Gallery sound:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2017
|
| Schriftenreihe: | Ex:centrics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 165 Seiten Illustrationen |
| ISBN: | 1501304364 9781501304378 9781501304361 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804177811085197312 |
|---|---|
| adam_text | CONTENTS
Acknowledgements vii
Introduction l
a Listening to visual art 2
b A sound context 15
1 The empty-sounding gallery 25
a Silence and the void 27
b Silence 28
c Sense of sensing: Robert Irwin and James Turrell 32
d Unified sensory situation: Michael Asher 37
e Rendered acoustical: Bruce Nauman 42
f Eternal music: La Monte Young 53
g Echoing resonance: Alvin Lucier 62
2 Noises in the gallery 71
a The new loud art museum 71
b Intervention and interference: Marco Fusinato 77
c Condoned noise 85
d Social sounds 88
e Walking and listening 94
VI
CONTENTS
3 Musical galleries ill
a Anti-Illusion: Steve Reich and Philip Glass 113
b Off Site and impermanentaudio: experimental
and improvised 123
c Music as art 129
Notes 147
Bibliography 150
Index 158
Sound is an integral part of contemporary art. Once understood to be a marginal
practice, we increasingly encounter sound in art exhibitions through an array of sound
making works in various art forms. However, works of art are far from the only thing
one might hear: music performances, floor talks, exhibition openings and the noisy
background sounds that emanate from the gallery café fill contemporary exhibition
environments. Far from being hallowed spaces of quiet reflection, galleries have
swiftly become very noisy places. Gallery Sound argues for the importance of all of
the sounds to be heard within the walls of art spaces, and in doing so listens not only
to the deliberate inclusion of sound within the art gallery, but also to its incidental
sounds. More than this, however, Gallery Sound turns its attention to the ways in
which the acoustic characteristics specific to gallery spaces have been mined by
artists for creative outputs, ushering in entirely new art forms.
f* «4 l- ft
ÍJ-Í *..« t! ‘tv -1 vi -V» * *•
el y is a curator and a senior academic at UNSW Art Design, Australia.
|
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| discipline | Allgemeines |
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