Cities and creativity from the Renaissance to the present:
This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studies has been engulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the ci...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York and London
Routledge, Taylor & Francis Group
2018
|
| Schriftenreihe: | Routledge advances in urban history
1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studies has been engulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established? In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, and London, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic "assemblage," in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups |
| Beschreibung: | Aus dem Dankwort: The present volume resulted from two conferences in Antwerp in paticular, on 12 and 13 December 2013 and 2 October 2015, respectively. - Titel der Konferenz vom 12. und 13. Dezember 2013: "Unscrewing the Creative City: The Historical Fabrication of Cities as Agents of Economic Innovation and Creativity" im Internet ermittelt |
| Beschreibung: | xxv, 276 Seiten Illustrationen, Diagramme, Karten |
| ISBN: | 9781138054066 1138054062 |
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| 500 | |a Aus dem Dankwort: The present volume resulted from two conferences in Antwerp in paticular, on 12 and 13 December 2013 and 2 October 2015, respectively. - Titel der Konferenz vom 12. und 13. Dezember 2013: "Unscrewing the Creative City: The Historical Fabrication of Cities as Agents of Economic Innovation and Creativity" im Internet ermittelt | ||
| 520 | 3 | |a This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studies has been engulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established? In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, and London, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic "assemblage," in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups | |
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Datensatz im Suchindex
| _version_ | 1804177725636739072 |
|---|---|
| adam_text | Contents
List of Figures ix
Table xi
Contributors xiii
Series Editor Introduction xxi
Acknowledgments xxvii
PARTI
Introduction 1
1 Cities of a Lesser God: Opening the Black Box of Creative
Cities and Their Agency 3
ILJA VAN DAMME AND BERT DE MUNCK
2 Reflections on the Origins, Interpretations and Development
of the Creative City Idea 23
FRANCO BIANCHINI
PARTE
From the Renaissance to Industrialisation 43
3 The Urban Imaginary as a Social and Economic Factor:
Renaissance Cities and the Fabrication of Quality, Fifteenth
to Seventeenth Centuries 45
BERT DE MUNCK AND ANNA BELLAVITIS
4 In Search of the New Rome? Creative Cities and Early
Modern Travel Behaviour 65
GERRIT VERHOEVEN
5 Cultural Creativity and Symbolic Economy in Early
Modern Naples: Music and Theatre as Cultural Industries 85
ALIDA CLEMENTE AND ROSSELLA DEL PRETE
viii Contents
6 Mirroring Two Golden Ages: Values and Visions in
Seventeenth- and Nineteenth-Century Amsterdam
CLAARTJE RASTERHOFF
7 Manufacturing Innovation as Spatial Culture: Sheffield’s
Cutlery Industry, circa 1750-1900
SAM GRIFFITHS
8 Paris and Bologna in the Nineteenth Century: A New
Relationship Between Urban Culture and Industrialisation
FRANCIS DExVlIER AND ELENA xVIUSIANI
part m
Modern Times
9 Grenoble, Capital of the Alps, Innovative City: An
Innovation-Led Territorial Regime
GUY SAEZ
10 Creating the Creative Urban Waterfront in Scandinavia:
Harbour Areas from Industrial Multitude to Planned
Creative Spaces
MIKKEL THELLE
11 The Venice International Film Festival and the City:
Building a Cultural Tourist Destination by Juxtaposition
GIOVANNI FAVERO AND ANNA xVlORETTI
12 Building the Creative City: London’s Southbank and
the Archaeology of Creative Spaces
KATHY WILLIAMS AND DAVE O’BRIEN
PART IV
Conclusions
13 Creative Cities and the Infrastructural Fragmentation
of Socio-economic Space
BAS VAN HEUR
105
127
154
175
177
197
216
237
259
261
Index
271
|
| any_adam_object | 1 |
| author2 | Damme, Ilja van Munck, Bert de 1967- Miles, Andrew |
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| discipline | Soziologie |
| era | Geschichte 1500-2015 gnd |
| era_facet | Geschichte 1500-2015 |
| format | Book |
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| series | Routledge advances in urban history |
| series2 | Routledge advances in urban history |
| spelling | Cities and creativity from the Renaissance to the present edited by Ilja Van Damme, Bert De Munck, and Andrew Miles Unscrewing the creative city : the historical fabrication of cities as agents of economic innovation and creativity New York and London Routledge, Taylor & Francis Group 2018 xxv, 276 Seiten Illustrationen, Diagramme, Karten txt rdacontent n rdamedia nc rdacarrier Routledge advances in urban history 1 Aus dem Dankwort: The present volume resulted from two conferences in Antwerp in paticular, on 12 and 13 December 2013 and 2 October 2015, respectively. - Titel der Konferenz vom 12. und 13. Dezember 2013: "Unscrewing the Creative City: The Historical Fabrication of Cities as Agents of Economic Innovation and Creativity" im Internet ermittelt This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studies has been engulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established? In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, and London, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic "assemblage," in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups Geschichte 1500-2015 gnd rswk-swf Geschichte Stadt Stadtforschung (DE-588)4182741-7 gnd rswk-swf Innovation (DE-588)4027089-0 gnd rswk-swf Stadt (DE-588)4056723-0 gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf Cities and towns / History Cultural industries / History Diffusion of innovations / History (DE-588)1071861417 Konferenzschrift University of Antwerp 12.12.2013-13.12.2013 Antwerpen gnd-content (DE-588)1071861417 Konferenzschrift 02.10.2015 Antwerpen gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Stadt (DE-588)4056723-0 s Kreativität (DE-588)4032903-3 s Stadtforschung (DE-588)4182741-7 s Innovation (DE-588)4027089-0 s Geschichte 1500-2015 z DE-604 Damme, Ilja van (DE-588)138291276 edt Munck, Bert de 1967- (DE-588)134146719 edt Miles, Andrew (DE-588)1054654069 edt Erscheint auch als Online-Ausgabe (ebk) 978-1-315-16704-6 Routledge advances in urban history 1 (DE-604)BV044520750 1 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029828153&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cities and creativity from the Renaissance to the present Routledge advances in urban history Geschichte Stadt Stadtforschung (DE-588)4182741-7 gnd Innovation (DE-588)4027089-0 gnd Stadt (DE-588)4056723-0 gnd Kreativität (DE-588)4032903-3 gnd |
| subject_GND | (DE-588)4182741-7 (DE-588)4027089-0 (DE-588)4056723-0 (DE-588)4032903-3 (DE-588)1071861417 (DE-588)4143413-4 |
| title | Cities and creativity from the Renaissance to the present |
| title_alt | Unscrewing the creative city : the historical fabrication of cities as agents of economic innovation and creativity |
| title_auth | Cities and creativity from the Renaissance to the present |
| title_exact_search | Cities and creativity from the Renaissance to the present |
| title_full | Cities and creativity from the Renaissance to the present edited by Ilja Van Damme, Bert De Munck, and Andrew Miles |
| title_fullStr | Cities and creativity from the Renaissance to the present edited by Ilja Van Damme, Bert De Munck, and Andrew Miles |
| title_full_unstemmed | Cities and creativity from the Renaissance to the present edited by Ilja Van Damme, Bert De Munck, and Andrew Miles |
| title_short | Cities and creativity from the Renaissance to the present |
| title_sort | cities and creativity from the renaissance to the present |
| topic | Geschichte Stadt Stadtforschung (DE-588)4182741-7 gnd Innovation (DE-588)4027089-0 gnd Stadt (DE-588)4056723-0 gnd Kreativität (DE-588)4032903-3 gnd |
| topic_facet | Geschichte Stadt Stadtforschung Innovation Kreativität Konferenzschrift University of Antwerp 12.12.2013-13.12.2013 Antwerpen Konferenzschrift 02.10.2015 Antwerpen Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029828153&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044520750 |
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