National identity and nineteenth-century Franco-Belgian sculpture:
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2018
|
Schriftenreihe: | Routledge research in art history
|
Schlagworte: | |
Online-Zugang: | Rezension Inhaltsverzeichnis |
Beschreibung: | xiii, 265 Seiten Illustrationen |
ISBN: | 9781138712515 |
Internformat
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Datensatz im Suchindex
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adam_text |
CONTENTS
LIST OF TABLES X
LIST OF FIGURES XI
LIST OF ABBREVIATIONS XIV
ACKNOWLEDGMENTS XV
INTRODUCTION 1
PARTI
1830-1850: BELGIUM'S 'BIG BANG' AND THE EMERGENCE OF
ITS SCULPTURE SCHOOL 15
1 POLITICS 17
1.1 SCULPTURE FOR A NEW COUNTRY: ART AS A UNIFIER 17
2 EDUCATION 22
2.1 DEFYING "ENEMIES OF OUR TRUE NATIONALITY': THE ACADEMY
OF ANTWERP 22
2.2 ENEMIES WITHIN THE BORDERS OF THE NATION: ANTWERP VS. BRUSSELS 25
2.3 OUT WITH THE OLD, IN WITH THE NEW: THE ACADEMY OF BRUSSELS 26
2.4 OUTSIDE THE CLASSROOM, INTO THE STUDIO 30
3 EXHIBITIONS 35
3.1 THE BELGIAN SALONS: AN EXCLUSIVE PARTY 35
4 PUBLIC COMMISSIONS 37
4.1 GUILLAUME GEEFS, 'LE SEUL SCULPTEUR BEIGE' 37
4.1.1 GENERAL AUGUSTIN BELLIARD, 'PLUS BEIGE QUE FRANCAIS? 52
4.1.2 GEEFS' PETER PAUL RUBENS: 'KING OF THE FLEMISH PAINTER
SCHOOL' 57
4.1.3 A BATTLE OF HEROES: RUBENS VS. BELLIARD 62
4.2 LOUIS-EUGENE SIMONIS, 'PERE DE LA SCULPTURE BEIGE MODERNE' 62
4.2.1 SIMON STEVIN, AN AMBIGUOUS CHOICE 68
4.2.2 GODFREY OF BOUILLON, A BELGIAN HERO AHORSE 71
4.3 A BATTLE OF SCULPTORS: GEEFS VS. SIMONIS 73
VIII CONTENTS
PART II
1850-1880: A FOREIGN PREVALENCE AND NON-BELGIAN SCULPTURE 77
5 POLITICS 79
5.1 SCULPTURE MIDWAY THROUGH THE CENTURY: ART AS A SIGN
OF UNITY 79
6 EDUCATION 83
6.1 THE ACADEMIES: EXPANSION AND CONSOLIDATION 83
6.2 BEYOND ACADEMIES AND BORDERS: THE PRIVATE STUDIO 86
7 EXHIBITIONS 90
7.1 SCULPTURE AT THE SALONS: THE ROAD TO NATIONAL AND INTERNATIONAL
FAME AND CLAIM 90
7.2 'NATIONAL SCHOOLS' AT THE INTERNATIONAL EXHIBITIONS: CONSTRUCTED
(OR) REALITY? 95
7.2.1 CULTURAL SHARDS AND PATCHES 95
7.2.2 THE 'BOULANGERIE NATIONALE' 97
7.3 JEAN BAPTISTE CARPEAUX IN BELGIUM: VISITING, EXHIBITING,
INSPIRING 99
8 PUBLIC COMMISSIONS 102
8.1 TJNE QUESTION D'ART OU UNE QUESTION DE NATIONALITEF" 102
8.2 FRENCH SCULPTORS IN BELGIUM 103
8.2.1 A CLASH AT THE BOURSE OF BRUSSELS 103
8.2.2 'A GOOD-FOR-NOTHING [WHO] WILL SOON BE DISPOSED OF:
AUGUSTE RODIN IN BELGIUM 114
8.2.3 CARRIER-BELLEUSE IN BELGIUM: THE SEQUEL 118
8.2.4 JULES BERTIN: 'ENFANT ADOPTIF DE TONGRES', OR A
FRENCHMAN? 124
8.3 SCULPTURE AT THE PALACE OF JUSTICE: A LESSON LEARNED? 127
8.4 UNE QUESTION D'ART ET UNE QUESTION DE NATIONALITY 130
PART III
1880-1895: A RENAISSANCE OF BELGIAN SCULPTURE 133
9 POLITICS
9.1 ARTISTIC PROSPERITY AND ECONOMIC DISTRESS 135
9.2 BUILDING FOR KING AND COUNTRY 140
10 EDUCATION
10.1 ANTWERP: THE'FLEMISH'ACADEMY 146
10.2 VAN DER STAPPEN'S REIGN AT THE ACADEMY OF BRUSSELS 148
10.3 FINDING NATIVE HERITAGE ABROAD 150
CONTENTS IX
11 EXHIBITIONS 157
11.1 THE OLD WAYS: THE SALONS 157
11.2 ALTERNATIVE STAGES: L'ESSOR, LES XX, AND LA LIBRE ESTHETIQUE 159
11.3 NATIONAL SUCCESS ON AN INTERNATIONAL STAGE: THE PARIS SALONS 165
11.4 SCULPTURE AT THE INTERNATIONAL EXHIBITIONS: YESTERDAY'S 'NATIONAL
SCHOOLS'? 168
12 PUBLIC COMMISSIONS 171
12.1 'DANS 1'ESPRIT DES SCULPTURES DU GRAND OPERA DE PARIS': TWO
STATUES FOR THE ROYAL MUSEUMS OF FINE ARTS 171
12.2 THE RENAISSANCE OF SCULPTURE IN BELGIUM 180
12.3 SCULPTING A(N) (INTER)NATIONAL AND LOCAL IDENTITY 184
PART IV
1895-1916: INTERNATIONAL BELGIAN SCULPTURE 187
13 POLITICS 189
13.1 KING LEOPOLD II, BELGIAN CHRYSELEPHANTINE SCULPTURES, AND A
FRENCH GARDEN 189
13.2 A NEW POLITICAL MOVEMENT, A NEW SCULPTURE 191
14 EDUCATION 197
14.1 EVER LOOKING BACK: THE ANTWERP ACADEMY 197
14.2 'LA NATURE, C'EST MOI QUI L'ENSEIGNE!': VAN DER STAPPEN VS. DILLENS
IN BRUSSELS 198
14.3 A NEED FOR CHANGE: THE EDUCATION ABROAD 201
15 EXHIBITIONS 203
15.1 SALONS: THE OLD AND THE NEW 203
15.2 'LA FRANCE AUX FRANCAIS!': THE PARIS SALONS 207
15.3 CONTRADICTING STORYLINES: BELGIANS AT THE INTERNATIONAL
EXHIBITIONS 208
15.3.1 PARIS*1900 208
15.3.2 GHENT*1913 211
15.4 MEUNIER AND MINNE EXHIBITING ABROAD 215
15.5 SCULPTURE IN EXILE: LATER EXHIBITIONS 219
16 PUBLIC COMMISSIONS 221
16.1 PUBLIC IDENTITY: LOCALITY VS. NATIONALITY 221
16.1.1 LE DEBARDEUR, A LOCAL HERO 221
16.1.2 ART CRITICISM REVISED: WALLOON SCULPTURE? 223
16.2 'QU'IMPORTE LA NATIONALITE DE PARTISTE?': MEUNIER'S ZOLA 226
16.3 MULTIPLE IDENTITIES 230
BIBLIOGRAPHY 233
INDEX 259 |
any_adam_object | 1 |
author | Wijnsouw, Jana |
author_GND | (DE-588)1027452442 |
author_facet | Wijnsouw, Jana |
author_role | aut |
author_sort | Wijnsouw, Jana |
author_variant | j w jw |
building | Verbundindex |
bvnumber | BV044507234 |
classification_rvk | LO 33807 |
ctrlnum | (OCoLC)1013522258 (DE-599)BVBBV044507234 |
discipline | Kunstgeschichte |
era | Geschichte 1830-1916 gnd Geschichte 1800-1900 gnd |
era_facet | Geschichte 1830-1916 Geschichte 1800-1900 |
format | Book |
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spelling | Wijnsouw, Jana Verfasser (DE-588)1027452442 aut National identity and nineteenth-century Franco-Belgian sculpture Jana Wijnsouw New York ; London Routledge, Taylor & Francis Group 2018 xiii, 265 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge research in art history Geschichte 1830-1916 gnd rswk-swf Geschichte 1800-1900 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Wallonen (DE-588)4064471-6 gnd rswk-swf Belgien (DE-588)4005406-8 gnd rswk-swf Wallonien (DE-588)4107100-1 gnd rswk-swf (DE-588)4006432-3 Bibliografie gnd-content Belgien (DE-588)4005406-8 g Wallonen (DE-588)4064471-6 s Nationalbewusstsein (DE-588)4041282-9 s Plastik (DE-588)4046277-8 s Geschichte 1800-1900 z DE-604 Wallonien (DE-588)4107100-1 g Geschichte 1830-1916 z Erscheint auch als 978-1-315-20013-2 ebk http://www.sehepunkte.de/2021/07/31922.html rezensiert in: sehepunkte 21 (2021), Nr. 7/8 Rezension SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029907116&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Wijnsouw, Jana National identity and nineteenth-century Franco-Belgian sculpture Nationalbewusstsein (DE-588)4041282-9 gnd Plastik (DE-588)4046277-8 gnd Wallonen (DE-588)4064471-6 gnd |
subject_GND | (DE-588)4041282-9 (DE-588)4046277-8 (DE-588)4064471-6 (DE-588)4005406-8 (DE-588)4107100-1 (DE-588)4006432-3 |
title | National identity and nineteenth-century Franco-Belgian sculpture |
title_auth | National identity and nineteenth-century Franco-Belgian sculpture |
title_exact_search | National identity and nineteenth-century Franco-Belgian sculpture |
title_full | National identity and nineteenth-century Franco-Belgian sculpture Jana Wijnsouw |
title_fullStr | National identity and nineteenth-century Franco-Belgian sculpture Jana Wijnsouw |
title_full_unstemmed | National identity and nineteenth-century Franco-Belgian sculpture Jana Wijnsouw |
title_short | National identity and nineteenth-century Franco-Belgian sculpture |
title_sort | national identity and nineteenth century franco belgian sculpture |
topic | Nationalbewusstsein (DE-588)4041282-9 gnd Plastik (DE-588)4046277-8 gnd Wallonen (DE-588)4064471-6 gnd |
topic_facet | Nationalbewusstsein Plastik Wallonen Belgien Wallonien Bibliografie |
url | http://www.sehepunkte.de/2021/07/31922.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029907116&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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