Slow art: the experience of looking, sacred images to James Turrell
"More Americans visit art museums annually than attend all major-league sporting events. Yet many come away dissatisfied, because art rarely yields itself to the few seconds most viewers spend on individual works. In a culture of distraction, Slow Art models ways to extend and enrich acts of lo...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oakland
University of California Press
California [2017]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "More Americans visit art museums annually than attend all major-league sporting events. Yet many come away dissatisfied, because art rarely yields itself to the few seconds most viewers spend on individual works. In a culture of distraction, Slow Art models ways to extend and enrich acts of looking. This study defines a new aesthetic field crossing centuries and mediums, including video, photography, land and installation art, painting, performance, sculpture, and fiction. Also tableaux vivants ("living pictures"), live restagings of artworks. Often dismissed as marginal, the practice is fundamental...poised between motion and stasis, life and art...witness its current flourishing. This history of looking includes Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, Richard Serra. But rather than a set of objects, slow art names a dynamic relationship that transpires between objects and observers. Slow art enacts tacit contracts between works that have designs on us and beholders who invest in them. Slow art emerged in the 18th century, when cultural acceleration created the need to cushion the pace of social life. Simultaneously, however, secularization closed off traditional means to do so. Slow art offers secular viewers pleasures and consolations that engaging sacred images did in ages of faith. Slow art offers objects their due attention, and offers observers meaningful encounters. Such experiences are available to everybody by practicing the pleasures of lingering. Because such opportunities are not given, Slow Art proposes strategies for artists, artworks, and beholders"...Provided by publisher |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xvi, 325 Seiten Illustrationen |
ISBN: | 9780520285507 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV044427625 | ||
003 | DE-604 | ||
005 | 20181024 | ||
007 | t | ||
008 | 170727s2017 xxua||| |||| 00||| eng d | ||
010 | |a 016040760 | ||
020 | |a 9780520285507 |9 978-0-520-28550-7 | ||
035 | |a (OCoLC)1003858029 | ||
035 | |a (DE-599)BVBBV044427625 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxu |c US | ||
049 | |a DE-12 |a DE-255 |a DE-19 |a DE-188 | ||
050 | 0 | |a NX650.T27 | |
082 | 0 | |a 701/.18 |2 23 | |
084 | |a LH 61045 |0 (DE-625)94203: |2 rvk | ||
100 | 1 | |a Reed, Arden |d 1947- |0 (DE-588)188466444 |4 aut | |
245 | 1 | 0 | |a Slow art |b the experience of looking, sacred images to James Turrell |c Arden Reed |
264 | 1 | |a Oakland |b University of California Press |c California [2017] | |
264 | 4 | |c © 2017 | |
300 | |a xvi, 325 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
520 | |a "More Americans visit art museums annually than attend all major-league sporting events. Yet many come away dissatisfied, because art rarely yields itself to the few seconds most viewers spend on individual works. In a culture of distraction, Slow Art models ways to extend and enrich acts of looking. This study defines a new aesthetic field crossing centuries and mediums, including video, photography, land and installation art, painting, performance, sculpture, and fiction. Also tableaux vivants ("living pictures"), live restagings of artworks. Often dismissed as marginal, the practice is fundamental...poised between motion and stasis, life and art...witness its current flourishing. This history of looking includes Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, Richard Serra. But rather than a set of objects, slow art names a dynamic relationship that transpires between objects and observers. Slow art enacts tacit contracts between works that have designs on us and beholders who invest in them. Slow art emerged in the 18th century, when cultural acceleration created the need to cushion the pace of social life. Simultaneously, however, secularization closed off traditional means to do so. Slow art offers secular viewers pleasures and consolations that engaging sacred images did in ages of faith. Slow art offers objects their due attention, and offers observers meaningful encounters. Such experiences are available to everybody by practicing the pleasures of lingering. Because such opportunities are not given, Slow Art proposes strategies for artists, artworks, and beholders"...Provided by publisher | ||
600 | 1 | 4 | |a Turrell, James |
650 | 4 | |a Art appreciation | |
650 | 4 | |a Art and society | |
650 | 4 | |a Tableaux (Art) | |
650 | 0 | 7 | |a Rezeptionsästhetik |0 (DE-588)4129895-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Künste |0 (DE-588)4033422-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Langsamkeit |0 (DE-588)4429652-6 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Künste |0 (DE-588)4033422-3 |D s |
689 | 0 | 1 | |a Langsamkeit |0 (DE-588)4429652-6 |D s |
689 | 0 | 2 | |a Rezeptionsästhetik |0 (DE-588)4129895-0 |D s |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029829091&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-029829091 | ||
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 090511 |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |
Datensatz im Suchindex
_version_ | 1804177727202263040 |
---|---|
adam_text | SLOW ART
/ REED, ARDENYYD1947-YYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION : MARKING TIME
WHAT IS SLOW ART? (WHEN IMAGES SWELL INTO EVENTS AND EVENTS CONDENSE
INTO IMAGES)
LIVING(?) PICTURES
BEFORE SLOW ART
SLOW ART EMERGES IN MODERNITY I : SECULARIZATION FROM DIDEROT TO WILDE
SLOW ART EMERGES IN MODERNITY II : THE GREAT AGE OF SPEED
SLOW FICTION, FILM, VIDEO, PERFORMANCE, 1960 TO 2010
SLOW PHOTOGRAPHY, PAINTING, INSTALLATION ART, SCULPTURE, 1960 TO 2010
ANGEL AND DEVIL OF SLOW ART
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
any_adam_object | 1 |
author | Reed, Arden 1947- |
author_GND | (DE-588)188466444 |
author_facet | Reed, Arden 1947- |
author_role | aut |
author_sort | Reed, Arden 1947- |
author_variant | a r ar |
building | Verbundindex |
bvnumber | BV044427625 |
callnumber-first | N - Fine Arts |
callnumber-label | NX650 |
callnumber-raw | NX650.T27 |
callnumber-search | NX650.T27 |
callnumber-sort | NX 3650 T27 |
callnumber-subject | NX - Arts in General |
classification_rvk | LH 61045 |
ctrlnum | (OCoLC)1003858029 (DE-599)BVBBV044427625 |
dewey-full | 701/.18 |
dewey-hundreds | 700 - The arts |
dewey-ones | 701 - Philosophy of fine & decorative arts |
dewey-raw | 701/.18 |
dewey-search | 701/.18 |
dewey-sort | 3701 218 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03539nam a2200517 c 4500</leader><controlfield tag="001">BV044427625</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20181024 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170727s2017 xxua||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">016040760</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520285507</subfield><subfield code="9">978-0-520-28550-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1003858029</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044427625</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NX650.T27</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">701/.18</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 61045</subfield><subfield code="0">(DE-625)94203:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Reed, Arden</subfield><subfield code="d">1947-</subfield><subfield code="0">(DE-588)188466444</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Slow art</subfield><subfield code="b">the experience of looking, sacred images to James Turrell</subfield><subfield code="c">Arden Reed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland</subfield><subfield code="b">University of California Press</subfield><subfield code="c">California [2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvi, 325 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"More Americans visit art museums annually than attend all major-league sporting events. Yet many come away dissatisfied, because art rarely yields itself to the few seconds most viewers spend on individual works. In a culture of distraction, Slow Art models ways to extend and enrich acts of looking. This study defines a new aesthetic field crossing centuries and mediums, including video, photography, land and installation art, painting, performance, sculpture, and fiction. Also tableaux vivants ("living pictures"), live restagings of artworks. Often dismissed as marginal, the practice is fundamental...poised between motion and stasis, life and art...witness its current flourishing. This history of looking includes Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, Richard Serra. But rather than a set of objects, slow art names a dynamic relationship that transpires between objects and observers. Slow art enacts tacit contracts between works that have designs on us and beholders who invest in them. Slow art emerged in the 18th century, when cultural acceleration created the need to cushion the pace of social life. Simultaneously, however, secularization closed off traditional means to do so. Slow art offers secular viewers pleasures and consolations that engaging sacred images did in ages of faith. Slow art offers objects their due attention, and offers observers meaningful encounters. Such experiences are available to everybody by practicing the pleasures of lingering. Because such opportunities are not given, Slow Art proposes strategies for artists, artworks, and beholders"...Provided by publisher</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Turrell, James</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art appreciation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and society</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tableaux (Art)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeptionsästhetik</subfield><subfield code="0">(DE-588)4129895-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künste</subfield><subfield code="0">(DE-588)4033422-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Langsamkeit</subfield><subfield code="0">(DE-588)4429652-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Künste</subfield><subfield code="0">(DE-588)4033422-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Langsamkeit</subfield><subfield code="0">(DE-588)4429652-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Rezeptionsästhetik</subfield><subfield code="0">(DE-588)4129895-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029829091&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029829091</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield></record></collection> |
id | DE-604.BV044427625 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:52:40Z |
institution | BVB |
isbn | 9780520285507 |
language | English |
lccn | 016040760 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029829091 |
oclc_num | 1003858029 |
open_access_boolean | |
owner | DE-12 DE-255 DE-19 DE-BY-UBM DE-188 |
owner_facet | DE-12 DE-255 DE-19 DE-BY-UBM DE-188 |
physical | xvi, 325 Seiten Illustrationen |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | University of California Press |
record_format | marc |
spelling | Reed, Arden 1947- (DE-588)188466444 aut Slow art the experience of looking, sacred images to James Turrell Arden Reed Oakland University of California Press California [2017] © 2017 xvi, 325 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "More Americans visit art museums annually than attend all major-league sporting events. Yet many come away dissatisfied, because art rarely yields itself to the few seconds most viewers spend on individual works. In a culture of distraction, Slow Art models ways to extend and enrich acts of looking. This study defines a new aesthetic field crossing centuries and mediums, including video, photography, land and installation art, painting, performance, sculpture, and fiction. Also tableaux vivants ("living pictures"), live restagings of artworks. Often dismissed as marginal, the practice is fundamental...poised between motion and stasis, life and art...witness its current flourishing. This history of looking includes Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, Richard Serra. But rather than a set of objects, slow art names a dynamic relationship that transpires between objects and observers. Slow art enacts tacit contracts between works that have designs on us and beholders who invest in them. Slow art emerged in the 18th century, when cultural acceleration created the need to cushion the pace of social life. Simultaneously, however, secularization closed off traditional means to do so. Slow art offers secular viewers pleasures and consolations that engaging sacred images did in ages of faith. Slow art offers objects their due attention, and offers observers meaningful encounters. Such experiences are available to everybody by practicing the pleasures of lingering. Because such opportunities are not given, Slow Art proposes strategies for artists, artworks, and beholders"...Provided by publisher Turrell, James Art appreciation Art and society Tableaux (Art) Rezeptionsästhetik (DE-588)4129895-0 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Langsamkeit (DE-588)4429652-6 gnd rswk-swf Künste (DE-588)4033422-3 s Langsamkeit (DE-588)4429652-6 s Rezeptionsästhetik (DE-588)4129895-0 s DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029829091&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Reed, Arden 1947- Slow art the experience of looking, sacred images to James Turrell Turrell, James Art appreciation Art and society Tableaux (Art) Rezeptionsästhetik (DE-588)4129895-0 gnd Künste (DE-588)4033422-3 gnd Langsamkeit (DE-588)4429652-6 gnd |
subject_GND | (DE-588)4129895-0 (DE-588)4033422-3 (DE-588)4429652-6 |
title | Slow art the experience of looking, sacred images to James Turrell |
title_auth | Slow art the experience of looking, sacred images to James Turrell |
title_exact_search | Slow art the experience of looking, sacred images to James Turrell |
title_full | Slow art the experience of looking, sacred images to James Turrell Arden Reed |
title_fullStr | Slow art the experience of looking, sacred images to James Turrell Arden Reed |
title_full_unstemmed | Slow art the experience of looking, sacred images to James Turrell Arden Reed |
title_short | Slow art |
title_sort | slow art the experience of looking sacred images to james turrell |
title_sub | the experience of looking, sacred images to James Turrell |
topic | Turrell, James Art appreciation Art and society Tableaux (Art) Rezeptionsästhetik (DE-588)4129895-0 gnd Künste (DE-588)4033422-3 gnd Langsamkeit (DE-588)4429652-6 gnd |
topic_facet | Turrell, James Art appreciation Art and society Tableaux (Art) Rezeptionsästhetik Künste Langsamkeit |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029829091&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT reedarden slowarttheexperienceoflookingsacredimagestojamesturrell |