Decentring France: multilingualism and power in contemporary French cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 213 Seiten Illustrationen |
| ISBN: | 9781526113573 |
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Titel: Decentring France
Autor: King, Gemma
Jahr: 2017
Contents
List of figures page viii
Acknowledgements ix
List of abbreviations x
Note on translations xi
1 Introduction 1
2 A brief history of multilingualism in French cinema 31
3 Decentred perspectives: case studies 49
4 Capital centres: Polisse and Entre les murs 56
5 Urban margins: Un prophete and Dheepan 84
6 Coastal borders: Welcome and La Graine et le mulet 119
7 International spaces: London River and Des hommes
et des dieux 157
8 Conclusion 188
Appendices 193
Filmography 199
References 203
Index 212
In a world defined by the flow of people, goods and cultures, many contemporary
French films explore the multicultural nature of today’s France, portraying
multilingualism in novel and empowering ways. In such films, the status of
a wide range of languages is evolving from trivialised to central; through
strategic language use, characters wrest power from one another and wield it
in innovative ways. From rival lingua francas such as English to socio-politically
marginalised languages such as Arabic or Kurdish, these characters exploit their
knowledge of multiple languages and offer counter-perspectives to dominant
ideologies of the role of linguistic diversity in society.
Decentring France: Multilingualism and power in contemporary French cinema
is the first substantial study of multilingual film in France. Unpacking the power
dynamics at play in the multilingual dialogue of eight emblematic films, it
proposes non-binary frameworks for examining language difference in cinema.
It reveals how strategic language use can be a tool for exerting social power
in many twenty-first-century films, from Jacques Audiard’s Un prophete to
Xavier Beauvois’ Des hommes et des dieux. Bridging the fields of film studies
and French cultural studies, this book argues that many contemporary French
films take a new approach to language and power, showing how even the most
historically maligned languages can empower their speakers. Through studies
on social power combined with close film analysis, Decentring France offers a
unique insight to academics and students alike, into the place of language and
power «n |
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| title | Decentring France multilingualism and power in contemporary French cinema |
| title_auth | Decentring France multilingualism and power in contemporary French cinema |
| title_exact_search | Decentring France multilingualism and power in contemporary French cinema |
| title_full | Decentring France multilingualism and power in contemporary French cinema Gemma King |
| title_fullStr | Decentring France multilingualism and power in contemporary French cinema Gemma King |
| title_full_unstemmed | Decentring France multilingualism and power in contemporary French cinema Gemma King |
| title_short | Decentring France |
| title_sort | decentring france multilingualism and power in contemporary french cinema |
| title_sub | multilingualism and power in contemporary French cinema |
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