"Do you have a band?": Poetry and Punk Rock in New York City
During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Columbia University Press
2017
|
Schlagworte: | |
Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBR01 UBW01 UPA01 Volltext Volltext |
Zusammenfassung: | During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City |
Beschreibung: | 1 Online-Ressource (xii, 276 Seiten) Illustrationen |
ISBN: | 9780231544603 |
DOI: | 10.7312/kane16296 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV044535191 | ||
003 | DE-604 | ||
005 | 20231211 | ||
007 | cr|uuu---uuuuu | ||
008 | 171012s2017 |||| o||u| ||||||eng d | ||
020 | |a 9780231544603 |9 978-0-231-54460-3 | ||
024 | 7 | |a 10.7312/kane16296 |2 doi | |
035 | |a (ZDB-23-DGG)9780231544603 | ||
035 | |a (OCoLC)1011411109 | ||
035 | |a (DE-599)BVBBV044535191 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-473 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-739 |a DE-355 |a DE-1046 |a DE-1043 |a DE-858 |a DE-12 |a DE-20 | ||
084 | |a HU 1769 |0 (DE-625)53773: |2 rvk | ||
100 | 1 | |a Kane, Daniel |d 1968- |e Verfasser |0 (DE-588)13990624X |4 aut | |
245 | 1 | 0 | |a "Do you have a band?" |b Poetry and Punk Rock in New York City |c Daniel Kane |
264 | 1 | |a New York |b Columbia University Press |c 2017 | |
300 | |a 1 Online-Ressource (xii, 276 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
505 | 8 | |a The Fugs are coming -- Lou Reed: "In the beginning was the word" -- Proto-punk and poetry on St. Mark's Place -- Richard Hell, Genesis: grasp, and the making of the blank generation -- "I just got different theories": Patti Smith and the New York School of poetry -- Giorno poetry systems -- Eileen Myles and the International Fuck Frank O'Hara movement -- "Sit on my face!": Dennis Cooper, the first punk poet -- Afterword: people who died | |
520 | 3 | |a During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City | |
648 | 4 | |a Geschichte 1900-2000 | |
650 | 4 | |a Geschichte | |
650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Punk Rock |0 (DE-588)4176370-1 |2 gnd |9 rswk-swf |
651 | 7 | |a New York, NY |0 (DE-588)4042011-5 |2 gnd |9 rswk-swf | |
653 | 0 | |a American poetry / New York (State) / New York / History and criticism | |
653 | 0 | |a American poetry / 20th century / History and criticism | |
653 | 0 | |a Punk rock music / New York (State) / New York / History / 20th century | |
653 | 0 | |a Punk culture / New York (State) / New York / History / 20th century | |
653 | 2 | |a New York (N.Y.) / Intellectual life / 20th century | |
653 | 0 | |a American poetry | |
653 | 0 | |a Intellectual life | |
653 | 0 | |a Punk culture | |
653 | 0 | |a Punk rock music | |
653 | 2 | |a New York (State) / New York | |
653 | 4 | |a 1900-1999 | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a History | |
689 | 0 | 0 | |a New York, NY |0 (DE-588)4042011-5 |D g |
689 | 0 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 0 | 2 | |a Punk Rock |0 (DE-588)4176370-1 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-231-16296-8 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-231-16297-5 |
856 | 4 | 0 | |u https://www.jstor.org/stable/10.7312/kane16296 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
856 | 4 | 0 | |u https://doi.org/10.7312/kane16296 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-39-JBK |a ZDB-23-DGG |a ZDB-23-DKU | ||
940 | 1 | |q ZDB-23-DKU17 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-029934382 | ||
966 | e | |u https://doi.org/10.7312/kane16296 |l BSB01 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l UBR01 |p ZDB-23-DKU |x Verlag |3 Volltext | |
966 | e | |u https://www.jstor.org/stable/10.7312/kane16296 |l UBW01 |p ZDB-39-JBK |q UBW_Paketkauf |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/kane16296 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804177889841643520 |
---|---|
any_adam_object | |
author | Kane, Daniel 1968- |
author_GND | (DE-588)13990624X |
author_facet | Kane, Daniel 1968- |
author_role | aut |
author_sort | Kane, Daniel 1968- |
author_variant | d k dk |
building | Verbundindex |
bvnumber | BV044535191 |
classification_rvk | HU 1769 |
collection | ZDB-39-JBK ZDB-23-DGG ZDB-23-DKU |
contents | The Fugs are coming -- Lou Reed: "In the beginning was the word" -- Proto-punk and poetry on St. Mark's Place -- Richard Hell, Genesis: grasp, and the making of the blank generation -- "I just got different theories": Patti Smith and the New York School of poetry -- Giorno poetry systems -- Eileen Myles and the International Fuck Frank O'Hara movement -- "Sit on my face!": Dennis Cooper, the first punk poet -- Afterword: people who died |
ctrlnum | (ZDB-23-DGG)9780231544603 (OCoLC)1011411109 (DE-599)BVBBV044535191 |
discipline | Anglistik / Amerikanistik |
doi_str_mv | 10.7312/kane16296 |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05491nmm a2200793 c 4500</leader><controlfield tag="001">BV044535191</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231211 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">171012s2017 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231544603</subfield><subfield code="9">978-0-231-54460-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/kane16296</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231544603</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1011411109</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044535191</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-473</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1769</subfield><subfield code="0">(DE-625)53773:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kane, Daniel</subfield><subfield code="d">1968-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)13990624X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">"Do you have a band?"</subfield><subfield code="b">Poetry and Punk Rock in New York City</subfield><subfield code="c">Daniel Kane</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xii, 276 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Fugs are coming -- Lou Reed: "In the beginning was the word" -- Proto-punk and poetry on St. Mark's Place -- Richard Hell, Genesis: grasp, and the making of the blank generation -- "I just got different theories": Patti Smith and the New York School of poetry -- Giorno poetry systems -- Eileen Myles and the International Fuck Frank O'Hara movement -- "Sit on my face!": Dennis Cooper, the first punk poet -- Afterword: people who died</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Punk Rock</subfield><subfield code="0">(DE-588)4176370-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">New York, NY</subfield><subfield code="0">(DE-588)4042011-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American poetry / New York (State) / New York / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American poetry / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk rock music / New York (State) / New York / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk culture / New York (State) / New York / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">New York (N.Y.) / Intellectual life / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American poetry</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Intellectual life</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk culture</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk rock music</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">New York (State) / New York</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">New York, NY</subfield><subfield code="0">(DE-588)4042011-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Punk Rock</subfield><subfield code="0">(DE-588)4176370-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-231-16296-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-231-16297-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.jstor.org/stable/10.7312/kane16296</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-39-JBK</subfield><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU17</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029934382</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.jstor.org/stable/10.7312/kane16296</subfield><subfield code="l">UBW01</subfield><subfield code="p">ZDB-39-JBK</subfield><subfield code="q">UBW_Paketkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/kane16296</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | New York, NY (DE-588)4042011-5 gnd |
geographic_facet | New York, NY |
id | DE-604.BV044535191 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:55:15Z |
institution | BVB |
isbn | 9780231544603 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029934382 |
oclc_num | 1011411109 |
open_access_boolean | |
owner | DE-473 DE-BY-UBG DE-Aug4 DE-859 DE-860 DE-739 DE-355 DE-BY-UBR DE-1046 DE-1043 DE-858 DE-12 DE-20 |
owner_facet | DE-473 DE-BY-UBG DE-Aug4 DE-859 DE-860 DE-739 DE-355 DE-BY-UBR DE-1046 DE-1043 DE-858 DE-12 DE-20 |
physical | 1 Online-Ressource (xii, 276 Seiten) Illustrationen |
psigel | ZDB-39-JBK ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU17 ZDB-23-DGG BSB_PDA_DGG_Kauf ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-39-JBK UBW_Paketkauf ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Columbia University Press |
record_format | marc |
spelling | Kane, Daniel 1968- Verfasser (DE-588)13990624X aut "Do you have a band?" Poetry and Punk Rock in New York City Daniel Kane New York Columbia University Press 2017 1 Online-Ressource (xii, 276 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier The Fugs are coming -- Lou Reed: "In the beginning was the word" -- Proto-punk and poetry on St. Mark's Place -- Richard Hell, Genesis: grasp, and the making of the blank generation -- "I just got different theories": Patti Smith and the New York School of poetry -- Giorno poetry systems -- Eileen Myles and the International Fuck Frank O'Hara movement -- "Sit on my face!": Dennis Cooper, the first punk poet -- Afterword: people who died During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City Geschichte 1900-2000 Geschichte Lyrik (DE-588)4036774-5 gnd rswk-swf Punk Rock (DE-588)4176370-1 gnd rswk-swf New York, NY (DE-588)4042011-5 gnd rswk-swf American poetry / New York (State) / New York / History and criticism American poetry / 20th century / History and criticism Punk rock music / New York (State) / New York / History / 20th century Punk culture / New York (State) / New York / History / 20th century New York (N.Y.) / Intellectual life / 20th century American poetry Intellectual life Punk culture Punk rock music New York (State) / New York 1900-1999 Criticism, interpretation, etc History New York, NY (DE-588)4042011-5 g Lyrik (DE-588)4036774-5 s Punk Rock (DE-588)4176370-1 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-231-16296-8 Erscheint auch als Druck-Ausgabe 978-0-231-16297-5 https://www.jstor.org/stable/10.7312/kane16296 Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.7312/kane16296 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kane, Daniel 1968- "Do you have a band?" Poetry and Punk Rock in New York City The Fugs are coming -- Lou Reed: "In the beginning was the word" -- Proto-punk and poetry on St. Mark's Place -- Richard Hell, Genesis: grasp, and the making of the blank generation -- "I just got different theories": Patti Smith and the New York School of poetry -- Giorno poetry systems -- Eileen Myles and the International Fuck Frank O'Hara movement -- "Sit on my face!": Dennis Cooper, the first punk poet -- Afterword: people who died Geschichte Lyrik (DE-588)4036774-5 gnd Punk Rock (DE-588)4176370-1 gnd |
subject_GND | (DE-588)4036774-5 (DE-588)4176370-1 (DE-588)4042011-5 |
title | "Do you have a band?" Poetry and Punk Rock in New York City |
title_auth | "Do you have a band?" Poetry and Punk Rock in New York City |
title_exact_search | "Do you have a band?" Poetry and Punk Rock in New York City |
title_full | "Do you have a band?" Poetry and Punk Rock in New York City Daniel Kane |
title_fullStr | "Do you have a band?" Poetry and Punk Rock in New York City Daniel Kane |
title_full_unstemmed | "Do you have a band?" Poetry and Punk Rock in New York City Daniel Kane |
title_short | "Do you have a band?" |
title_sort | do you have a band poetry and punk rock in new york city |
title_sub | Poetry and Punk Rock in New York City |
topic | Geschichte Lyrik (DE-588)4036774-5 gnd Punk Rock (DE-588)4176370-1 gnd |
topic_facet | Geschichte Lyrik Punk Rock New York, NY |
url | https://www.jstor.org/stable/10.7312/kane16296 https://doi.org/10.7312/kane16296 |
work_keys_str_mv | AT kanedaniel doyouhaveabandpoetryandpunkrockinnewyorkcity |