A history of the western art market: a sourcebook of writings on artists, dealers, and markets
"This is the first sourcebook to trace the emergence and evolution of art markets in the Western European economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inher...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oakland, California
University of California Press
[2017]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Zusammenfassung: | "This is the first sourcebook to trace the emergence and evolution of art markets in the Western European economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume's unique historical perspective makes it appropriate for use in college courses and postgraduate and professional programs, as well as for professionals working in art-related environments such as museums, galleries, and auction houses."...Provided by publisher |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xv, 416 Seiten |
ISBN: | 9780520290624 9780520290631 |
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adam_text | A HISTORY OF THE WESTERN ART MARKET
/
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
ART IN A COMMERCIAL WORLD
ARTISTS AND COLLECTORS IN THE MARKET FOR ART
THE ITALIAN CITY-STATES
ANTWERP
AMSTERDAM
GERMANY AND SPAIN
LONDON
PARIS
ART CONSUMPTION IN INDUSTRIAL AMERICA
NEW YORK
THE GLOBAL ART MARKET
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Titel: A history of the western art market
Autor: Hulst, Titia
Jahr: 2017
A HISTORY OF THE WESTERN ART MARKET A Sourcebook of Writings on Artists, Dealers, and Markets Edited by TITIA^HULST UNIVERSITY OF CALIFORNIA PRESS
CONTENTS A Note to Readers • xv Introduction • 1 ART IN A COMMERCIAL WORLD ? 13 I. Art in Society Illusions of Disinterest • 14 Paul Mattick Marx on Ideology and Art • 19 O. K. Werckmeister Avant-Garde and Kitsch • 24 Clement Greenberg The Artworld • 27 Arthur Danto Culture Industry Reconsidered Theodor W. Adorno II. The Value of Art The Cultural Biography ofThings Igor Kopytoff 30 • 32
Aura • 38 Walter Benjamin Varieties of Artistic Value in Contemporary Aesthetics • 40 Michael Hutter and Richard Shusterman The Production of Belief • 42 Pierre Bourdieu The Paradox of Rarity: Photography • 47 Raymonde Moulin Symbolic Meanings of Prices • 51 Olav Velthuis Art... Contemporary of Itself • 54 Jean Baudrillard 2. ARTISTS AND COLLECTORS IN THE MARKET FOR ART • 57 I. The Supply of and Demand for Works of Art Two Paradigms of Artistic Activity ? 58 Xavier Greffe Arts Markets • 60 James Heilbrun and Charles M. Gray II. The Nature of the Demand for Works of Art The Synchronization of Social Change in Europe • 65 Fernand Braudel Economic Value as the Objectification of Subjective Values • 70 Georg Simmel Conspicuous Consumption and Pecuniary Canons ofTaste • 71 Thorstein Veblen Collectors and Collecting • 75 Russell W. Belk Connoisseurs and Experts • 78 Jonathan Brown III. The Artist: Homo Economicus/Femina Economica Art, Honor, and Excellence ? 81 Elizabeth Honig
Determining Value on the Art Market in the Golden Age • 86 Eric Jan Sluijter Reference, Deference and Difference • 89 Griselda Pollock The Trademark Tracey Emin ? 91 Ulrich Lehmann Notes on the Mythic Being l-l 11 • 95 Adrian Piper Whose Image Is It? • 96 Barbara Hoffman IV. The Art Market Property and Exhibition Rights ? 98 Walter Santagata Informational Efficiency of the Art Market • 103 William N. Goetzmann The Market for Modern Prints • 106 James E. Pesando 3 . THE ITALIAN CITY-STATES • HO The Culture of Consumption • 111 Richard A. Goldthwaite Conditions ofTrade • n6 Michael Baxandall Italian Artists in Sixteenth-Century England • n8 Cinzia Maria Sicca Leonardo and Leonardism • 120 Luke Syson Marketing • 124 Richard E. Spear The Market for Paintings in Italy ? 127 Federico Etro and Laura Pagani The Gender and Internationalism of Rosalba Camera • 130 Shearer West Letters to Isabella Stewart Gardner • 134 Bernard Berenson
4 . ANTWERP ? 136 The Business of Art: Patrons, Clients, and Markets • 137 Maryan W. Ainsworth Marketing Art in Antwerp ? 139 Dan Ewing Pieter Aertsen’s Meat Stall as Contemporary Art • 142 Charlotte Houghton Second Bosch • 145 Larry Silver A Sixteenth-Century Master-Pupil Contract • 148 Exporting Art across the Globe • 149 Filip Vermeylen Trade and Art in Seventeenth-Century Antwerp • 152 Elizabeth Alice Honig Rubens’s Studio Practice • 154 Hans Vlieghe 5 . AMSTERDAM • 157 On Brabant Rubbish, Economic Competition, Artistic Rivalry, and the Growth ofthe Market for Paintings • 158 Eric Jan Sluijter Cost and Value in Dutch Art • 162 John Michael Montias Art Dealers in the Netherlands • 166 John Michael Montias Italian Paintings in Holland • 169 Bert W. Meijer Freedom, Art, and Money • 172 Svetlana Alpers Letters to Constantijn Huygens, ca. 1639 • 176 Rembrandt Attributions in Auction Catalogs ? 179 Koenraad Jonckheere
The Solliciteur-Culturel • 181 Komraad Jonckheere 6. GERMANY AND SPAIN - 185 I. Germany The Reformation and the Decline of German Art • i86 Carl C. Christensen Art Auctions in Germany during the Eighteenth Century • 189 Thomas Ketelsen II. Spain Painting in Spain, 1500-1700 ? 194 Jonathan Brown Exploring Markets in Spain and Nueva Espaha • 198 Neil De Marchi and Hans J. Van Miegroet Spanish Art and Global Discourse • 202 Miguel A. Hernandez Navarro 7 . LONDON • 204 Picture Consumption in London ? 205 Carol Gibson-Wood The Art Market • 208 Iain Pears England and the Netherlands Compared • 212 David Ormrod Engraving • 217 Tobias Smollett Hogarth • 220 Ronald Paulson Portrait Painting as a Business Enterprise • 221 Marcia Pointon Christie s Auction House • 224 Thomas M. Bayer and John R. Page Art Collecting and Victorian Middle-Class Taste • 229 Dianne Sachko MacLeod
David Thomson and the Goupil Gallery • 233 Anne Helmreich Whistler and the English Print Market • 238 Martha Tedeschi Roger Fry’s Commercial Exhibitions • 243 Anna Gruetzner Robins 8. PARIS • 246 Gersaint and the Marketing of Art • 248 Andrew McClellan David and the “Exposition Payante” • 252 Oskar B tschmann Noising Things Abroad • 253 Steven R. Adams An Italian Patron of French Neo-Classic Art • 256 Francis Haskell Circuits of Production, Circuits of Consumption • 258 Nicholas Green Dealing in Temperaments • 260 Nicholas Green Courbet’s Landscapes and Their Market • 262 Anne M. Wagner The Retrospective Exhibition • 266 Robert Jensen Entrepreneurial Patronage in Nineteenth-Century France ? 269 Albert Boime Ambroise Vollard Correspondence • 272 Paul Gauguin Vollard’s Bronzes • 276 Una Johnson La Peau de I’Ours and Galerie Berthe Weill • 277 Michael Cowan Fitzgerald The Steins’ Early Years in Paris • 280 Rebecca Rabinow
The Avant-Garde, Order, and the Art Market • 284 Malcolm Gee Galeries Georges Petit ? 288 Michael C. Fitzgerald Painting as a Safe Investment ? 290 Raymonde Moulin 9 . ART CONSUMPTION IN INDUSTRIAL AMERICA - 292 Touching Pictures by William Harnett • 293 Michael Leja Winslow Homer as Entrepreneur • 297 Kevin M. Murphy J. P. Morgan’s Renaissance Bronzes • 300 Flaminia Gennari-Santori The Armory Show • 304 Katherine S. Dreier Alfred Stieglitz • 307 Sarah Greenough Diary of an Art Dealer • 310 René Gimpel Vollard • 312 Edith Halpert Press Release, Art ofThis Century • 312 The Exhibitions at Art ofThis Century • 313 Jasper Sharp 10 . NEW YORK ? 316 Artists and Dealers • 317 Dore Ashton Mark Rothko • 320 James E. B. Breslin The New York Art Market ca. i960 • 324 A. Deirdre Robson Clement Greenberg ? 327 André Emmerich
Mike Wallace Interviews Marcel Duchamp • 329 The Leo Castelli Gallery • 332 Richard Brown Baker Mr. Andy Warhol 333 Arthur Danto The Gutman Letter • 335 Michael Benedikt Unpublished Notes • 337 Ad Reinhardt Revaluing Minimalism • 337 Anna C. Chave Land Artists and Art Markets • 342 Victor Ginsburgh and A. F. Penders Unpackaging Simulationism ? 346 Alison Pearlman n. THE GLOBAL ART MARKET ? 351 The Art Market in the 1980s • 353 Paul Ardenne Video Art 357 Noah Horowitz Money Is No Object • 362 Francis M. Naumann The Internationalization of the Contemporary Art World 366 Alain Quemin Neo-modernity, Neo-biennalism, Neo-fairism ? 371 Paco Barragán Acknowledgments • 375 Bibliography • 377 Index • 389
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spellingShingle | A history of the western art market a sourcebook of writings on artists, dealers, and markets Art Marketing History Art Economic aspects History Art Collectors and collecting History Artists Europe, Western Art dealers Geschichte (DE-588)4020517-4 gnd Kunstmarkt (DE-588)4120630-7 gnd |
subject_GND | (DE-588)4020517-4 (DE-588)4120630-7 |
title | A history of the western art market a sourcebook of writings on artists, dealers, and markets |
title_auth | A history of the western art market a sourcebook of writings on artists, dealers, and markets |
title_exact_search | A history of the western art market a sourcebook of writings on artists, dealers, and markets |
title_full | A history of the western art market a sourcebook of writings on artists, dealers, and markets edited by Titia Hulst |
title_fullStr | A history of the western art market a sourcebook of writings on artists, dealers, and markets edited by Titia Hulst |
title_full_unstemmed | A history of the western art market a sourcebook of writings on artists, dealers, and markets edited by Titia Hulst |
title_short | A history of the western art market |
title_sort | a history of the western art market a sourcebook of writings on artists dealers and markets |
title_sub | a sourcebook of writings on artists, dealers, and markets |
topic | Art Marketing History Art Economic aspects History Art Collectors and collecting History Artists Europe, Western Art dealers Geschichte (DE-588)4020517-4 gnd Kunstmarkt (DE-588)4120630-7 gnd |
topic_facet | Art Marketing History Art Economic aspects History Art Collectors and collecting History Artists Europe, Western Art dealers Geschichte Kunstmarkt |
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