Design for the corporate world, 1950-1975:
Architectural, industrial, and graphic design in the United States from the 1950s through to the 1970s - generally known as mid-century modern ? is now perceived as a golden era, with artists such as Charles and Ray Eames, Eero Saarinen, and Eliot Noyes having become household names. This volume loo...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Lund Humphries in association with the Iris and B. Gerald Cantor Center for Visual Arts, Stanford University
2017
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| Schlagworte: | |
| Zusammenfassung: | Architectural, industrial, and graphic design in the United States from the 1950s through to the 1970s - generally known as mid-century modern ? is now perceived as a golden era, with artists such as Charles and Ray Eames, Eero Saarinen, and Eliot Noyes having become household names. This volume looks at the relationship between these designers and the companies who employed them, highlighting the political, social and cultural circumstances in which seminal design icons such as the Selectric Typewriter for IBM and the distinctive Westinghouse Electric Manufacturing Company logo were created. It reveals not only why corporations during this period needed designers more than ever before, but also why designers felt ambivalent about their work for these large businesses. In doing so, it sheds new light on the changing self-image of the designer and on these famous mid-century graphic, product, and furniture designs. 00Exhibition: Cantor Arts Center, Stanford, United States (26.04-21.08.2017) |
| Beschreibung: | Accompanies the exhibition: "Creativity on the Line: Design for the Corporate World 1950-1975", held from April 26-August 21, 2017 at the Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, California |
| Beschreibung: | 160 Seiten Illustrationen 30 cm |
| ISBN: | 9781848221949 1848221940 |
Internformat
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| 520 | 3 | |a Architectural, industrial, and graphic design in the United States from the 1950s through to the 1970s - generally known as mid-century modern ? is now perceived as a golden era, with artists such as Charles and Ray Eames, Eero Saarinen, and Eliot Noyes having become household names. This volume looks at the relationship between these designers and the companies who employed them, highlighting the political, social and cultural circumstances in which seminal design icons such as the Selectric Typewriter for IBM and the distinctive Westinghouse Electric Manufacturing Company logo were created. It reveals not only why corporations during this period needed designers more than ever before, but also why designers felt ambivalent about their work for these large businesses. In doing so, it sheds new light on the changing self-image of the designer and on these famous mid-century graphic, product, and furniture designs. 00Exhibition: Cantor Arts Center, Stanford, United States (26.04-21.08.2017) | |
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Datensatz im Suchindex
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| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1950-1975 gnd |
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| format | Book |
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| language | English |
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| physical | 160 Seiten Illustrationen 30 cm |
| publishDate | 2017 |
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| spelling | Design for the corporate world, 1950-1975 edited by Wim de Wit London Lund Humphries in association with the Iris and B. Gerald Cantor Center for Visual Arts, Stanford University 2017 160 Seiten Illustrationen 30 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Accompanies the exhibition: "Creativity on the Line: Design for the Corporate World 1950-1975", held from April 26-August 21, 2017 at the Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, California Architectural, industrial, and graphic design in the United States from the 1950s through to the 1970s - generally known as mid-century modern ? is now perceived as a golden era, with artists such as Charles and Ray Eames, Eero Saarinen, and Eliot Noyes having become household names. This volume looks at the relationship between these designers and the companies who employed them, highlighting the political, social and cultural circumstances in which seminal design icons such as the Selectric Typewriter for IBM and the distinctive Westinghouse Electric Manufacturing Company logo were created. It reveals not only why corporations during this period needed designers more than ever before, but also why designers felt ambivalent about their work for these large businesses. In doing so, it sheds new light on the changing self-image of the designer and on these famous mid-century graphic, product, and furniture designs. 00Exhibition: Cantor Arts Center, Stanford, United States (26.04-21.08.2017) Geschichte 1900-2000 Geschichte 1950-1975 gnd rswk-swf Unternehmen (DE-588)4061963-1 gnd rswk-swf Design (DE-588)4011510-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Design / United States / 20th century / Exhibitions Architectural design / United States / 20th century / Exhibitions Graphic design (Typography) / United States / 20th century / Exhibitions Industrial design / United States / 20th century / Exhibitions Architectural design Design Graphic design (Typography) Industrial design United States 1900-1999 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Iris and B. Gerald Cantor Center for Visual Arts, Stanford University 26.04.2017-21.08.2017 Stanford, Calif. gnd-content USA (DE-588)4078704-7 g Unternehmen (DE-588)4061963-1 s Design (DE-588)4011510-0 s Geschichte 1950-1975 z DE-604 Wit, Wim de 1948- (DE-588)189391367 edt Iris & B. Gerald Cantor Center for Visual Arts (DE-588)10000124-5 isb his |
| spellingShingle | Design for the corporate world, 1950-1975 Unternehmen (DE-588)4061963-1 gnd Design (DE-588)4011510-0 gnd |
| subject_GND | (DE-588)4061963-1 (DE-588)4011510-0 (DE-588)4078704-7 (DE-588)4135467-9 |
| title | Design for the corporate world, 1950-1975 |
| title_auth | Design for the corporate world, 1950-1975 |
| title_exact_search | Design for the corporate world, 1950-1975 |
| title_full | Design for the corporate world, 1950-1975 edited by Wim de Wit |
| title_fullStr | Design for the corporate world, 1950-1975 edited by Wim de Wit |
| title_full_unstemmed | Design for the corporate world, 1950-1975 edited by Wim de Wit |
| title_short | Design for the corporate world, 1950-1975 |
| title_sort | design for the corporate world 1950 1975 |
| topic | Unternehmen (DE-588)4061963-1 gnd Design (DE-588)4011510-0 gnd |
| topic_facet | Unternehmen Design USA Ausstellungskatalog Ausstellungskatalog Iris and B. Gerald Cantor Center for Visual Arts, Stanford University 26.04.2017-21.08.2017 Stanford, Calif. |
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