Shakespeare's reading audiences: early modern books and audience interpretation
This study grows out of the intersection of two realms of scholarly investigation - the emerging public sphere in early modern England and the history of the book. Shakespeare's Reading Audiences examines the ways in which different communities - humanist, legal, religious and political - would...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Zusammenfassung: | This study grows out of the intersection of two realms of scholarly investigation - the emerging public sphere in early modern England and the history of the book. Shakespeare's Reading Audiences examines the ways in which different communities - humanist, legal, religious and political - would have interpreted Shakespeare's plays and poems, whether printed or performed. Cyndia Susan Clegg begins by analysing elite reading clusters associated with the Court, the universities, and the Inns of Court and how their interpretation of Shakespeare's Sonnets and Henry V arose from their reading of Italian humanists. She concludes by examining how widely held public knowledge about English history both affected Richard II's reception and how such knowledge was appropriated by the State. She also considers The Merry Wives of Windsor, Henry V, and Othello from the point of view of audience members conversant in popular English legal writing and Macbeth from the perspective of popular English Calvinism |
Beschreibung: | Title from publisher's bibliographic system (viewed on 17 Jul 2017) |
Beschreibung: | 1 online resource (vi, 221 pages) |
ISBN: | 9781108116060 |
DOI: | 10.1017/9781108116060 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV044537641 | ||
003 | DE-604 | ||
005 | 20180409 | ||
007 | cr|uuu---uuuuu | ||
008 | 171013s2017 |||| o||u| ||||||eng d | ||
020 | |a 9781108116060 |9 978-1-108-11606-0 | ||
024 | 7 | |a 10.1017/9781108116060 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781108116060 | ||
035 | |a (OCoLC)1011401143 | ||
035 | |a (DE-599)BVBBV044537641 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
082 | 0 | |a 822.3/3 | |
084 | |a HI 3331 |0 (DE-625)50012: |2 rvk | ||
100 | 1 | |a Clegg, Cyndia Susan |e Verfasser |4 aut | |
245 | 1 | 0 | |a Shakespeare's reading audiences |b early modern books and audience interpretation |c Cyndia Susan Clegg |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2017 | |
300 | |a 1 online resource (vi, 221 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Title from publisher's bibliographic system (viewed on 17 Jul 2017) | ||
520 | |a This study grows out of the intersection of two realms of scholarly investigation - the emerging public sphere in early modern England and the history of the book. Shakespeare's Reading Audiences examines the ways in which different communities - humanist, legal, religious and political - would have interpreted Shakespeare's plays and poems, whether printed or performed. Cyndia Susan Clegg begins by analysing elite reading clusters associated with the Court, the universities, and the Inns of Court and how their interpretation of Shakespeare's Sonnets and Henry V arose from their reading of Italian humanists. She concludes by examining how widely held public knowledge about English history both affected Richard II's reception and how such knowledge was appropriated by the State. She also considers The Merry Wives of Windsor, Henry V, and Othello from the point of view of audience members conversant in popular English legal writing and Macbeth from the perspective of popular English Calvinism | ||
600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Criticism and interpretation / History / 17th century |
600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Public opinion |
600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1600-1700 | |
648 | 4 | |a Geschichte 1500-1600 | |
648 | 7 | |a Geschichte 1600-1800 |2 gnd |9 rswk-swf | |
650 | 4 | |a Geschichte | |
650 | 4 | |a English literature / Early modern, 1500-1700 / History and criticism | |
650 | 4 | |a Books and reading / England / History / 16th century | |
650 | 4 | |a Books and reading / England / History / 17th century | |
650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Sonett |0 (DE-588)4055555-0 |2 gnd |9 rswk-swf |
651 | 7 | |a England |0 (DE-588)4014770-8 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |D p |
689 | 0 | 1 | |a Drama |0 (DE-588)4012899-4 |D s |
689 | 0 | 2 | |a Sonett |0 (DE-588)4055555-0 |D s |
689 | 0 | 3 | |a Rezeption |0 (DE-588)4049716-1 |D s |
689 | 0 | 4 | |a England |0 (DE-588)4014770-8 |D g |
689 | 0 | 5 | |a Geschichte 1600-1800 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hardback |z 978-1-107-19064-1 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, paperback |z 978-1-316-64074-6 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781108116060 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-029936779 | ||
966 | e | |u https://doi.org/10.1017/9781108116060 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO_Kauf |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804177893822038016 |
---|---|
any_adam_object | |
author | Clegg, Cyndia Susan |
author_facet | Clegg, Cyndia Susan |
author_role | aut |
author_sort | Clegg, Cyndia Susan |
author_variant | c s c cs csc |
building | Verbundindex |
bvnumber | BV044537641 |
classification_rvk | HI 3331 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781108116060 (OCoLC)1011401143 (DE-599)BVBBV044537641 |
dewey-full | 822.3/3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.3/3 |
dewey-search | 822.3/3 |
dewey-sort | 3822.3 13 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/9781108116060 |
era | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1600-1800 gnd |
era_facet | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1600-1800 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03633nmm a2200637zc 4500</leader><controlfield tag="001">BV044537641</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180409 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">171013s2017 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108116060</subfield><subfield code="9">978-1-108-11606-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781108116060</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781108116060</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1011401143</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044537641</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822.3/3</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 3331</subfield><subfield code="0">(DE-625)50012:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Clegg, Cyndia Susan</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shakespeare's reading audiences</subfield><subfield code="b">early modern books and audience interpretation</subfield><subfield code="c">Cyndia Susan Clegg</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (vi, 221 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 17 Jul 2017)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This study grows out of the intersection of two realms of scholarly investigation - the emerging public sphere in early modern England and the history of the book. Shakespeare's Reading Audiences examines the ways in which different communities - humanist, legal, religious and political - would have interpreted Shakespeare's plays and poems, whether printed or performed. Cyndia Susan Clegg begins by analysing elite reading clusters associated with the Court, the universities, and the Inns of Court and how their interpretation of Shakespeare's Sonnets and Henry V arose from their reading of Italian humanists. She concludes by examining how widely held public knowledge about English history both affected Richard II's reception and how such knowledge was appropriated by the State. She also considers The Merry Wives of Windsor, Henry V, and Othello from the point of view of audience members conversant in popular English legal writing and Macbeth from the perspective of popular English Calvinism</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William / 1564-1616 / Criticism and interpretation / History / 17th century</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William / 1564-1616 / Public opinion</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1500-1600</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature / Early modern, 1500-1700 / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Books and reading / England / History / 16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Books and reading / England / History / 17th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sonett</subfield><subfield code="0">(DE-588)4055555-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">England</subfield><subfield code="0">(DE-588)4014770-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Sonett</subfield><subfield code="0">(DE-588)4055555-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">England</subfield><subfield code="0">(DE-588)4014770-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hardback</subfield><subfield code="z">978-1-107-19064-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, paperback</subfield><subfield code="z">978-1-316-64074-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781108116060</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029936779</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108116060</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | England (DE-588)4014770-8 gnd |
geographic_facet | England |
id | DE-604.BV044537641 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:55:19Z |
institution | BVB |
isbn | 9781108116060 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029936779 |
oclc_num | 1011401143 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 online resource (vi, 221 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO_Kauf |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Clegg, Cyndia Susan Verfasser aut Shakespeare's reading audiences early modern books and audience interpretation Cyndia Susan Clegg Cambridge Cambridge University Press 2017 1 online resource (vi, 221 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 17 Jul 2017) This study grows out of the intersection of two realms of scholarly investigation - the emerging public sphere in early modern England and the history of the book. Shakespeare's Reading Audiences examines the ways in which different communities - humanist, legal, religious and political - would have interpreted Shakespeare's plays and poems, whether printed or performed. Cyndia Susan Clegg begins by analysing elite reading clusters associated with the Court, the universities, and the Inns of Court and how their interpretation of Shakespeare's Sonnets and Henry V arose from their reading of Italian humanists. She concludes by examining how widely held public knowledge about English history both affected Richard II's reception and how such knowledge was appropriated by the State. She also considers The Merry Wives of Windsor, Henry V, and Othello from the point of view of audience members conversant in popular English legal writing and Macbeth from the perspective of popular English Calvinism Shakespeare, William / 1564-1616 / Criticism and interpretation / History / 17th century Shakespeare, William / 1564-1616 / Public opinion Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1600-1800 gnd rswk-swf Geschichte English literature / Early modern, 1500-1700 / History and criticism Books and reading / England / History / 16th century Books and reading / England / History / 17th century Rezeption (DE-588)4049716-1 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Sonett (DE-588)4055555-0 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Sonett (DE-588)4055555-0 s Rezeption (DE-588)4049716-1 s England (DE-588)4014770-8 g Geschichte 1600-1800 z DE-604 Erscheint auch als Druck-Ausgabe, hardback 978-1-107-19064-1 Erscheint auch als Druck-Ausgabe, paperback 978-1-316-64074-6 https://doi.org/10.1017/9781108116060 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Clegg, Cyndia Susan Shakespeare's reading audiences early modern books and audience interpretation Shakespeare, William / 1564-1616 / Criticism and interpretation / History / 17th century Shakespeare, William / 1564-1616 / Public opinion Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte English literature / Early modern, 1500-1700 / History and criticism Books and reading / England / History / 16th century Books and reading / England / History / 17th century Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd Sonett (DE-588)4055555-0 gnd |
subject_GND | (DE-588)118613723 (DE-588)4049716-1 (DE-588)4012899-4 (DE-588)4055555-0 (DE-588)4014770-8 |
title | Shakespeare's reading audiences early modern books and audience interpretation |
title_auth | Shakespeare's reading audiences early modern books and audience interpretation |
title_exact_search | Shakespeare's reading audiences early modern books and audience interpretation |
title_full | Shakespeare's reading audiences early modern books and audience interpretation Cyndia Susan Clegg |
title_fullStr | Shakespeare's reading audiences early modern books and audience interpretation Cyndia Susan Clegg |
title_full_unstemmed | Shakespeare's reading audiences early modern books and audience interpretation Cyndia Susan Clegg |
title_short | Shakespeare's reading audiences |
title_sort | shakespeare s reading audiences early modern books and audience interpretation |
title_sub | early modern books and audience interpretation |
topic | Shakespeare, William / 1564-1616 / Criticism and interpretation / History / 17th century Shakespeare, William / 1564-1616 / Public opinion Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte English literature / Early modern, 1500-1700 / History and criticism Books and reading / England / History / 16th century Books and reading / England / History / 17th century Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd Sonett (DE-588)4055555-0 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Criticism and interpretation / History / 17th century Shakespeare, William / 1564-1616 / Public opinion Shakespeare, William 1564-1616 Geschichte English literature / Early modern, 1500-1700 / History and criticism Books and reading / England / History / 16th century Books and reading / England / History / 17th century Rezeption Drama Sonett England |
url | https://doi.org/10.1017/9781108116060 |
work_keys_str_mv | AT cleggcyndiasusan shakespearesreadingaudiencesearlymodernbooksandaudienceinterpretation |