Reimagining Shakespeare's playhouse: early modern staging conventions in the twentieth century
'Provocative, very readable, and extremely widely researched; it will be an important intervention in many ongoing debates.' LUCY MUNRO, Senior Lecturer in English, Keele University<BR><BR> Numerous attempts have been made in the modern and postmodern era to recreate the stagin...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
D.S. Brewer
2010
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Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Zusammenfassung: | 'Provocative, very readable, and extremely widely researched; it will be an important intervention in many ongoing debates.' LUCY MUNRO, Senior Lecturer in English, Keele University<BR><BR> Numerous attempts have been made in the modern and postmodern era to recreate the staging conventions of Shakespeare's theatre, from William Poel to the founders of the New Globe. This volume examines the work of these directors, analysing their practical successes and failures; it also engages with the ideological critiques of early modern staging advanced by scholars such as W.B. Worthen and Ric Knowles. The author argues that rather than indulging in archaism for its own sake, the movement looked backward in a progressive attempt to address the challenges of the twentieth century.<BR> The book begins with a re-examination of the conventional view of Poel as an antiquarian crank. Subsequent chapters are devoted to Harley Granville Barker and Nugent Monck; the author argues that while Barker's major contribution was the dubious achievement of establishing the movement's reputation as an essentially literary phenomenon, Monck took the first tentative steps toward an architectural reimagining of modern performance spaces, an advance which led to later triumphs in early modern staging. The book then traces the sporadic and irregular development of Tyrone Guthrie's commitment to early modern practices. The final chapter looks at how competing historical theories of playhouse design influenced the construction of the Globe, while the conclusion discusses the ongoing potential of early modern staging in the new millennium.<BR> Dr Joe Falocco is Lecturer in English, Texas State University |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Jun 2017) |
Beschreibung: | 1 online resource (vii, 208 pages) |
ISBN: | 9781846158285 |
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520 | |a 'Provocative, very readable, and extremely widely researched; it will be an important intervention in many ongoing debates.' LUCY MUNRO, Senior Lecturer in English, Keele University<BR><BR> Numerous attempts have been made in the modern and postmodern era to recreate the staging conventions of Shakespeare's theatre, from William Poel to the founders of the New Globe. This volume examines the work of these directors, analysing their practical successes and failures; it also engages with the ideological critiques of early modern staging advanced by scholars such as W.B. Worthen and Ric Knowles. The author argues that rather than indulging in archaism for its own sake, the movement looked backward in a progressive attempt to address the challenges of the twentieth century.<BR> The book begins with a re-examination of the conventional view of Poel as an antiquarian crank. Subsequent chapters are devoted to Harley Granville Barker and Nugent Monck; the author argues that while Barker's major contribution was the dubious achievement of establishing the movement's reputation as an essentially literary phenomenon, Monck took the first tentative steps toward an architectural reimagining of modern performance spaces, an advance which led to later triumphs in early modern staging. The book then traces the sporadic and irregular development of Tyrone Guthrie's commitment to early modern practices. The final chapter looks at how competing historical theories of playhouse design influenced the construction of the Globe, while the conclusion discusses the ongoing potential of early modern staging in the new millennium.<BR> Dr Joe Falocco is Lecturer in English, Texas State University | ||
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author | Falocco, Joe |
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spelling | Falocco, Joe Verfasser aut Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century Joe Falocco Cambridge D.S. Brewer 2010 1 online resource (vii, 208 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Jun 2017) 'Provocative, very readable, and extremely widely researched; it will be an important intervention in many ongoing debates.' LUCY MUNRO, Senior Lecturer in English, Keele University<BR><BR> Numerous attempts have been made in the modern and postmodern era to recreate the staging conventions of Shakespeare's theatre, from William Poel to the founders of the New Globe. This volume examines the work of these directors, analysing their practical successes and failures; it also engages with the ideological critiques of early modern staging advanced by scholars such as W.B. Worthen and Ric Knowles. The author argues that rather than indulging in archaism for its own sake, the movement looked backward in a progressive attempt to address the challenges of the twentieth century.<BR> The book begins with a re-examination of the conventional view of Poel as an antiquarian crank. Subsequent chapters are devoted to Harley Granville Barker and Nugent Monck; the author argues that while Barker's major contribution was the dubious achievement of establishing the movement's reputation as an essentially literary phenomenon, Monck took the first tentative steps toward an architectural reimagining of modern performance spaces, an advance which led to later triumphs in early modern staging. The book then traces the sporadic and irregular development of Tyrone Guthrie's commitment to early modern practices. The final chapter looks at how competing historical theories of playhouse design influenced the construction of the Globe, while the conclusion discusses the ongoing potential of early modern staging in the new millennium.<BR> Dr Joe Falocco is Lecturer in English, Texas State University Shakespeare, William / 1564-1616 / Dramatic production / History / 20th century Poel, William / 1852-1934 / Criticism and interpretation Granville-Barker, Harley / 1877-1946 / Criticism and interpretation Monck, Walter Nugent Bligh / 1878-1958 / Criticism and interpretation Guthrie, Tyrone / Sir / 1900-1971 / Criticism and interpretation Globe Theatre (London, England : 1599-1644) Geschichte 1900-2000 Geschichte Inszenierung (DE-588)4027223-0 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf Drama (DE-588)4012899-4 s England (DE-588)4014770-8 g Theater (DE-588)4059702-7 s Rezeption (DE-588)4049716-1 s Inszenierung (DE-588)4027223-0 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, hardback 978-1-843-84241-5 https://www.cambridge.org/core/product/identifier/9781846158285/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Falocco, Joe Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century Shakespeare, William / 1564-1616 / Dramatic production / History / 20th century Poel, William / 1852-1934 / Criticism and interpretation Granville-Barker, Harley / 1877-1946 / Criticism and interpretation Monck, Walter Nugent Bligh / 1878-1958 / Criticism and interpretation Guthrie, Tyrone / Sir / 1900-1971 / Criticism and interpretation Globe Theatre (London, England : 1599-1644) Geschichte Inszenierung (DE-588)4027223-0 gnd Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Rezeption (DE-588)4049716-1 gnd |
subject_GND | (DE-588)4027223-0 (DE-588)4059702-7 (DE-588)4012899-4 (DE-588)4049716-1 (DE-588)4014770-8 |
title | Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century |
title_auth | Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century |
title_exact_search | Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century |
title_full | Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century Joe Falocco |
title_fullStr | Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century Joe Falocco |
title_full_unstemmed | Reimagining Shakespeare's playhouse early modern staging conventions in the twentieth century Joe Falocco |
title_short | Reimagining Shakespeare's playhouse |
title_sort | reimagining shakespeare s playhouse early modern staging conventions in the twentieth century |
title_sub | early modern staging conventions in the twentieth century |
topic | Shakespeare, William / 1564-1616 / Dramatic production / History / 20th century Poel, William / 1852-1934 / Criticism and interpretation Granville-Barker, Harley / 1877-1946 / Criticism and interpretation Monck, Walter Nugent Bligh / 1878-1958 / Criticism and interpretation Guthrie, Tyrone / Sir / 1900-1971 / Criticism and interpretation Globe Theatre (London, England : 1599-1644) Geschichte Inszenierung (DE-588)4027223-0 gnd Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Rezeption (DE-588)4049716-1 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Dramatic production / History / 20th century Poel, William / 1852-1934 / Criticism and interpretation Granville-Barker, Harley / 1877-1946 / Criticism and interpretation Monck, Walter Nugent Bligh / 1878-1958 / Criticism and interpretation Guthrie, Tyrone / Sir / 1900-1971 / Criticism and interpretation Globe Theatre (London, England : 1599-1644) Geschichte Inszenierung Theater Drama Rezeption England |
url | https://www.cambridge.org/core/product/identifier/9781846158285/type/BOOK |
work_keys_str_mv | AT faloccojoe reimaginingshakespearesplayhouseearlymodernstagingconventionsinthetwentiethcentury |