Expanded painting: ontological aesthetics and the essence of colour
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting |
| Beschreibung: | x, 224 Seiten Illustrationen 25 cm |
| ISBN: | 9781350004177 1350004170 |
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| 520 | 3 | |a The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting | |
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| 653 | 0 | |a Painting / 21st century | |
| 653 | 0 | |a Art and philosopy | |
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Datensatz im Suchindex
| _version_ | 1804177835568398336 |
|---|---|
| adam_text | CONTENTS
LIST OF FIGURES
ACKNOWLEDGEMENTS
1 THE PRESENCE OF PAINT
2 EXPANDED PAINTING
3 POST AESTHETICS
4 AN ONTOLOGY OF COLOUR
5 THE PAINTING OF BEING
NOTES
BIBLIOGRAPHY
INDEX
VLLL
XI
1
13
77
131
157
173
195
213
|
| any_adam_object | 1 |
| author | Titmarsh, Mark |
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| building | Verbundindex |
| bvnumber | BV044490982 |
| ctrlnum | (OCoLC)1006907649 (DE-599)BVBBV044490982 |
| era | Geschichte 1945-2017 gnd |
| era_facet | Geschichte 1945-2017 |
| format | Book |
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| isbn | 9781350004177 1350004170 |
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| spelling | Titmarsh, Mark Verfasser (DE-588)1140787497 aut Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh London Bloomsbury Academic 2017 x, 224 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting Geschichte 1945-2017 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Painting / 21st century Art and philosopy Malerei (DE-588)4037220-0 s Ästhetik (DE-588)4000626-8 s Geschichte 1945-2017 z DE-604 Erscheint auch als Online-Ausgabe 978-1-3500-0419-1 (DE-604)BV047292047 Erscheint auch als Online-Ausgabe, PDF 978-1-3500-0416-0 (DE-604)BV047292047 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029890936&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| subject_GND | (DE-588)4037220-0 (DE-588)4000626-8 |
| title | Expanded painting ontological aesthetics and the essence of colour |
| title_auth | Expanded painting ontological aesthetics and the essence of colour |
| title_exact_search | Expanded painting ontological aesthetics and the essence of colour |
| title_full | Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh |
| title_fullStr | Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh |
| title_full_unstemmed | Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh |
| title_short | Expanded painting |
| title_sort | expanded painting ontological aesthetics and the essence of colour |
| title_sub | ontological aesthetics and the essence of colour |
| topic | Malerei (DE-588)4037220-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Malerei Ästhetik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029890936&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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