The concept of the animal and modern theories of art:
This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth- and twentieth-century artists and art theorists. The book is unique due to its f...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2018
|
| Schriftenreihe: | Routledge advances in art and visual studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth- and twentieth-century artists and art theorists. The book is unique due to its focus on the concept of the animal, rather than on images of animals, and it aims towards a theoretical account of the connections between the notions of art and animality in the modern age. Roni Gren's book spans various disciplines, such as art theory, art history, animal studies, modernism, postmodernism, posthumanism, philosophy, and aesthetics |
| Beschreibung: | x, 164 Seiten Illustrationen |
| ISBN: | 9781138054264 1138054267 |
Internformat
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| 490 | 0 | |a Routledge advances in art and visual studies | |
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Datensatz im Suchindex
| _version_ | 1813154887279575040 |
|---|---|
| adam_text |
Contents
List of Figures
Acknowledgments
IX
XI
Introduction
1
1 The Exceptionality of the Human Spirit
6
The Human Exception 6
Natural Aesthetics 11
Origin and Language 15
Nature Created in Man’s Image 18
To Have and Have Not 22
2 The Animal and the Image 35
Introduction: Discourse and Imagicity 35
Condillac and Animal Imagination 39
Rousseau and the Noble Visual 40
Diderot’s Suspicion 45
A Concluding Note 48
3 Art and Evolution 57
Introduction: Darwin’s Century 57
The Subjective and the Objective 60
The Crisis of Symbolism and the Violent Other 65
Evolution of the Species and the Creative Sentiment 72
Nietzsche 78
4 The Poetic Lie 91
The Primitive Origin of Art 92
Gaze and the Invisible 98
The World of Abstraction and the Revolution of the Beasts 105
Dream, Debauchery, Myth 110
viii Contents
5 Conclusion: The Modern Other 126
Animalization of Art 126
The Formalist World of Creation 129
The Surrealist Solutions 131
The Animal Itself 134
After mo rd 143
B ib liography 146
Index 159 |
| any_adam_object | 1 |
| author | Grén, Roni |
| author_GND | (DE-588)1139474693 |
| author_facet | Grén, Roni |
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| author_sort | Grén, Roni |
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| building | Verbundindex |
| bvnumber | BV044426588 |
| classification_rvk | LH 84550 |
| ctrlnum | (OCoLC)1004314233 (DE-599)BVBBV044426588 |
| discipline | Kunstgeschichte |
| era | Geschichte 1800- gnd |
| era_facet | Geschichte 1800- |
| format | Book |
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| isbn | 9781138054264 1138054267 |
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| title | The concept of the animal and modern theories of art |
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| title_exact_search | The concept of the animal and modern theories of art |
| title_full | The concept of the animal and modern theories of art Roni Grén |
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| title_full_unstemmed | The concept of the animal and modern theories of art Roni Grén |
| title_short | The concept of the animal and modern theories of art |
| title_sort | the concept of the animal and modern theories of art |
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| topic_facet | Tiere Motiv Kunst Tiere |
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