Putovanje kroz Beograd: Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941
Путовање кроз Београд Београд на разгледницама Историјског музеја Србије, 1896-1941
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Veröffentlicht: |
Beograd
Istorijski muzej Srbije
2016
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Schriftenreihe: | Edicija Katalozi zbirki
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Schlagworte: | |
Online-Zugang: | Abstract Abstract Literaturverzeichnis Inhaltsverzeichnis |
Beschreibung: | Literaturverzeichnis Seite 295-298 Englische und serbische Zusammenfassung |
Beschreibung: | 299 Seiten |
ISBN: | 9788682925842 |
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856 | 4 | 2 | |m Digitalisierung BSB Muenchen 24 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
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880 | 1 | 0 | |6 245-03/(N |a Путовање кроз Београд |b Београд на разгледницама Историјског музеја Србије, 1896-1941 |c аутор каталога Вера Здравковић |
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Datensatz im Suchindex
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adam_text | M3B0PH
ApxHBCKa rpaTja
ApxHB Jyroc/iaßnje:
0OHA MuHnaapcTBa npocßeTe Kpa/beBMHe Jyroc/iaBMje
YMeTHMHKo ofle/benbe MuHnaapcTBa npocßeTe, 4 oha 66-378-615;
OoHAflßopa Kpa^eBHHe Jyroaiaenje
lÜTaMna:
Ba/iKaHCKH paT y c/imu,m m penn 1912-1913.
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298
Bayerische
Staatsbibliothek
München
Summary
The monograph entitled 1896-1941 Belgrade on the Postcards of the Historical Museum of Serbia shows Belgrade
as it used to be, observing its urban, architectural and historical development year by year in the first half of the
20th century. Learning about the capital s cultural and historical monuments, sights and major edifices, the reader
can also observe the changes in the appearance, design and structure of the postcards themselves. Originally
plain and simple, with one purpose only - to ensure quick and efficient communication and transfer of concise in-
formation, postcards evolved into small masterpieces as of the middle of the century owing to the development
of printing techniques and the capability of reproducing interesting images, and today serve as a testimony and
a symbol of the intensive development of the tourist industry.
In order to ensure good postcard sales, publishers tried to adorn them with the most beautiful embellishments,
and the most popular postcards turned out to be those made using the so-called collage technique, where several
motifs are interconnected with different adornments made of flowers, ribbons and other original decorative ele-
ments. Originally, the picture occupied only a part of the postcard s front side, while the other part was intended
for the message, which was frequently only the sender s signature underneath the printed text that read Greet-
ings from... Postcards front sides greatly differed in terms of composition, size of the picture or drawing, and
their combinations. In addition to illustrations, the front side most frequently also contained printed messages,
inscriptions, or names of depicted motifs, mostly in two languages - Serbian, and French or German, in the Cyrillic
and Latin scripts. In time, the message area dwindled in size, while pictures grew larger and larger and eventually
started occupying all of the front side. Consequently, as soon as in the early 20th century, postcards started looking
and having the same structure as today.
Perusing the 1896-1941 Belgrade on the Postcards of the Historical Museum of Serbia monograph, we learn about
the early stages and subsequent development of the industrial production of postcards in Serbia, about the most
prominent postcard publishers - famous booksellers and renowned printing companies - as well as about some
less known traders. The reader can also learn about different postcard printing techniques used in the multiplica-
tion of postcards, about the changes in their shapes, dimensions and topographical adornments, as well as graph-
ical and artistic motifs that were indispensable in their decoration. In addition to the primary purpose of postcards
- to ensure written communication among people - as a result of more modern and aesthetically more advanced
decorative solutions, people gradually started using them for some other, less conventional purposes, e.g. col-
lecting, which became one of the first such purposes and the most common of them all. The first collections were
diverse: they could be made up of postcards that had already travelled or of new and unused ones, as well as of
those with particular motifs, e.g. those featuring the images of places, landscapes, people, etc. In addition to col-
lecting postcards, people eventually also started using them for the purpose of decorating different objects, illus-
trating autograph books, educating young people about the building of the country and for various other purposes.
The chapter dedicated to the Historical Museum of Serbia postcard processing describes the ways in which the
postcards were collected and stored at this cultural institution, as well as their periodization and classification ac-
cording to the front-side theme. Although this classification is not simple at all, since front-side motifs frequently
merge, we learn that the Museum has divided postcards into thematic groups (cities, foreign countries, folk cos-
tumes and customs, artwork reproductions, etc.), and that each group has its inventory number. The author also
293
describes some more sophisticated techniques applied on postcards, e.g. digitalization performed within the mu-
seum collection modernization process, which has ensured the permanent storing of these valuable historical
sources and largely facilitated work with them.
The Historical Museum of Serbia collection of postcards with Belgrade motifs, which has served as the inspiration
for this monograph, contains 524 inventory numbers, out of which a total of 259 postcards have been selected,
processed and used in the book. As regards periodization, postcards with Belgrade motifs are divided into three
chronological periods in the book: the period until 1914, the 1914-1918 occupation and the period between the
two world wars 1919-1941. The data provided are the inventory number, publisher data, period or year when
the postcard was made, and the date when the postcard travelled, if identifiable. In order to date the postcards,
the curator took into account all available relevant data, such as the period when the publisher of the photograph
worked, technology used in the production process, names of streets and buildings therein, as well as urban and
architectural details, monuments, historical developments, means of transport, clothing, accessories, uniforms
and other elements that can be observed on the photos.
Rather than being divided according to their chronological order, postcards with Belgrade motifs in the monograph
are divided according to their front-side themes and illustrations. Therefore, the collection used in the book fea-
tures postcards with the widest variety of motifs depicting urban areas, streets, squares, parks, public edifices,
monuments, as well as postcards portraying the social life of Belgrade. The order in which the postcards are pre-
sented actually follows the city map, or more precisely, the layout of Belgrade streets, squares and parks, as well
as major buildings and monuments situated in the area.
Belgrade postcards doubtless represent very important historical documents that testify about the way the city
looked, about its geographical diversity, urban, architectural and socio-economic development and customs, and
about the Europeanization of Belgrade at the end of the 19th century and in the first half of the 20th century.
Their role in the observation of the historical development of the city is extremely important, as is their place in
the cultural heritage of Serbia. Therefore, the postcards with Belgrade motifs that can be found on the pages of
this monograph represent an important contribution to the study and systematization of the Historical Museum
of Serbia postcard collection.
294
CaflpMtaj:
5 Yboa
16 n/iaH Beorpafla
17 Beorpafl Ha CaBCKoj naflHHM
26 Casa/via/ia
30 6apa BeHeu,nja
33 3e/ieHM BeHau,
37 Mayia nMjau,a
42 Ke/ie3HMHKa CTaHMU,a
44 Bm/icohob Tpr
49 HeMaHjHHa y/inu,a
65 C/iaBuja
67 y/inpa «pa/ba MM/iaHa
75 ynnu,a KHe3a Mw/iowa
82 flßopcKM Kowin/ieKc y V7imj,n Kpa/ba Mn/iaHa
110 Tepa3nje
142 Y/iHpa Kpa/ba A/ieKcaHflpa
155 ManeflOHCKa y/imja
160 CKaflap/iMja
163 Aopfio/i
170 Ma/in Ka/ieiwerflaH
171 Kpa/beß Tpr, Be/iMKa nwjapa
184 no3opnwHH Tpr
204 KHe3a Mnxan/ia
233 Ka/ieMerflaH h Beorpa^CKa TBpfyasa
258 Öko Ka/ieMer^aHa
263 Moa BMTeuJKor Kpa/ba A/ieKcaHflpa I - 3eiv yHCKH moct
268 BeorpaflCKO CajMHwe
273 BeorpaflCKa H3/ieTmuTa
279 flBopcKH KOMn/ieKC Ha AeflHK y
282 Aßa/ia
284 3aK/bynaK
285 HanoMeHe
295 H3Bopn M /inTepaTypa
4;.
299
Pe3MMe
MoHorpa t)nja „Beorpafl Ha pa3r/ieflHkmaMa HcTopnjcKor My3eja Cp6uje 1896-1941 Aonapaßa Beorpafl xaxaß
je HeKafla 6ho, npaTefiM hteroB ypöaHMCTMHXM, apxMTexTOHCXM m MCTopMjcxM pa3ßoj M3 roflMHe y roflHHy, toxom
npße no/ioßMHe 20. Bexa. yno3Hajyîin ce ca xy/vrypHO-MCTopMjcxMM cnoMeHMLjMMa, 3HaMeHHTOCTHMa m aPVMm
3HaHajHMM 3flahbMMa maßHor rpafla, HMTa/iau, MCTOßpeMeHO Möwe npaTMTM npoMeHe y M3r/ieAy, AH3ajHy m crpyx-
Typw caMkix pa3i7ieAHmj,a. Y nepMOAy oa no/ioBMHe cro/iefia, pa3meAHHi4e oa jeAHOcraßHMX AonncHHx noiUTaH-
CKMX xapaTa, Muja je npßo6nTHa (jîyHKu.Mja ÖM/ia 6p3 m etjwxacaH H3HMH xoMyHMxaijMje, Te npeHOweite je3rpoßme
MHcjjopMau.nje, 3axßa^yjyfin pa3BMTxy ujTaivinapcKHX TexHMxa m MoryfiHOCTM penpoAyxAMje HHTepecaHTHMX c/iMxa
- ßpe/vieHOM nocTajy Ma/ia ywieTHHHKa Ae/ia, aM h cßeAOHaHCTBo m cmm6o/i nHTeH3HBHor pa3ßoja Typn3Ma.
fla 6m ce pa3r/ieAHMu,e luto 6o/be n/iacMpa/ie, M3AaßaHM cy ce TpyAM/iM pa mx lijto /lemue yxpace, a Hajßetiy no-
ny/iapHOCTAOCTM Ky oHe M3paî)eHeT3B. xo/ia x-TexHMXOM, Ha xojMMa je npMxa3aHO Hexo/iMxo motmbb, MeîjycoÔHO
noße3aHMX pa3HMM yxpacMMa oa Aßetia, TpaxaMa m ApyrMM opMrMHa/iHMM AexopaTMBHMM e/ieMeHTMMa. Aßepc,
npeAHba CTpaHa pa3ivieAHMu,e, npßoÖMTHO je ÔM/ia aë/iom HaMehteHa 3a c/iMxy, a penoM 3a caonwTehta. Hecro cy
Ta caonujTet-ba noApa3yiv eBa^a caiwo nomMC nowMLbaoAa, xojM ce craB/bao MCnOA OAWTaMnaHor Texcra „no3Apaß
M3... . npeAite CTpaHe pa3r/ieAHM4a ßeoivia cy ce pa3/iMxoßa/ie y norneAy xoMno3Mu,Mje, ße/iMHMHe c/iMxe m/im
lAPTexxa, xao m htMXOßor xoMÖMHOßahta. Ha aßepcy cy nopeA M/iyopaAMja HajHewtie ÖM/ie OAWTaMnaHe nopyxe,
HaTTIMCM M/IM H33MBM H3C/lMXaHMX MOTMB3, KOjM Cy yr/iaBHOM Cy ÔM/IM ABOje3MHHM, MCTIMCaHM Ha CpnCKOM M (j)paH-
uycxoM m/im HeMaHKOM je3MKy, fiMpM/iMHHM m LiaTMHMHHM. BpeMeHOM ce c/iMxa noeeiiaBa/ia Ha panyH npocTOpa
3a caonurraBahta, Aa 6m Ha xpajy 3ay3e/ia u,e/ioxynHy npeA^y crpaHy, Te ßeh y npßMM roAMHaMa 20. ßexa pa3-
meAHMu,a nonpMwia ceoj AaHaiuhbM yoÖMHajeHM M3r/ieA m CTpyxTypy.
Ha CTpaHMAaMa MOHorpatjwje „BeorpaA na pa3r/ieAHMü,aMa HcropMjcxor My3eja Cp6nje 1896-1941 yno3HajeMO
ce ca noHeijMMa m pa3BojeM MHAycTpMjcxe M3paAe pa3r/ieAHML(a y CpÔMjM, xao m ca HjMxobmm HajeMMHewHMjMM
M3AaßanMMa - nyßeHMjMM xitM xapMMa m yr/ieAHMM LUTaMnapcxMM npeAy3efiMMa, am m nojeAMHMM Mähte no-
3H3TMM TprOBU,MMa. TaXOÎje, HMTBLiaA ce MH(j)OpMMLUe M 0 P33/IMHMTMM WTaMnapCXMM TeXHMXaiVia XOjMMa cy ce
pa3r/ieAHMi4e yMHO xaBa/ie, xao m o npoMeHaiwa y htMXOBOM 06/iMxy, AHMeH3MjaMa, Tonorpac|)cxMM opHaMeHTMMa,
Te rpacj)MHXMM m/im /imxobhmm motmbmmb xojM cy npeAcraB/ba/iM He3ao6M/ia3Hy AexopaAMjy Ha pa3meAHMu,a/v a.
3axBÆart yjyhM cße caßpeMeHMjMM m ecTeTCXM caepiueHMjMM AexopaTMBHMM pemeLt.MMa, pa3meAHMü,e cy ßpe-
MeHOM, nopeA cßoje npMMapHe 4 yHxu,Mje pa o6e36eAe nncaHy xoiviyHMxaAMjy Meîjy A yAHMa, npoHam^e m Hexe
Apyre, Mähte xoHßeHAMOHa/iHe HaHMHe ynoTpe6e, Meljy xojMMa je jeAaH oa npßMX m HajyoÖMMajeHMjMX, HecyM-
hbMßo, npaß^eH e xo/iexi4Mja pa3r/ieAHMU,a. npßoÖMTHe xonexu,Mje 6n/ie cy pa3HOßpcHe - Mome cy 6mtm caMM-
hteHe oa pa3meAHMü,a xoje cy Beh nyTOBa^e m/im nax oa hobmx, HeynOTpeö/beHMx; Mor/ie cy ce npaBMTM 3ÖMpxe
pa3r/eAHMu,a ca oApetjeHMM motmbmm3, ca c/MxaMa Mecra, nej3a xa, Jbypu mta. Ocmm xo/iexLjMOHapcxe HaMeHe,
pa3r/ieAHMAe cy ce xacHMje nonene ynoTpeö^aßaTM m xao AexopaAMja y Ma’papw pa3/MHMTMX npeAMeTa, 33TMm y
M^ycTpoßahty cnoMeHapa, y eAyxau,MjM M/aAnx o M3rpaAhtM 3eMÆe m y pa3He Apyre cßpxe.
rioi7iaB/be nocBeîieHo o6paAM pa3rneAHMua y HcTopMjcxoM My3ejy CpÖMje roßopM o HaHMHMMa npMxyn^ahta m
noxpahtMßaita pa3r/ieAHM4a y OBoj ycTaHOBM xy/Type, Te o htMXOBoj nepMOAH33AMjM m x^acM j)Mxai4MjM npeMa
TeMaTCXOM caAPH ajy M^ycTpai4Mje Ha aßepcy. IlpeMAa OBaxBO pa3ßpcTaBaHje HMje hmm3/io jeAHOCTaBHo, öyAytiM
Aa ce MOTMBM Ha npeAhtoj CTpaHM necra MetjycoÖHO npo XMMajy, ca3HajeMO Aa cy pa3r/ieAHM4e y My3ejy noAe-
291
/beHe Ha Te/viaTCKe periMHe (rpaflOBM, cTpaHe APwaBe, HapoflHe Hown e m o6nMajn, pa3meflHHu,e ca penpoflyKO-
B3HHM /1HKOBHHM yMeTHHMKHM Ae/iwvta h flp.), Te Aa cBaxa ne/iHHa nwia CBoj HHBeHTapHH 6poj. Ayrapna ce npnTOM
ocepfie M Ha HeKe caBpeiweHHje TexHMKe Koje ce npnMen yjy y pa^y ca pa3r/ieAHHuaMa, nonyT H nxoße AHrma-
/iH3apnje y OKBupy npoueca MOAepHH3a4nje My3ejcKe rpatje, 3axßa/byjyfin He/vty ce obh BpeAHH ncTopnjcKn H3-
Bopn TpajHO noxpahbyjy, a paA ca rbn/wa yMHoroMe o/iaxiuaBa.
36np«a pa3r/ieAHMU,a ca MOTnBWvia BeorpaAa y HcTopnjcKOM My3ejy Cpönje, Koja je nHcnnpnca/ia HadaHax Oße
MOHOrpa(J)Mje, caApwH 454 MHBeHTapHa 6poja, oa nera je 3a noipeöe paAa OAaöpaHO h oöpaljeHO yxynHO 259
pa3i7ieAHnu,a. KaAa je nocpeAH HdHxobb nepnc AH3ai4nja, pa3meAHHpe ca öeorpaACKwvi MOTHBHMa cy, xpoHO-
/10LUKM nocMaTpaHO, y kh M3h K/iacn(j)HKOBaHe y ipn nepnoAa: nepnoA AO 1914. roAHHe, nepHOA OKynau,nje
1914-1918. m nepnoA n3Met)y Aßa CBeTcna paia 1919-1941. roAHHe. nopeA HHBeHTapHor 6poja, Aa™ cy h noAann
o M3AaBaHy, 33tmm nepnoA v m roAMHa H3 Koje pa3r/ieAHMu,a nomne, nao h AaiyM t«Aa je pa3r/ieAHnpa nyTOBa/ia,
yKO/iHKO hx je 6h/io Moryfie MAeHTw])HKOBa™. ilpH/mKOM Aamparta pa3r/ieAHHu,a, y3eTH cy y oö3np cbm pe/ie-
BaHTHH noAapn, xojn cy KycTocy 6m/im AOcryriHM, nonyT BpeiweHa y KOMe je paAn/ia n3AaBam a «yfia H3 «oje j)o-
Torpa t nja noTkine, TexHO/iomje H eHe n3paAe, Ha3HBa y/inu,a m 3rpaAa Ha tt oj, «ao h yp6aHncTHHKHX h
apxHTeKTOHCKHX pßiajbz, cnoweHUKa, naopnjcKwx Aorafyaja, npeB03HHX cpeAdaBa, HannHa OAeßaH a, moahhx
Ada/ba, yHn j)opMH h ApyrHX e/ieMeHaia yoHn nßnx Ha caiwoj (j)OTorpa j)njM.
Pa3f7ieAHmj,e ca öeorpaACKwvi mothbhmb y oBoj MOHorpatjjnjM Huey pacnopefjeHe xpoho/ioujkhm peAOc/ieAOM,
Bell cy pa3BpdaHe Ha ocHOBy HbHXOBe Teiv aTHKe h n/iycTpau,nja npn«a3aHHX Ha aßepcy. Taxo ce y OKBnpy 36np«e
pa3MeAHMu,a o6paî)eHHx y paAY n3Aßajajy pa3r/ieAHHu,e ca Hajpa3/iH4n™jnM mothbumb ypöaHor npoaopa,
y/inpa, TproBa, napKOBa, jaBHMx 3AaH a, cno/vieHHKa, «ao m pa3meAHnpe «oje npm a3yjy ApywTBeHH wmbot Beo-
rpaAa. PeAoc^eA pa3weAHnpa 3anpaBO npa™ nnaH rpaAa, Tapuje pacnopeA öeorpaACKHX y/iMAa, Tprosa m
napnoea, nao h pe/ieBaHTHMx 3Aart a m cnoMenwo «yriType «ojn ce Ha/ia3e Ha tom npodopy.
HecyMK HBO je Aa cy pa3r/ieAHHu,e BeorpaAa Beowia 3Ha4ajHM naopnjCKH AoxyMeHTH, Kojn cßeAOMe o n3r/ieAy
rpaAa, rberoßoj reorpaijiCKoj pa3HOBpcHOdn, o pa3Bojy ypßaHH3Ma v apxHTeKType, o APywTßeHo-eKOHOMCKOM
pa3Bojy m oÖMHajH/via, re o eßponen3aAnjn BeorpaAa Ha Kpajy 19. h y npßoj no/ioBHHn 20. Bexa. H3y3eTHO je
BamHa n nxoBa ynora y car/ieAaBart y ncTopnjcKor pa3ßoja rpaAa, «ao h hjmxobo Meao y Ky/nypHoj 6aiuTHHn
Cpönje. 36or cBera Tora, M3Öop pa3rneAHHu,a ca motmbhm3 BeorpaAa, kojh je npnKa3aH Ha CTpaHHu,aMa oee mo-
Horpa j)nje, npeACTaß/ba BawaH AonpHHOC npoynaßarby h cncTeMaTH30Bart y 3ÔnpKe pa3r/ieAHH4a y HcTOpnjcKOM
My3ejy Cp6nje.
|
any_adam_object | 1 |
author | Zdravković, Vera |
author_facet | Zdravković, Vera |
author_role | aut |
author_sort | Zdravković, Vera |
author_variant | v z vz |
building | Verbundindex |
bvnumber | BV044511006 |
ctrlnum | (OCoLC)1038769976 (DE-599)BVBBV044511006 |
era | Geschichte 1896-1941 gnd |
era_facet | Geschichte 1896-1941 |
format | Book |
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genre | (DE-588)4145395-5 Bildband gnd-content (DE-588)4135467-9 Ausstellungskatalog 2016 Belgrad gnd-content |
genre_facet | Bildband Ausstellungskatalog 2016 Belgrad |
geographic | Belgrad (DE-588)4005411-1 gnd |
geographic_facet | Belgrad |
id | DE-604.BV044511006 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:54:35Z |
institution | BVB |
institution_GND | (DE-588)1008369-8 |
isbn | 9788682925842 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029910786 |
oclc_num | 1038769976 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 299 Seiten |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Istorijski muzej Srbije |
record_format | marc |
series2 | Edicija Katalozi zbirki |
spelling | 880-01 Zdravković, Vera Verfasser aut 880-03 Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 autor kataloga Vera Zdravković 880-04 Beograd Istorijski muzej Srbije 2016 299 Seiten sti rdacontent n rdamedia nc rdacarrier 880-05 Edicija Katalozi zbirki Literaturverzeichnis Seite 295-298 Englische und serbische Zusammenfassung Text serbisch Kyrillisch Geschichte 1896-1941 gnd rswk-swf Belgrad (DE-588)4005411-1 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content (DE-588)4135467-9 Ausstellungskatalog 2016 Belgrad gnd-content Belgrad (DE-588)4005411-1 g Geschichte 1896-1941 z DE-604 880-02 Istorijski muzej Srbije (DE-588)1008369-8 isb Digitalisierung BSB Muenchen 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000004&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 100-01/(N Здравковић, Вера ut 710-02/(N Историјски музеј Србије 4isb 245-03/(N Путовање кроз Београд Београд на разгледницама Историјског музеја Србије, 1896-1941 аутор каталога Вера Здравковић 264-04/(N Београд Историјски музеј Србије 2016 490-05/(N Едиција Каталози збирки |
spellingShingle | Zdravković, Vera Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 |
subject_GND | (DE-588)4005411-1 (DE-588)4145395-5 (DE-588)4135467-9 |
title | Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 |
title_auth | Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 |
title_exact_search | Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 |
title_full | Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 autor kataloga Vera Zdravković |
title_fullStr | Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 autor kataloga Vera Zdravković |
title_full_unstemmed | Putovanje kroz Beograd Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 autor kataloga Vera Zdravković |
title_short | Putovanje kroz Beograd |
title_sort | putovanje kroz beograd beograd na razglednicama istorijskog muzeja srbije 1896 1941 |
title_sub | Beograd na razglednicama Istorijskog muzeja Srbije, 1896-1941 |
topic_facet | Belgrad Bildband Ausstellungskatalog 2016 Belgrad |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029910786&sequence=000004&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
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