Adaptive reuse: aspects of creativity in South Asian cultural history
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| Weitere Verfasser: | , |
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| Sprache: | English |
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Harrassowitz Verlag
2017
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| Schriftenreihe: | Abhandlungen für die Kunde des Morgenlandes
101 |
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| Beschreibung: | 372 Seiten Illustrationen 22 cm x 14.5 cm |
| ISBN: | 3447107073 9783447107075 |
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Datensatz im Suchindex
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| adam_text |
CONTENTS
ELISA FRESCHI AND
PHILIPP A. MAAS
INTRODUCTION: CONCEPTUAL REFLECTIONS ON ADAPTIVE REUSE
.
.
.11
1 THE DIALECTICS OF ORIGINALITY AND REUSE
.
.
.
.11
2 THE BACKGROUND. 12
3 SOME BASIC CONCEPTUAL TOOLS
.
.
.
13
3.1 SIMPLE RE-USE VERSUS DIFFERENT GRADES OF ADAPTIVE REUSE
.
13
4 ADAPTIVE REUSE: ASPECTS OF CREATIVITY.
.
.
.
17
5 *ADAPTIVE REUSE* AND RELATED TERMS
.
.
20
5.1 ADAPTIVE REUSE, INTERTEXTUALITY AND ADAPTATION STUDIES
.
.
20
6 ON THE PRESENT VOLUME. 21
REFERENCES. 24
SECTION 1: ADAPTIVE REUSE OF INDIAN PHILOSOPHY AND OTHER SYSTEMS OF
KNOWLEDGE
PHILIPP A. MAAS
FROM THEORY TO POETRY: THE REUSE OF PATANJALI*S YOGASAESTRA IN
MAEGHA*S
SISUPAELAVADHA. 29
1 THE
PAETAHJALAYOGASAESTRA
.
.
30
2 MAEGHA*S SISUPAELAVADHA
.
.
.
.
.
.
.
.31
3 THE SISUPAELAVADHA AND SAEHKHYA YOGA IN ACADEMIC RESEARCH.
.
34
4 PAETANJALA YOGA IN THE
SISUPAELAVADHA
.
.
36
4.1 THE STANZA
SISUPAELAVADHA 4.55. 36
4.1.1 THE REUSE OF THE
PAETAHJALAYOGASAESTRA IN
SISUPAELAVADHA A.55
.
37
4.1.2 SISUPAELAVADHA A.55 IN CONTEXT. 41
4.2 THE STANZA SISUPAELAVADHA 14.62. 46
4.2.1 THE REUSE OF THE
PAETAHJALAYOGASAESTRA IN
SISUPAELAVADHA 14.62
.
.
.
.47
4.2.2 SISUPAELAVADHA 14.62 IN CONTEXT
.
.
.
49
4.3 THE PASSAGE SISUPAELAVADHA 1.31-33. 51
4.4 THE RECEPTION OF MAEGHA*S REUSE IN
VALLABHADEVA*S
ANTIDOTE
.
.
53
5 CONCLUSIONS
.
.
.
. . . .
.
55
REFERENCES.57
HIMAL TRIKHA
CREATIVITY WITHIN LIMITS: DIFFERENT USAGES OF A SINGLE ARGUMENT FROM
DHARMAKLRTI*S VAEDANYAEYA IN VIDYAENANDIN*S WORKS
.
63
1 A PASSAGE FROM THE VAEDANYAEYA AND AN OVERVIEW OF CORRESPONDING
TEXTUAL
MATERIAL.65
1.1 THE BACKGROUND OF THE
ARGUMENT.66
1.2 OVERVIEW OF CORRESPONDING
PASSAGES.68
1.3 GROUPS OF CORRELATING
ELEMENTS.71
2 THE SUCCESSION OF TRANSMISSION FOR THE ADAPTIONS IN
VACASPATI*S AND ASOKA*S
WORKS.73
2.1 BASIC TYPES OF THE SUCCESSION OF TRANSMISSION
.
73
2.2 THE ADAPTION IN THE
NYAEYAVAERTTIKATAETPARYATIKAE
.
75
2.3 THE ADAPTION IN THE SAEMAENYADUESANA. 79
3 VIDYAENANDIN*S USE OF THE ARGUMENT
.
.
82
3.1 THE ADAPTIONS IN THE TATTVAERTHASLOKAVAERTTIKAELAHKAERA.82
3.2 THE ADAPTIONS IN THE
ASTASAHASRT
.
87
3.3 THE ADAPTIONS IN THE SATYASAESANAPARTKSAE
.
95
4 CONCLUSION
.
.
.
101
REFERENCES.
102
IVAN ANDRIJANIC
TRACES OF REUSE IN SANKARA*S COMMENTARY ON THE
BRAHMASUETRA
.
. 109
1
INTRODUCTION.
109
2 MATERIAL MARKED BY SANKARA OR BY SUB-COMMENTATORS AS BEING
REUSED FROM OTHER AUTHORS
.
.113
2.1 INDEFINITE PRONOUNS AS MARKERS OF REUSE
.
113
2.2 IDENTIFICATIONS OF REUSE BY THE SUB-COMMENTATORS
.
.
115
2.2.1 REUSE OF THE VIEWS OF THE VRTTIKAERA.
.
116
3 DIFFERENT INTERPRETATIONS OF THE SAME
SUETRAS
.
.
.
118
4 EXAMPLES OF REUSE
.
.
.
.
.119
4.1 THE CASE OF AENANDAMAYA IN
BRAHMASUETRABHAESYA 1.1.12-1.1.19. 119
4.1.1 THE INTRODUCTION OF THE ADHIKARANA
.
.
120
4.1.2 BRAHMASUETRABHAESYA 1.1.12
.
121
4.1.3 BRAHMASUETRABHAESYA 1.1.13-17. 121
4.1.4 BRAHMASUETRABHAESYA 1.1.17
.
122
4.1.5 BRAHMASUETRABHAESYA 1.1.19. 123
4.2 THE *BRIDGE* (SETUE) FROM BS(BH) 1.3.1 AND
MU(BH) 2.2.5
.
.
126
5 CONCLUSIONS AND OUTLOOK FOR FURTHER RESEARCH
.
129
REFERENCES.130
YASUTAKA MUROYA
ON PARALLEL PASSAGES IN THE NYAEYA COMMENTARIES OF VAECASPATI MISRA AND
BHATTA
VAEGLSVARA.135
1 BHATTA VAEGLSVARA*S
NYAEYASUETRATAETPARYADIPIKAE.136
2 PARALLEL PASSAGES IN THE
NYAEYASUETRATAETPARYADIPIKAE, THE
NYAEYABHAESYA AND THE
NYAEYAVAERTTIKA.138
3 PARALLEL PASSAGES IN THE
NYAEYASUETRATAETPARYADIPIKAE AND THE
NYAEYAVAERTTIKATAETPAERYATIKAE.138
3.1 VAGLSVARA AND VAECASPATI ON NYAEYASUETRA 1.1.1
.
139
3.1.1 UDAYANA*S THEORY OF
CATEGORIES.142
3.2 VAGLSVARA AND VAECASPATI ON NYAEYASUETRA *5.2.15(16)
.
143
3.2.1 DHARMAKLRTI*S DISCUSSION OF ANANUBHAESANA
.
145
3.2.2 VAEGLSVARA*S AND VAECASPATI*S REFERENCES TO DHARMAKLRTI
.
147
4 ON THE RELATIVE CHRONOLOGY OF VAGLSVARA AND VAECASPATI
.
148
REFERENCES.150
MALHAR KULKARNI
ADAPTIVE REUSE OF THE DESCRIPTIVE TECHNIQUE OF PAENINI IN NON-PAENINIAN
GRAMMATICAL TRADITIONS WITH SPECIAL REFERENCE TO THE DERIVATION OF THE
DECLENSION OF THE 1ST AND 2ND PERSON
PRONOUNS.155
REFERENCES.166
SECTION 2: ADAPTIVE REUSE OF TROPES
ELENA MUCCIARELLI
THE STEADINESS OF A NON-STEADY PLACE: RE-ADAPTATIONS OF THE
IMAGERY OF THE
CHARIOT.169
PREMISE. 169
1 THE RGVEDIC RATHA: THE CHARIOT AS A LIVING PRISMATIC METAPHOR
.
171
1.1 RATHA AND
SWIFTNESS.171
1.1.1 RATHA AS A MEANS FOR CROSSING FIELDS
.
173
1.2 THE GODLY CHARACTER OF THE RATHA
.
173
1.3 RATHA AND CONQUEST
.
174
1.4 RATHA IN THE RITUAL CONTEXT. 174
1.5 RATHA AND POETRY
.
175
1.6 RATHA AND GENERATIVE POWER
.
176
1.7 SUMMING UP: THE MANY SEMANTIC VALUES OF THE
RATHA IN THE
RGVEDA SAMHITAE. 178
1.8 THE MEDIEVAL ADAPTIVE REUSE OF THE RATHA
COMPARED TO ITS VEDIC
USE.178
2 THE LINEAR RE-USE OF THE RATHA IN THE MIDDLE VEDIC PERIOD: THE
SYMBOLIC
CHARIOT.179
2.1 THE SOCIO-POLITICAL CONTEXT OF THE RE-USE. 179
2.2 THE CHARIOT IN THE MIDDLE VEDIC SACRIFICES
.
.
180
2.2.1 THE CHARIOT IN NON-ROYAL SACRIFICES
.
.
181
2.2.2 THE CHARIOT IN THE ROYAL SACRIFICES
. .
.182
2.2.3 THE CHARIOT AND THE EVOCATION OF FERTILITY.
.
187
2.3 SHRINKING OF MEANINGS IN MIDDLE VEDIC REUSE
.
188
3 CONCLUSION. 188
REFERENCES
.
.
189
CRISTINA BIGNAMI
CHARIOT FESTIVALS: THE REUSE OF THE CHARIOT AS SPACE IN MOVEMENT
.
195
1 INTRODUCTION. 195
2 THE ORIGINS OF CHARIOT PROCESSIONS IN THE VEDIC PERIOD
.
.
.
197
3 FAXIAN*S RECORD OF CHARIOT FESTIVALS
.198
4 A RECORD OF THE CHARIOT FESTIVAL IN THE SOUTHERN KINGDOM
.
.
200
5 THE MODEM RITUAL OF RATHOTSAVA AT THE
CENNAKESAVA TEMPLE OF BELUR, KARNATAKA.
.
202
6 THE MODEM RITUAL OF RATHAYAETRAE AT PURI, ORISSA. 204
7 APPLYING THE CONCEPT OF REUSE: THE CHARIOT IN THE DIASPORA
.
205
8 CONCLUSIONS. 209
FIGURES.210
REFERENCES.
212
SECTION 3: ADAPTIVE REUSE OF UNTRACED AND VIRTUAL TEXTS
DANIELE CUNEO
*THIS IS NOT A QUOTE*: QUOTATION EMPLOTMENT, QUOTATIONS HOAXES AND OTHER
UNUSUAL CASES OF TEXTUAL REUSE IN SANSKRIT POETICS-CUM-DRAMATURGY
.
219
1 INTRODUCTION: REUSE, NOVELTY, AND TRADITION
.
.
220
2 SAESTRA AS AN IDEOLOGICAL APPARATUS.
.
.
221
3 THE WORLDLY
SAESTRA, ITS FUZZY BOUNDARIES, AND THE
DERIVATION OF RASAS. 224
4 QUOTATION EMPLOTMENT AND THE TELEOLOGY OF
COMMENTARIAL THOUGHT. 232
5 QUOTATIONS HOAXES AND NOVELTY UNDER SIEGE
.
.
236
6 UNABASHED REPETITION AND AUTHORIAL SLEIGHT OF HAND
.
.
237
7 CONCLUSIONS: THE ALTERNATE FORTUNES OF THE TWO
PARADIGMS OF TEXTUAL AUTHORITATIVENESS
.
.
.
239
APPENDIX: FOUR TRANSLATIONS OF ABHINAVAGUPTA*S INTERMEZZO
.
246
REFERENCES.
247
KIYOKAZU OKITA
QUOTATION, QUARREL AND CONTROVERSY IN EARLY MODEM SOUTH ASIA:
APPAYYA DTKSITA AND JLVA GOSVAEML ON MADHVA*S UNTRACEABLE CITATIONS
.255
INTRODUCTION.
255
1 THE MODEM CONTROVERSY: MESQUITA VS. SHARMA
.
.256
2 UNTRACEABLE QUOTES AND PURAENIC STUDIES
. .
.257
3 UNTRACEABLE QUOTES AND VEDANTA AS HINDU THEOLOGY
.259
4 EARLY MODEM CONTROVERSY: APPAYYA DTKSITA VS. JLVA GOSVAEML
.
260
4.1 APPAYYA DTKSITA
.
.
.
260
4.2 JTVA GOSVAEMT. 267
CONCLUSION. 274
REFERENCES. 275
ELISA FRESCHI
REUSING, ADAPTING, DISTORTING? VEHKATANAETHA*S REUSE OF RAMANUJA,
YAMUNA (AND THE VRTTIKAERA) IN HIS COMMENTARY AD
PUERVAMIMAEMSAESUETRA 1.1.1. .281
1 EARLY VAISNAVA SYNTHESIZING PHILOSOPHIES
.
.
.
281
2 VENKATANAETHA AS A CONTINUATOR OF RAEMAENUJA (AND OF YAMUNA). 283
3 THE SNBHAESYA AND THE
SESVARAMMAEMSAE: SHARED TEXTUAL MATERIAL. 285
3.1 EXAMPLES
.
.
285
3.1.1 THE BEGINNING OF THE COMMENTARY
.
.
.
.285
3.1.2 COMMENTARY ON JIJHAESAE. 287
3.1.3 VYATIREKA CASES. 288
3.1.3.1 SANKARA*S COMMENTARY ON THE SAME
SUETRA
.
.
.
.288
3.1.3.2 BHAESKARA*S COMMENTARY ON THE SAME
SUETRA
.
.
.
.290
3.2 CONCLUSIONS ON THE COMMENTARIES AD BRAHMASUETRA /
PUERVAMIMAEMSAESUETRA 1.1.1. .293
4 THE
SNBHAESYA AND THE
SESVARAMMAEMSAE: A SHARED AGENDA
CONCERNING
AIKASAESTRYA. .294
4.1 SIMILARITIES BETWEEN THE TREATMENT OF AIKASAESTRYA IN THE
SESVARAMMAEMSAE AND THE SNBHAESYA
.
.
.295
4.2 THE
SAHKARSAKAENDA
.
.
.
.
297
4.2.1 THE EXTANT
SAHKARSAKAENDA
.
.
.
299
4.2.2 THE
SAHKARSAKAENDA-DEVATAEKAENDA.303
4.2.3 QUOTATIONS FROM THE
SAHKARSAKAENDA
.
.
.
.304
4.2.4 THE SAHKARSAKAENDA AND ADVAITA VEDAENTA.306
4.2.5 THE
SAHKARSAKAENDA AND THE PAENCARAETRA
.
.309
4.2.6 CONCLUSIONS ON THE SAHKAR§AKAENDA
.
310
4.2.7 THE AUTHORSHIP OF THE SAHKARSAKAENDA
.
312
5 YAEMUNA AND THE
SESVARAMMAEMSAE: SHARED TEXTUAL MATERIAL
.
316
6 CONCLUSIONS
.
.
319
REFERENCES.
.320
CEZARY GALEWICZ
IF YOU DON*T KNOW THE SOURCE, CALL IT ^YAEMALA.
QUOTATIONS AND GHOST TITLES IN THE
RGVEDAKALPADRUMA
.
327
1 THE
RGVEDAKALPADRUMA.329
2 THE CONCEPT OF THE DASAGRANTHA.
330
2.1 KESAVA MATE*S INTERPRETATION OF THE DASAGRANTHA
.
331
2.2 THE
SUETRA WITHIN KESAVA*S DASAGRANTHA
.
332
3 THE
RUDRAYAEMALA AS QUOTED IN THE
RGVEDAKALPADRUMA
.
336
4 THE
RUDRAYAEMALA AND THEYAEMALAS.
338
5 TEXTUAL IDENTITY RECONSIDERED
.
340
6 WHAT DOES THE NAME
RUDRAYAEMALA STAND FOR?
.
341
7 TANTRICIZED VEDA OR VEDICIZED TANTRA?
.
I.342
8 QUOTATIONS AND LOCI OF ASCRIPTION
.
343
9 SPATIAL TOPOGRAPHY OF
IDEAS. 345
REFERENCES.346
SECTION 4: REUSE FROM THE PERSPECTIVE OF THE DIGITAL HUMANITIES
SVEN SELLMER
METHODOLOGICAL AND PRACTICAL REMARKS ON THE QUESTION OF REUSE IN
EPIC
TEXTS.
355
INTRODUCTION
.
.
.
.
.355
1 EPIC REUSE
.
357
1.1 INTERNAL REUSE
.
.
.
358
1.1.1 REPETITIONS. 358
1.1.2 FIXED FORMULAS
.
.
359
1.1.3 FORMULAIC EXPRESSIONS. 360
1.1.4 FLEXIBLE PATTERNS. 360
1.2 EXTERNAL REUSE AND ITS DETECTION.
.
.
361
1.2.1 UNUSUAL VOCABULARY
.
363
1.2.2 EXCEPTIONAL HETEROTOPES
.
.
365
12 3 SPECIFIC METRICAL PATTERNS
.
.
368
CONCLUSION
.
369
REFERENCES
.
.
. 370 |
| any_adam_object | 1 |
| author2 | Freschi, Elisa Maas, Philipp André 1966- |
| author2_role | edt edt |
| author2_variant | e f ef p a m pa pam |
| author_GND | (DE-588)1038227763 (DE-588)131820451 |
| author_facet | Freschi, Elisa Maas, Philipp André 1966- |
| building | Verbundindex |
| bvnumber | BV044516112 |
| classification_rvk | BE 8000 EU 1045 |
| ctrlnum | (OCoLC)958976048 (DE-599)DNB1113119209 |
| discipline | Literaturwissenschaft Theologie / Religionswissenschaften Indogermanistik |
| era | Ideengeschichte gnd |
| era_facet | Ideengeschichte |
| format | Book |
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| genre | (DE-588)1071861417 Konferenzschrift 2013 Münster (Westf) gnd-content |
| genre_facet | Konferenzschrift 2013 Münster (Westf) |
| geographic | Südostasien (DE-588)4058448-3 gnd Südasien (DE-588)4058406-9 gnd |
| geographic_facet | Südostasien Südasien |
| id | DE-604.BV044516112 |
| illustrated | Illustrated |
| indexdate | 2024-12-19T11:01:42Z |
| institution | BVB |
| isbn | 3447107073 9783447107075 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029915779 |
| oclc_num | 958976048 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | 372 Seiten Illustrationen 22 cm x 14.5 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Harrassowitz Verlag |
| record_format | marc |
| series | Abhandlungen für die Kunde des Morgenlandes |
| series2 | Abhandlungen für die Kunde des Morgenlandes |
| spelling | Adaptive reuse aspects of creativity in South Asian cultural history edited by Elisa Freschi and Philipp A. Maas Wiesbaden Harrassowitz Verlag 2017 372 Seiten Illustrationen 22 cm x 14.5 cm txt rdacontent n rdamedia nc rdacarrier Abhandlungen für die Kunde des Morgenlandes 101 Ideengeschichte gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Religiöse Kunst (DE-588)4193793-4 gnd rswk-swf Ideengeschichte (DE-588)4138031-9 gnd rswk-swf Sanskrit (DE-588)4051642-8 gnd rswk-swf Indische Philosophie (DE-588)4374155-1 gnd rswk-swf Verwendung (DE-588)4275659-5 gnd rswk-swf Bearbeitung (DE-588)4120981-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Wiederverwendung (DE-588)4240291-8 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Ritual (DE-588)4050164-4 gnd rswk-swf Zitat (DE-588)4067889-1 gnd rswk-swf Anpassung (DE-588)4128128-7 gnd rswk-swf Südostasien (DE-588)4058448-3 gnd rswk-swf Südasien (DE-588)4058406-9 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2013 Münster (Westf) gnd-content Südostasien (DE-588)4058448-3 g Kultur (DE-588)4125698-0 s Kreativität (DE-588)4032903-3 s Ideengeschichte z DE-604 Südasien (DE-588)4058406-9 g Religiöse Kunst (DE-588)4193793-4 s Ritual (DE-588)4050164-4 s Wiederverwendung (DE-588)4240291-8 s Anpassung (DE-588)4128128-7 s Indische Philosophie (DE-588)4374155-1 s Sanskrit (DE-588)4051642-8 s Rezeption (DE-588)4049716-1 s Zitat (DE-588)4067889-1 s Literatur (DE-588)4035964-5 s Bearbeitung (DE-588)4120981-3 s Ideengeschichte (DE-588)4138031-9 s Verwendung (DE-588)4275659-5 s Freschi, Elisa (DE-588)1038227763 edt Maas, Philipp André 1966- (DE-588)131820451 edt Abhandlungen für die Kunde des Morgenlandes 101 (DE-604)BV000002861 101 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029915779&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Adaptive reuse aspects of creativity in South Asian cultural history Abhandlungen für die Kunde des Morgenlandes Kreativität (DE-588)4032903-3 gnd Literatur (DE-588)4035964-5 gnd Religiöse Kunst (DE-588)4193793-4 gnd Ideengeschichte (DE-588)4138031-9 gnd Sanskrit (DE-588)4051642-8 gnd Indische Philosophie (DE-588)4374155-1 gnd Verwendung (DE-588)4275659-5 gnd Bearbeitung (DE-588)4120981-3 gnd Kultur (DE-588)4125698-0 gnd Wiederverwendung (DE-588)4240291-8 gnd Rezeption (DE-588)4049716-1 gnd Ritual (DE-588)4050164-4 gnd Zitat (DE-588)4067889-1 gnd Anpassung (DE-588)4128128-7 gnd |
| subject_GND | (DE-588)4032903-3 (DE-588)4035964-5 (DE-588)4193793-4 (DE-588)4138031-9 (DE-588)4051642-8 (DE-588)4374155-1 (DE-588)4275659-5 (DE-588)4120981-3 (DE-588)4125698-0 (DE-588)4240291-8 (DE-588)4049716-1 (DE-588)4050164-4 (DE-588)4067889-1 (DE-588)4128128-7 (DE-588)4058448-3 (DE-588)4058406-9 (DE-588)1071861417 |
| title | Adaptive reuse aspects of creativity in South Asian cultural history |
| title_auth | Adaptive reuse aspects of creativity in South Asian cultural history |
| title_exact_search | Adaptive reuse aspects of creativity in South Asian cultural history |
| title_full | Adaptive reuse aspects of creativity in South Asian cultural history edited by Elisa Freschi and Philipp A. Maas |
| title_fullStr | Adaptive reuse aspects of creativity in South Asian cultural history edited by Elisa Freschi and Philipp A. Maas |
| title_full_unstemmed | Adaptive reuse aspects of creativity in South Asian cultural history edited by Elisa Freschi and Philipp A. Maas |
| title_short | Adaptive reuse |
| title_sort | adaptive reuse aspects of creativity in south asian cultural history |
| title_sub | aspects of creativity in South Asian cultural history |
| topic | Kreativität (DE-588)4032903-3 gnd Literatur (DE-588)4035964-5 gnd Religiöse Kunst (DE-588)4193793-4 gnd Ideengeschichte (DE-588)4138031-9 gnd Sanskrit (DE-588)4051642-8 gnd Indische Philosophie (DE-588)4374155-1 gnd Verwendung (DE-588)4275659-5 gnd Bearbeitung (DE-588)4120981-3 gnd Kultur (DE-588)4125698-0 gnd Wiederverwendung (DE-588)4240291-8 gnd Rezeption (DE-588)4049716-1 gnd Ritual (DE-588)4050164-4 gnd Zitat (DE-588)4067889-1 gnd Anpassung (DE-588)4128128-7 gnd |
| topic_facet | Kreativität Literatur Religiöse Kunst Ideengeschichte Sanskrit Indische Philosophie Verwendung Bearbeitung Kultur Wiederverwendung Rezeption Ritual Zitat Anpassung Südostasien Südasien Konferenzschrift 2013 Münster (Westf) |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029915779&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000002861 |
| work_keys_str_mv | AT freschielisa adaptivereuseaspectsofcreativityinsouthasianculturalhistory AT maasphilippandre adaptivereuseaspectsofcreativityinsouthasianculturalhistory |