Qui musicam in se habet: studies in honor of Alejandro Enrique Planchart
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Middleton, Wisconsin
American Institute of Musicology
[2015]
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Schriftenreihe: | Miscellanea / American Institute of Musicology
9 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Werkverzeichnis: Seite 827-835 |
Beschreibung: | XXVI, 854 Seiten Illustrationen, Faksimiles, Notenbeispiele |
ISBN: | 9781595515148 |
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Datensatz im Suchindex
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adam_text | Table of Contents
Acknowledgments...........................................................XI
List of Illustrations.....................................................XIII
List of Music Examples.............................................* ·«...XVII
Abbreviations.............................................................XXI
Note on Terminology........................*..............*...............XVI
0 0 0
1. Introduction.............................................................3
Anna Zayaruznaya
2. Fanfare.................................................................11
Agricola IXa: Je nay dueil
Fabrice Fitch
I. Chant Transmitted and Reformed
3. The Old Milanese Hymn for Saint John the Baptist.......................* 21
Angelo Rusconi
4. The Masses for the Holy Cross in Some Italian Manuscripts...............41
Luisa Nardini
5. Updating the Alleluia at Pistoia ...............................*......71
James Vincent Maiello
6* Guillaume-Gabriel Niverss Plam-chant musical Motets in the Repertory
of the Maison Royale de Saint-Louis at Saint-Cyr.....................93
Deborah Kauffman
7. Missa Eclectica: Lou Harrison and Artistic Ideologies after Vatican II.121
Rebecca G. Marchand
VII
II. Cults
8. The Tropes for Saint Androchius at the Abbeys of Saint Martial
and Saint Martin in Limoges...........................................149
James Grier
9. The Office of Saint Donatus at Benevento ..............................157
Thomas Forrest Kelly
10. The Great Procession of St. Agatha in Florence and its Antiphon
Paganorum multitude...................................................175
Michel Huglot and Barbara Haggh Huglo
11. Popular Piety in Renaissance Mantua: The Lauda and Flagellant
Confraternities.......................................................183
William E Prizer
III. The Lives of Singers
12. New Light on Recruiting Singers during the Papal Schism:
A Letter from Pope Urban VI ..........................................225
Evan A. MacCarthy
13. Orfeo: Dominus Presbiter Orpheus de Padua.............................231
Margaret Bent
14* Dialogus de Johanne Sohier alias Fede...............................257
Jane Alden and David Fiala
15. Splendeurs et misères des suppliques: Breton Singers in the Papal
Chapel in the Late Fifteenth and Early Sixteenth Centuries............285
Richard Sherr
16. Forty- Eight Nights at the Opera: La compania lirica francesa
in Manila in 1865 ....................................................315
William John Summers
IV. The Lives of Songs
17. Apropos Ma fin est mon commencement and Tout par compos:
Two Canonic Rondeaux from Reims.......................................349
Alexander Blachly
18. Osservazioni sulla ballata polistrofica nella tradizione musicale
del Trecento..........................................................581
Agostino Ziino
VIII
19. The Adventures of La belle se siet ..................................413
Robert Nosow
20. Affection Unmasked? About the Misleading Transmission of a
“Lost” Song by Johannes Tourout ................................. 427
Jaap van Benthem
V. Ceremonial Motets
21. The Latin Poetry of Johannes Ciconia and “Guilhermus”................437
Leofranc Holford-Strevens
22. The Italian Job: Ciconia, Du Fay, and the Musical Aesthetics
of the Fifteenth-Century Italian Motet..............................471
Carolann Buff
23. The Pagan Virgin? Du Fay’s Salve Flos, a Second Consecration
Motet for Santa Maria del Fiore.....................................501
Michael K. Phelps
VI. Sources Reconstructed and Reconsidered
24. Maria Unbound: Reconstructing and Contextualizing the Antwerp
Manuscript Fragments M6 ..............................................517
Kristine K. Forney and Alicia M. Doyle
25. The Velvet Songbooks................................................ 551
David Fallows
26. Crispin van Stappen and Petrucci’s Motetti a cinque .................563
Sean Gallagher
27. Alamire, Pierre de la Rue, and Manuscript Production in the Time
of Charles V........................................................ 575
Honey Meconi
VIL Attribution and Authority
28. The Status of a Du Fay Contrafactum .................................617
Reinhard Strohm
29. Sound and Structure: Le marteau sans mcdtre and Miile regretz .......635
Joshua Rifkin
30. Josquin as Authority in Morales’s Four՜Voice Missa de Beata Virgine..675
Alison Sanders McFarland
IX
VIII. Practicing Theory
31. The World according to Anonymous IV...............................693
Rob C. Wegman
32. Whatever You Do, Don’t Sing D: On the Notation of Obrecht’s
M issa L homme armé..............................................731
Emily Zazulia
33. “Notes Secretly Fitted Together”: Theorists on Enigmatic
Canons—and on Josquin’s Hercules Mass?...........................743
Bonnie J. Blackburn
IX. Music as Experience
34. Organa dulcisona docto modulamine compta: Rhetoric and Musical
Composition in the Winchester Organa...............................763
Susan Rankin
35. Peaks, Valleys, and Form in Ockeghem’s Sacred Music ................781
Jesse Rodin
36. Gershwin at the Piano: Performance Practice Methodology
and its Limits.......................................................805
Jonathan D. Bellman
37. Six Sets of Tropes from Nevers .......................................821
Richard L. Crocker
* * *
Appendix
Publications, Compositions, and Recordings by Alejandro Enrique Planchait.827
Notes on Contributors ......................................................837
Index of Manuscripts ..................................................... 843
General Index...............................................................845
X
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spelling | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart edited by Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman Middleton, Wisconsin American Institute of Musicology [2015] © 2015 XXVI, 854 Seiten Illustrationen, Faksimiles, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Miscellanea / American Institute of Musicology 9 Werkverzeichnis: Seite 827-835 Geschichte 500-1500 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4016928-5 Festschrift gnd-content Europa (DE-588)4015701-5 g Musik (DE-588)4040802-4 s Geschichte 500-1500 z DE-604 Planchart, Alejandro Enrique 1935-2019 (DE-588)13917415X hnr Zayaruznaya, Anna 1982- (DE-588)1028523971 edt Blackburn, Bonnie J. 1939- (DE-588)134330285 edt Boorman, Stanley 1939- (DE-588)10401329X edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029864412&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart Musik (DE-588)4040802-4 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4015701-5 (DE-588)4016928-5 |
title | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart |
title_auth | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart |
title_exact_search | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart |
title_full | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart edited by Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman |
title_fullStr | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart edited by Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman |
title_full_unstemmed | Qui musicam in se habet studies in honor of Alejandro Enrique Planchart edited by Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman |
title_short | Qui musicam in se habet |
title_sort | qui musicam in se habet studies in honor of alejandro enrique planchart |
title_sub | studies in honor of Alejandro Enrique Planchart |
topic | Musik (DE-588)4040802-4 gnd |
topic_facet | Musik Europa Festschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029864412&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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