Watching war on the twenty-first century stage: spectacles of conflict
" Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of p...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Methuen Drama
2017
|
| Schriftenreihe: | Methuen drama engage
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions-including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre-Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited-at a safe distance, from the comfort of our sofas or our desktops-to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. Among the many 21st-century plays and productions analysed are: Headlong Theatre Company's site-specific series of nineteen short plays Decade, Mark Ravenhill's play cycle Shoot/Get Treasure/Repeat, Simon Stephens's Pornography, Lone Twin's Alice Bell, Howard Barker's The Dying of Today, Roy Williams' Days of Significance, Gregory Burke's Black Watch, David Hare's Stuff Happens, Martin Crimp's The City, Nicholas Kent and Richard Norton-Taylor's Justifying War: Scenes from the Hutton Enquiry, Jonathan Lichtenstein's Memory, and DV8's Can We Talk About This? The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces. "... |
| Beschreibung: | Includes bibliographical references and index. - Angekündigt als: Waging war on the twenty-first century stage |
| Beschreibung: | xv, 355 Seiten Illustrationen |
| ISBN: | 9781472598660 |
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Datensatz im Suchindex
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|---|---|
| adam_text | WAGING WAR ON THE TWENTY-FIRST CENTURY STAGE
/ FINBURGH, CLAREYYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
CHAPTER ONE: IN SUCH SPECTACLES ORIGINATED MANY TALES OF TERROR : FEAR,
FASCINATION AND TERRORISM
CHAPTER TWO: ALL THE GLORY OF UNIFORM AND THE GLOW OF COLOUR : THE ARMY
AS SPECTACLE
CHAPTER THREE: THE FRAME THAT BLINDS US : STAGING AND SPECTATING HUMAN
RIGHTS ABUSES
CHAPTER FOUR: WAR ON STAGE AS SEEN ON TV
CHAPTER FIVE: ILLUSIONS OF TRUTH
CONCLUSION
ENDNOTES
BIBLIOGRAPHY
INDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| author | Finburgh Delijani, Clare ca. 20. Jh |
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| discipline | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte 2000-2016 gnd |
| era_facet | Geschichte 2000-2016 |
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| spelling | Finburgh Delijani, Clare ca. 20. Jh. Verfasser (DE-588)1012813835 aut Watching war on the twenty-first century stage spectacles of conflict Clare Finburgh Waging war on the twenty-first century stage London Bloomsbury Methuen Drama 2017 xv, 355 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Methuen drama engage Includes bibliographical references and index. - Angekündigt als: Waging war on the twenty-first century stage " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions-including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre-Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited-at a safe distance, from the comfort of our sofas or our desktops-to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. Among the many 21st-century plays and productions analysed are: Headlong Theatre Company's site-specific series of nineteen short plays Decade, Mark Ravenhill's play cycle Shoot/Get Treasure/Repeat, Simon Stephens's Pornography, Lone Twin's Alice Bell, Howard Barker's The Dying of Today, Roy Williams' Days of Significance, Gregory Burke's Black Watch, David Hare's Stuff Happens, Martin Crimp's The City, Nicholas Kent and Richard Norton-Taylor's Justifying War: Scenes from the Hutton Enquiry, Jonathan Lichtenstein's Memory, and DV8's Can We Talk About This? The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces. "... Geschichte 2000-2016 gnd rswk-swf PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Gesellschaft Politik Theater Great Britain History 21st century War and theater Violence in the theater Theater Political aspects Great Britain War in art Social aspects PERFORMING ARTS / Theater / History & Criticism Theater (DE-588)4059702-7 gnd rswk-swf Krieg Motiv (DE-588)4136410-7 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Krieg Motiv (DE-588)4136410-7 s Geschichte 2000-2016 z DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-4725-9868-4 Erscheint auch als Online-Ausgabe, eBook 978-1-4725-9867-7 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029829790&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Finburgh Delijani, Clare ca. 20. Jh Watching war on the twenty-first century stage spectacles of conflict PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Gesellschaft Politik Theater Great Britain History 21st century War and theater Violence in the theater Theater Political aspects Great Britain War in art Social aspects PERFORMING ARTS / Theater / History & Criticism Theater (DE-588)4059702-7 gnd Krieg Motiv (DE-588)4136410-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4136410-7 (DE-588)4022153-2 |
| title | Watching war on the twenty-first century stage spectacles of conflict |
| title_alt | Waging war on the twenty-first century stage |
| title_auth | Watching war on the twenty-first century stage spectacles of conflict |
| title_exact_search | Watching war on the twenty-first century stage spectacles of conflict |
| title_full | Watching war on the twenty-first century stage spectacles of conflict Clare Finburgh |
| title_fullStr | Watching war on the twenty-first century stage spectacles of conflict Clare Finburgh |
| title_full_unstemmed | Watching war on the twenty-first century stage spectacles of conflict Clare Finburgh |
| title_short | Watching war on the twenty-first century stage |
| title_sort | watching war on the twenty first century stage spectacles of conflict |
| title_sub | spectacles of conflict |
| topic | PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Gesellschaft Politik Theater Great Britain History 21st century War and theater Violence in the theater Theater Political aspects Great Britain War in art Social aspects PERFORMING ARTS / Theater / History & Criticism Theater (DE-588)4059702-7 gnd Krieg Motiv (DE-588)4136410-7 gnd |
| topic_facet | PERFORMING ARTS / Theater / History & Criticism / bisacsh Geschichte Gesellschaft Politik Theater Great Britain History 21st century War and theater Violence in the theater Theater Political aspects Great Britain War in art Social aspects PERFORMING ARTS / Theater / History & Criticism Theater Krieg Motiv Großbritannien |
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