Classical guitar technique from foundation to virtuosity: a comprehensive guide (in 81 progressive lessons) 2 Part
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Clarksville, TN]
Classical Guitar Study Editions
[2016]
|
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 239 Seiten Illustrationen, Noten |
| ISBN: | 9781539716679 |
Internformat
MARC
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| 245 | 1 | 0 | |a Classical guitar technique from foundation to virtuosity |b a comprehensive guide (in 81 progressive lessons) |n 2 |p Part |c Stanley Yates |
| 264 | 1 | |a [Clarksville, TN] |b Classical Guitar Study Editions |c [2016] | |
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| adam_text | Contents
CONTENTS
Introduction to Part 2........................................................13
The Right Hand
Introduction..................................................................17
1 Refinement of Sound
31 Free Stroke Sound.....................................................19
Objective Qualities of Sound * Developing Free-Stroke Volume · Developing a
Melodic Free-Stroke Sound * Increasing Joint Activation During the Stroke · Rest
Stroke / Free Stroke Combination Stroke * Abridged Rest Stroke * Hyperextension of
the Tip Joint * Hand Position and Arm Movement * Conclusion * Practice Routine
32 Dynamics..............................................................25
The Default Dynamic Level—mezzo forte * piano and forte * Accentuation ■ Gradual
Change ■ Practice Routine and Contextualization
33 Tone-Color Contrasts..................................................29
Plucking Points Along the String * Angle of Attack · Repertoire * Practice Routine
34 Melodic Tone Versus Accompaniment Tone................................34
Three-Layer Texture—Further Modification of the Hand-Position
35 Voicing Block Chords..................................................37
Contextualization
36 The Thumb.............................................................40
A Further Word About Thumbnail Shape * Rest Stroke With the Thumb - Rest-Stroke
Thumb With Free-Stroke Fingers * Thumb Sweeps
37 Hand Position—Timbre, Volume, or Velocity?............................44
A Word About the Larger Joints · Summary of Adjustments to the Right-Hand
Position and Their Functions
38 Damping...............................................................48
Damping with the Thumb * Damping with the Fingers · Silencing all Six Strings *
Dealing With Sympathetic Vibration · Practice Routine and Contextualization
39 Rasgueado.............................................................52
Single-Finger Strumming * Adding the Thumb * Adding ami and cami * Rasgueado
With Golpe and Tambora * Historical Strummed Ornaments · Continuous (Flamenco)
amii and camii Rasgueado camii * Practice Routine and Contextualization 40
40 Artificial Harmonics ..................................................58
7
Contents
2 Advanced Arpeggio Technique
41 Independence Patterns......................................................6l
am Independence Patterns * Practice Routine and Contextualization
42 Further Useful Arpeggio Patterns...........................................63
Simultaneous Thumb-Finger Patterns · Fingers-Only Patterns with Independent
Thumb Parts * 19th-Century Alberti-Style Patterns * Practice Routine and
Contextualization
43 Further Arpeggio Practice Methods.........................................66
Isolating * Melodic Arpeggiation * Thumb Mobility * Shifting Between String Sets *
String Sharing · Rotation ■ Disjunct String Assignments · Further Contextualization ·
Exploring the Internal Rhythm * Practice Routine
44 Virtuosity................................................................70
Volume Fingerings ■ Velocity Fingerings · Unusual (but useful) String Assignments -
Right-Hand Glissando Patterns · The Right-Hand Little Finger (c)
45 Advanced Repertoire Excerpts..............................................74
Villa-Lobos * Tarrega-Alard ■ Aguado * Regondi · Mertz * Llobet · Pujol *
Repertoire Suggestions
3 Tremolo
46 Refinement................................................................78
Rhythm ■ Metronome Practice · Practice Routine
47 Further Development.......................................................80
Developing the Thumb · Moving the Fingers Between the Strings * Practice Routine
48 Agogic and Dynamic Inflexion..............................................82
Rubato and Phrasing ■ Adding a Performance Context * Further Observations
49 Advanced Tremolos (Virtuosity)............................................84
Five-Note Flamenco Tremolo - Three-Note Continuous Tremolo * Four- and Eight-
Note Continuous Tremolo * Double (Interlocking Tremolo) * Tremolando - Single-
Finger (dedillo) and Thumb-Only Tremolo * Brush Tremolo · Non-Guitaristic
Tremolo · Contextualization
50 Flistorical Survey and Repertoire.........................................89
Dowland · Vidal · Doisy · Mertz · Regondi ■ Areas · Tarrega * Terzi · Foden * Rak ·
Recommended Repertoire 4 * * *
4 Cross-String Ornaments
51 Right-Hand Glissando........................................................94
52 Fully-Fingered Ornaments....................................................96
Contextualization
8
Contents
53 Longer Ornaments...........................................................loo
Long Trills * Three֊String Ornaments֊֊Slides and Trills with Turned Endings · Cross
֊String /Slurred Combinations
54 Historical Survey and Repertoire...........................................102
The Late Baroque and Galant Periods * The Early Romantic Period * Andrei Sychra s
Ornaments for the Russian Seven-String Guitar
5 Advanced Alternation (Scale) Technique
55 Rest-Stroke Alternation and String Crossing.................................105
Hand Position and Finger Curvature * Stroke Preparation and Legato · Correcting
Awkward String Crossings · Practice Routine and Contextualization
56 Developing Rest-Stroke Alternation Speed.....................................110
57 Free Stroke / Rest Stroke Mixture............................................110
Practice Routine
58 Maximizing Velocity..........................................................112
Maximizing Raw Alternation Speed ■ Modifying the Hand Position
59 String Crossing at Speed.....................................................114
Practice Routine and Contextualization
60 Correcting Awkward String Crossings at Speed.................................118
String Crossing Correction Formulas at Speed · Scale Practice Methods * Practice
Routine and Contextualization
61 Velocity Fingerings (Virtuosity).............................................123
Assessing Personal Physiology · Practice Routine 62
62 Application...................................................................126
ai—ia, pi—pm, pim—pmi, ami * The Role of the Left Hand · Practice Regimen and
Contextualization
Contents
The Left Hand
Introduction....................................................................137
1 Independence and Coordination
63 Further Control of the Fourth Finger....................................139
Practice Routine
64 Further Melodic Independence and Coordination Exercises.................141
Weak-Finger Patterns · Practice Routine * Continued Development and Long-Term
Maintenance
65 Independence Between the Hands..........................................144
Practice Routine
66 The Left Hand in Fast Scales.............................................146
Left-Hand Finger Action · Coordination Between the Hands * Tracking Individual
Left-Hand Fingers * Further Practice Methods * Dealing With Slurs
67 More Fixed-Position Scale Practice......................................150
Deriving Scale-Types * Practice Routine
68 Further Intervallic Independence and Coordination Exercises.............153
Practice Routine
69 Chromatic-Octaves Exercises.............................................156
Practice Routine
2 Advanced Slur Technique
70 Further Slur Technique..................................................160
Developing the Weaker (Less Independent) Fingers · Further Compound Slurs
(Ornaments * Extended Trills and Mordents · Turns) * Practice Routine
71 Gymnastic Slur Exercises................................................164
Fixed-Finger Exercises - Other Four-Finger Exercises * Practice Routine
72 Miscellaneous Slur Techniques...........................................168
Descending Slurs with Adjacent-Sounding Strings * Echo Slurs * Delayed Slurs ·
Expressive Slurring (versus Technical Slurring) * Unique Slurred Textures · Practicing
Slurs in Pieces · Contextualization and Maintenance (Repertoire)
3 Advanced Shifting
73 Further Position Shifting (Legato and Reliability)......................172
Longer Shifts · More About Guide Fingers * The Role of the Arm · Compound Shifts ·
Left-Hand Anticipation * Legato Shifting * Sliding Versus Leaping
74 Chromatic Single-String Scales..........................................180
Practice Routine
10
Contents
75 Shifting Between Difficult Chord Forms.....................................181
Shifting in Arpeggio Textures · Shifting to Difficult Chords · Practicing Very Difficult
Shifts * Minimizing Left-Hand Tension in Difficult Passages
76 Shifting Along the Lower-Strings (Eliminating Extraneous Noise)............186
4 Other
77 Glissando...................................................................188
Glissé · Slide ■ Arrastre · Legato Arrastre
78 Left-Hand Harmonics.........................................................191
Positions and Intervals · Scordatura * Multiphonics · Notation * Contextualization
79 Left-Hand Reach (Extension).................................................198
Extended Chord Forms · Extended-Position Scale Fingerings * Playing Above the
Twelfth Fret
80 Vibrato.....................................................................201
Standard Vibrato Technique (Arm Vibrato) ■ Vertical (Finger) Vibrato * Intonation *
Musical Application—Stylistic Matters ■ Avoiding Habitual Vibrato · Practice
Routine and Contextualization
81 Left-Hand Damping...........................................................207
Practice Routine
Appendices
1 Special Effects..............................................................211
Pizzicato * Percussion · String Whistle * Tapping · Multiphonics
2 Right-Hand Fingering Guidelines..............................................218
Two Right-Hand Systems * The Two Agile Fingers p and i - The Independent Finger
Pair im * Alternation and String-Crossing * Damping ■ The Left Hand * Conclusion
3 Left-Hand Fingering Guidelines...............................................221
Stylistic Matters
4 Technical Approach to Learning New Repertoire................................224
Determining Practice Segments ■ Determining Optimal Fingerings * Working On A
Short Practice Segment * Speeding-Up and Developing Longer Segments * Unfamiliar
Movement Forms
5 Iconic Method Books and Study Sets............................................227
Carulli ■ Sychra ■ Sor * Giuliani · Aguado * Legnani · Carcassi * Regondi · Târrega ·
Roch ■ Sagreras · Pujol ■ Villa-Lobos - Carlevaro * Dodgson-Quine * Brouwer ·
Gilardino 6
6 Practice Grids.................................................................232
11
|
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| isbn | 9781539716679 |
| language | English |
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| publishDateSearch | 2016 |
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| spelling | Yates, Stanley ca. 20./21. Jh. Verfasser (DE-588)139221050 aut Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) 2 Part Stanley Yates [Clarksville, TN] Classical Guitar Study Editions [2016] 239 Seiten Illustrationen, Noten txt rdacontent n rdamedia nc rdacarrier (DE-604)BV044510560 2 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029931588&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Yates, Stanley ca. 20./21. Jh Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title_auth | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title_exact_search | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) |
| title_full | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) 2 Part Stanley Yates |
| title_fullStr | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) 2 Part Stanley Yates |
| title_full_unstemmed | Classical guitar technique from foundation to virtuosity a comprehensive guide (in 81 progressive lessons) 2 Part Stanley Yates |
| title_short | Classical guitar technique from foundation to virtuosity |
| title_sort | classical guitar technique from foundation to virtuosity a comprehensive guide in 81 progressive lessons part |
| title_sub | a comprehensive guide (in 81 progressive lessons) |
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