Making design theory:
Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redstrom offers a new approach to theory development in design research--one that is driven by practice, exp...
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1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge, Massachusetts ; London
The MIT Press
[2017]
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Schriftenreihe: | Design thinking, design theory
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redstrom offers a new approach to theory development in design research--one that is driven by practice, experimentation, and making. Redstrom does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making. Redstrom proposes that we consider theory not as stable and constant but as something unfolding -- something acted as much as articulated, inherently fluid and transitional. Redstrom describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design.0Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redstrom departs from the traditional academic imperative to pick a side -- theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research |
Beschreibung: | Literaturverzeichnis Seite 155-164 |
Beschreibung: | XIV, 171 Seiten Illustrationen 24 cm |
ISBN: | 9780262036658 0262036657 |
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520 | 3 | |a Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redstrom offers a new approach to theory development in design research--one that is driven by practice, experimentation, and making. Redstrom does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making. Redstrom proposes that we consider theory not as stable and constant but as something unfolding -- something acted as much as articulated, inherently fluid and transitional. Redstrom describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design.0Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redstrom departs from the traditional academic imperative to pick a side -- theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research | |
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Datensatz im Suchindex
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---|---|
adam_text | SLUB
SERIES FOREWORD IX
ACKNOWLEDGMENTS XV
1 THING AND THEORY 1
2 TACTICS 9
3 BETWEEN 29
4 MAKING DEFINITIONS 49
5 PROGRAMS 83
6 PRESENTING 113
7 TRANSITIONAL THEORY 133
NOTES 143
REFERENCES 155
INDEX 165
|
any_adam_object | 1 |
author | Redström, Johan |
author_facet | Redström, Johan |
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building | Verbundindex |
bvnumber | BV044476178 |
callnumber-first | N - Fine Arts |
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callnumber-raw | NK1505 |
callnumber-search | NK1505 |
callnumber-sort | NK 41505 |
callnumber-subject | NK - Decorative Arts |
classification_rvk | LH 79540 |
ctrlnum | (OCoLC)1004510434 (DE-599)BSZ490937578 |
dewey-full | 745.401 |
dewey-hundreds | 700 - The arts |
dewey-ones | 745 - Decorative arts |
dewey-raw | 745.401 |
dewey-search | 745.401 |
dewey-sort | 3745.401 |
dewey-tens | 740 - Graphic arts and decorative arts |
discipline | Kunstgeschichte |
format | Book |
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indexdate | 2024-07-10T07:54:00Z |
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isbn | 9780262036658 0262036657 |
language | English |
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physical | XIV, 171 Seiten Illustrationen 24 cm |
publishDate | 2017 |
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publisher | The MIT Press |
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series2 | Design thinking, design theory |
spelling | Redström, Johan aut Making design theory Johan Redström Cambridge, Massachusetts ; London The MIT Press [2017] © 2017 XIV, 171 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Design thinking, design theory Literaturverzeichnis Seite 155-164 Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redstrom offers a new approach to theory development in design research--one that is driven by practice, experimentation, and making. Redstrom does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making. Redstrom proposes that we consider theory not as stable and constant but as something unfolding -- something acted as much as articulated, inherently fluid and transitional. Redstrom describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design.0Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redstrom departs from the traditional academic imperative to pick a side -- theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research Philosophie Philosophie (DE-588)4045791-6 gnd rswk-swf Design (DE-588)4011510-0 gnd rswk-swf Design / Philosophy Design (DE-588)4011510-0 s Philosophie (DE-588)4045791-6 s DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029876472&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Redström, Johan Making design theory Philosophie Philosophie (DE-588)4045791-6 gnd Design (DE-588)4011510-0 gnd |
subject_GND | (DE-588)4045791-6 (DE-588)4011510-0 |
title | Making design theory |
title_auth | Making design theory |
title_exact_search | Making design theory |
title_full | Making design theory Johan Redström |
title_fullStr | Making design theory Johan Redström |
title_full_unstemmed | Making design theory Johan Redström |
title_short | Making design theory |
title_sort | making design theory |
topic | Philosophie Philosophie (DE-588)4045791-6 gnd Design (DE-588)4011510-0 gnd |
topic_facet | Philosophie Design |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029876472&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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