Studying Shakespeare on film:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Auteur
2021
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| Schriftenreihe: | Studying films
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 134 Seiten Illustrationen |
| ISBN: | 9781911325383 9781800348547 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Introduction..................................................................................................................7 Chapter One: Theatrical Shakespeare...................................................................19 Romeo and Juliet (Franco Zeffirelli, 1968] Much Ado About Nothing (Kenneth Branagh, 1993) Chapter Two: Cinematic Shakespeare....................................................................43 The Tempest (Julie Taymor, 2010] Macbeth (Justin Kürzel, 2015) Much Ado About Nothing (Joss Whedon, 2012) Chapter Three: Brand Shakespeare....................................................................... 71 Coriolanus (Ralph Fiennes, 2011) Richard III (Richard Loncraine, 1995) William Shakespeare s Romeo + Juliet (Baz Luhrmann, 1996) Chapter Four: Teenpic Shakespeare....................................................................... 95 0 (Tim Blake Nelson, 2001) 10 Things I Hate About You (Gil Junger, 1999) She s The Man (Andy Fickman, 2006] Conclusion.................................................................................................................. 121 West Side Story (Jerome Robbins/Robert Wise, 1961] Works Cited, 128
Studying Rebekah Owens Aimed primarily at newcomers to literature and film, this book is a guide for the analysis of Shakespeare on film. Starting with an introduction to the main challenge faced by any director — the early-modern language — there follows exemplars for examining how that challenge is met using as case studies twelve films most often used in classroom teaching, including Romeo and Juliet, Macbeth, and The Tempest. The first chapter, focusing on Zeffirelli s Romeo and Juliet (1968) and Branagh s Much Ado About Nothing (1993) explores how a director can tell the story in a setting that embraces the expectations of realism in cinema, but still pays homage to the theatrical origins of the work. The second chapter discusses how The Tempest (Taymor, 2Ū10), Macbeth (Kürzel, 2015) and Much Ado About Nothing (Whedon, 2012) provide a visual analogy with the preoccupations of their story, but not at the expense of Shakespeare s language. The third chapter extends this to show how some filmmakers, such as Ralph Fiennes and Baz Luhrmann, use recent history as a setting, adding a further layer of meaning to the story from the cultural resonances associated with that historical past. These films also rely on an assumption that Shakespeare is so well-known as to form a distinctive, easily recognized brand in the cinema marketplace. Thus, his work can be reimagined in completely different genres, such as those films that are the subject of the final chapter.
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| discipline | Allgemeines Anglistik / Amerikanistik |
| format | Book |
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| language | English |
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