A new history of Italian Renaissance art:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Thames & Hudson
2017
|
| Ausgabe: | Second edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Revised edition 2017 - Rückseite des Titelblattes |
| Beschreibung: | 710 Seiten Illustrationen |
| ISBN: | 9780500239759 |
Internformat
MARC
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| 245 | 1 | 0 | |a A new history of Italian Renaissance art |c Stephen J. Campbell and Michael W. Cole |
| 250 | |a Second edition | ||
| 264 | 1 | |a London |b Thames & Hudson |c 2017 | |
| 300 | |a 710 Seiten |b Illustrationen | ||
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Datensatz im Suchindex
| _version_ | 1820172651278106624 |
|---|---|
| adam_text |
Contents
Preface 8
Introduction m
Looking Back, Looking Forward 12
New Technologies and Theories of Art 13
Word and Image 15
The Book and Its Structure 16
1 I30O-I4OO
The Trecento Inheritance 18
Political Geography and the Arts 20
The Pisano Family:
The New Architectural Sculpture 23
Giotto: The Painter and the Legend 26
Devotional Imagery: Siena 34
Art and the State 43
Art and Devotion after Giotto 50
2 1400-1410
The Cathedral and the City 60
Campanilism 62
The Cathedrals of Florence and Milan 65
Competition at Florence Cathedral 67
Marble Sculpture for the Cathedral:
Nanni di Banco and Donatello 76
Jacopo della Quercia and the Fonte Gaia 79
3 1410-1420
Commissioning Art:
Standardization, Customization,
Emulation 82
Orsanmichele and Its Tabernacles 84
Customizing the Altarpiece:
The Coronation of the Virgin 94
Filippo Brunelleschi and the
Foundling Hospital 99
4 1420-1430
Perspective and Its Discontents 100
The Centrality of Florence 102
Lorenzo Ghiberti and Brunelleschi at the
Baptistery 105
Perspective and Narrative 110
The Brunelleschian Model and Its
Alternatives 116
5 1430-1440
Practice and Theory 120
Painting Panels and Frescoes 122
The Centrality of Disegno 125
Inventing Antiquity 135
Jacopo Bellini and the Transformation of
the Modelbook 138
6 1440-1450
Palace and Church 142
The Sacred and the Profane 144
San Marco 146
The Florentine Altarpiece after 1440 152
Andrea del Castagno and the Convent of
SantApollonia 157
The allantica Tomb 158
The Private Palace 160
Civic Patronage and the Church:
Venice and Padua 171
Siena: Civic and Sacred Space 177
Palermo: from Palace to Hospital 182
The Vatican Papacy and the Embellishment
of St. Peter s 185
CONTENTS
7 1450-1460 11 I49O-I5OO
Rome and Other Romes 188 The Allure of the Secular 298
Hie Model City 190 From the Margins to the Center 300
The Courts of Naples and Rimini 197 The Studiolo of Isabella d’Este and
Padua 205 Mythological Painting 301
Pius II: Rome and Pienza 208 Corporate Devotion 305
Alberti on Architecture 213 The World Ends 309
Judgment Day in Orvieto, “Last Things”
in Bologna 3D
8 1460-1470 Leonardo in Sforza Milan 326
Courtly Values 216 Michelangelo: Early Works in Marble 336
What Is Court Art? 218
Ferrara and the Court of Borso d’Este 218 12 1500-1510
The Sforza Court in Milan 226
Mantegna, Alberti, and the Gonzaga Court 233 Human Nature 340
Urbino: The Palace of Federico da The Heroic Body and Its Alternatives 342
Montefeltro 237 Leonardo and Michelangelo in Florence 345
Courtly Values in Cities without Courts 239 Raphael’s Beginnings 354
Rome: A New Architectural Language 358
The Sistine Ceiling 362
9 1470-1480 The Vatican Palace 370
What Is Naturalism? 246 Venice 377
The Flemish Manner 248
Oil Painting 253 13 1510-1520
Life Study 258
Leonardo da Vinci’s Beginnings 261 The Workshop and the“School” 386
Nature and the Classical Past 266 Raphael and His Team 1512-20 388
Beauties beyond Nature 268 Michelangelos Sculptures for the
Julius Tomb 409
The Florentine “Schools” 412
10 1480-1490 Titian and the Camerino of Alfonso d’Este 418
Migration and Mobility 270
Portable Art 272 14 1520-1530
Artists on the Move 278
Florentine Bronze Sculptors in Venice The Loss of the Center 424
and Rome 285 The Sala di Costantino 427
Florentine Painters in Rome: The Sistine Rome after Raphael: Making a Reputation 430
Chapel Frescoes 289 Florence 435
Leonardo Goes to Milan 294 Lombardy and Venice 440
The Sack of Rome in 1527 449
CONTENTS
15 1530-1540
Dynasty and Myth 452
The Della Rovere in Urbino 455
The Gonzaga in Mantua 457
The Medici in Florence 463
Andrea Doria in Genoa 470
Rome under the Farnese 474
16 1540-1550
Literate Art 480
The Painting of History 482
Michelangelo’s Gift Drawings and the Pietá 488
The Rise of Vernacular Art Theory 491
Italians Abroad: Fontainebleau 493
The City Square 495
Painting without Poetry 505
17 1550-1560
Disegno ¡Colore 512
Titian and Rome 514
Design and Production: Florence and Rome 520
Interpreting Michelangelo 527
Out of Italy 531
18 1560-1570
Decorum, Order, and Reform 542
Alessandro Moretto and Giovanni Moroni:
Reform Tendencies on the Eve of Trent 544
Michelangelos Last Judgment,
Twenty Years Later 545
The Jesuits and the Reform of Church
Architecture 549
Princes of the Church and Their Villas 551
Villas in the Veneto: Andrea Palladio 558
The “Sacro Bosco” at Bomarzo 561
Bologna, Florence, and Rome in the Time
of Pius IV and PiusV 564
The Arts in Transition 572
19 1570-1580
Art, the People, and the
Counter Reformation Church 574
Two Reforming Archbishops 576
Venice in the 1570s 581
Three Confraternities 585
Architecture and Urbanism in
Counter-Reformation Rome 595
The Image of the People 599
20 1580-1590
A Sense of Place 604
Gardens and Grottos 606
The Bolognese New Wave 610
The “Holy Mountain” at Varallo 616
Mapping Rome 617
Urbanism in Rome under Sixtus V 621
The Place of Giambolognas Abduction
of the Sabine 626
21 1590-1600
The Persistence of Art 628
Church Humanism, Church Archaeology 630
A New Geography 632
Galleries and Collectable Art 640
Three Paths, c. 1600 642
After 1600 655
Italian Renaissance Materials
and Techniques 656
Chronology of Rule 1400-1600:
Key Centers 666
Glossary 670
Bibliographical Notes and
Suggestions for Further Reading 675
Sources of Quotations 690
Picture Credits 693
Index 694 |
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| author | Campbell, Stephen John 1963- Cole, Michael Wayne 1969- |
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| era | Geschichte 1300-1600 gnd |
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| indexdate | 2025-01-02T21:05:08Z |
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| isbn | 9780500239759 |
| language | English |
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| spelling | Campbell, Stephen John 1963- Verfasser (DE-588)131982249 aut A new history of Italian Renaissance art Stephen J. Campbell and Michael W. Cole Second edition London Thames & Hudson 2017 710 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Revised edition 2017 - Rückseite des Titelblattes Geschichte 1300-1600 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Renaissance (DE-588)4049450-0 s Geschichte 1300-1600 z DE-604 Cole, Michael Wayne 1969- Verfasser (DE-588)124670989 aut Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029892136&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Campbell, Stephen John 1963- Cole, Michael Wayne 1969- A new history of Italian Renaissance art Renaissance (DE-588)4049450-0 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4049450-0 (DE-588)4114333-4 (DE-588)4027833-5 (DE-588)4145395-5 |
| title | A new history of Italian Renaissance art |
| title_auth | A new history of Italian Renaissance art |
| title_exact_search | A new history of Italian Renaissance art |
| title_full | A new history of Italian Renaissance art Stephen J. Campbell and Michael W. Cole |
| title_fullStr | A new history of Italian Renaissance art Stephen J. Campbell and Michael W. Cole |
| title_full_unstemmed | A new history of Italian Renaissance art Stephen J. Campbell and Michael W. Cole |
| title_short | A new history of Italian Renaissance art |
| title_sort | a new history of italian renaissance art |
| topic | Renaissance (DE-588)4049450-0 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Renaissance Kunst Italien Bildband |
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