4012899-4 |
| title | Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage |
| title_auth | Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage |
| title_exact_search | Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage |
| title_full | Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage Katherine Gillen |
| title_fullStr | Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage Katherine Gillen |
| title_full_unstemmed | Chaste value economic crisis, female chastity and the production of difference on Shakespeare's stage Katherine Gillen |
| title_short | Chaste value |
| title_sort | chaste value economic crisis female chastity and the production of difference on shakespeare s stage |
| title_sub | economic crisis, female chastity and the production of difference on Shakespeare's stage |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Frau Frau Motiv (DE-588)4113617-2 gnd Keuschheit Motiv (DE-588)4373434-0 gnd Englisch (DE-588)4014777-0 gnd Wert Motiv (DE-588)4740803-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Frau Frau Motiv Keuschheit Motiv Englisch Wert Motiv Drama |
| work_keys_str_mv | AT gillenkatherine chastevalueeconomiccrisisfemalechastityandtheproductionofdifferenceonshakespearesstage |