The ends of collage:
The title 'The Ends of Collage', refers both literally and metaphorically to the place where collage fulfils its calling - at the ends or edges of pictures and fragments, where separate worlds come together or break apart from one another. But it also suggests an historical paradigm, where...
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Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Luxembourg & Dayan
[2017]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The title 'The Ends of Collage', refers both literally and metaphorically to the place where collage fulfils its calling - at the ends or edges of pictures and fragments, where separate worlds come together or break apart from one another. But it also suggests an historical paradigm, where collage is considered as a medium that existed in the so called 'age of mechanical reproduction' and has now been overcome by the new logic of the digital age. The book attempts to survey different approaches to- and definitions of collage and the role of this medium in two crucial historical moments: its emergence in the early decades of the 20th century, and the introduction of digital media during the postmodern moment of the late 1970s and early 1980s. Exhibition: Luxembourg & Dayan, New York, USA (27.02 - 06.05.2017) / Luxembourg & Dayan, London, UK (10.03. - 13.05.2017).0 |
Beschreibung: | 235 Seiten |
ISBN: | 9780995612518 |
Internformat
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Datensatz im Suchindex
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adam_text | CONTENTS
6
9
19
37
53
73
87
97
119
139
143
FOREWORD
WHY COLLAGE NOW?
THE ENDS OF COLLAGE
YUVAL ETGAR
PLATES
THE FORERUNNERS
HERTAWESCHER
FREE-WORD POETRY
CHRISTINE POGGI
COLLAGE
CLEMENTGREENBERG
TOWARDS A DEFINITION OF
SURREALIST COLLAGE
ELZAADAMOWICZ
THE CHALLENGE TO PAINTING
LOUIS ARAGON
BEYOND PAINTING
MAX ERNST
COLLAGES
JEAN(HANS)ARP
ON COLLAGE
HANNAH HOCH
145
159
165
171
175
197
211
213
215
233
FROM DETAIL TO FRAGMENT:
DECOLLAGEAFFICHISTE
BENJAMIN H.D.BUCHLOH
THE CUTTING EDGE
BRANDON TAYLOR
CUTTING AND FRAMING
JOHN STEZAKER
TWELVE FRAGMENTS TO TAKE OFF
(IN 40,000 SIGNS)
GROUPEM
THE ALLEGORICAL IMPULSE: TOWARD A
THEORY OF POSTMODERNISM
CRAIG OWENS
PICTURES
DOUGLAS CRIMP
PRACTICING WITHOUT A LICENSE 1977
RICHARD PRINCE
STATEMENT
SHERRIELEVINE
IMAGE SIMULATIONS, COMPUTER
MANIPULATIONS: SOME CONSIDERATIONS
MARTHA ROSLER
ON EDGE
ALI SMITH
|
any_adam_object | 1 |
author2 | Etgar, Yuval |
author2_role | edt |
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building | Verbundindex |
bvnumber | BV044465245 |
callnumber-first | N - Fine Arts |
callnumber-label | N6490 |
callnumber-raw | N6490 |
callnumber-search | N6490 |
callnumber-sort | N 46490 |
callnumber-subject | N - Visual Arts |
classification_rvk | LH 65820 |
ctrlnum | (OCoLC)993037320 (DE-599)BSZ490322964 |
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dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.411 |
dewey-search | 700.411 |
dewey-sort | 3700.411 |
dewey-tens | 700 - The arts |
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era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | The ends of collage edited by Yeval Etgar London Luxembourg & Dayan [2017] 235 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier The title 'The Ends of Collage', refers both literally and metaphorically to the place where collage fulfils its calling - at the ends or edges of pictures and fragments, where separate worlds come together or break apart from one another. But it also suggests an historical paradigm, where collage is considered as a medium that existed in the so called 'age of mechanical reproduction' and has now been overcome by the new logic of the digital age. The book attempts to survey different approaches to- and definitions of collage and the role of this medium in two crucial historical moments: its emergence in the early decades of the 20th century, and the introduction of digital media during the postmodern moment of the late 1970s and early 1980s. Exhibition: Luxembourg & Dayan, New York, USA (27.02 - 06.05.2017) / Luxembourg & Dayan, London, UK (10.03. - 13.05.2017).0 Geschichte gnd rswk-swf Collage (DE-588)4010384-5 gnd rswk-swf Collage (DE-588)4135467-9 Ausstellungskatalog Luxembourg & Dayan 27.02.2017-15.04.2017 New York, NY gnd-content (DE-588)4135467-9 Ausstellungskatalog Luxembourg & Dayan 09.03.2017-13.05.2017 London gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Collage (DE-588)4010384-5 s Geschichte z DE-604 Etgar, Yuval (DE-588)1139793519 edt Luxembourg & Dayan (DE-588)16081162-4 his V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029865813&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | The ends of collage Collage (DE-588)4010384-5 gnd |
subject_GND | (DE-588)4010384-5 (DE-588)4135467-9 (DE-588)4143413-4 |
title | The ends of collage |
title_auth | The ends of collage |
title_exact_search | The ends of collage |
title_full | The ends of collage edited by Yeval Etgar |
title_fullStr | The ends of collage edited by Yeval Etgar |
title_full_unstemmed | The ends of collage edited by Yeval Etgar |
title_short | The ends of collage |
title_sort | the ends of collage |
topic | Collage (DE-588)4010384-5 gnd |
topic_facet | Collage Ausstellungskatalog Luxembourg & Dayan 27.02.2017-15.04.2017 New York, NY Ausstellungskatalog Luxembourg & Dayan 09.03.2017-13.05.2017 London Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029865813&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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