Federico Barocci - inspiration and innovation in early modern Italy:
Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist t...
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| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London and New York
Routledge, Taylor & Francis Group
2018
|
| Schriftenreihe: | Visual culture in early modernity
An Ashgate book |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A transcription of the inventory is included as an appendix |
| Beschreibung: | Beiträge eines Symposiums am Saint Louis Art Museum vom 10.-12. Januar 2013. - Note to readers: This volume is intended to accompany the catalogue for the 2012-2013 Barocci exhibition ... "Federico Barocci: Renaissance Master of Color and Line" |
| Beschreibung: | xvii, 194 Seiten Illustrationen |
| ISBN: | 9781472449603 1472449606 |
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| 520 | 3 | |a Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A transcription of the inventory is included as an appendix | |
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Datensatz im Suchindex
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| adam_text | Contents
List of illustrations vii
Acknowledgements XV1
Note to readers xviii
1 Introduction 1
New insights into Federico Barocci’s Senigallia Entombment and
suggestions on his late workshop practice
BABETTE BOHN AND JUDITH W. MANN
2 From altar to hearth 19
Barocci and the Brancaleoni of Piobbico
CAROL PLAZZOTTA
3 Just what is it that makes Barocci’s painting so different, so appealing? 33
CLAUDIO P1ZZORUSSO
4 Barocci and the legacy of the artistic tradition of his homeland 46
ALESSANDRA GIANNOTTI
5 Federico Barocci and the corpus of High Renaissance art 63
STUART LINGO
6 “Though this be madness, yet there is method in it”
Barocci’s design process g^
BABETTE BOHN
7 Drawing the Virgin ^ 2
Barocci’s doctrine of Mary
JUDITH W. MANN
8 “God knows when heHl finish”
Barocci and the art market
RICHARD E. SPEAR
vi Contents
9 The tip of the iceberg 154
Barocci’s postmortem inventory and the survival of Renaissance drawings
DAVID EKSERDJIAN
Appendix I 174
Barocci’s “Studio”
Bibliography 179
Index 189
|
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| discipline | Kunstgeschichte |
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| spelling | Federico Barocci - inspiration and innovation in early modern Italy edited by Judith W. Mann London and New York Routledge, Taylor & Francis Group 2018 xvii, 194 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Visual culture in early modernity An Ashgate book Beiträge eines Symposiums am Saint Louis Art Museum vom 10.-12. Januar 2013. - Note to readers: This volume is intended to accompany the catalogue for the 2012-2013 Barocci exhibition ... "Federico Barocci: Renaissance Master of Color and Line" Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A transcription of the inventory is included as an appendix Barocci, Federico 1535-1612 (DE-588)119256908 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2013 Saint Louis, Mo. gnd-content Barocci, Federico 1535-1612 (DE-588)119256908 p DE-604 Mann, Judith Walker 1950- (DE-588)131856545 edt Barocci, Federico 1535-1612 (DE-588)119256908 ill Erscheint auch als Online-Ausgabe 978-1-315-11084-4 Ergänzung zu Federico Barocci Ausstellungskatalog 2012 978-0-300-17477-9 (DE-604)BV040333544 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029828017&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| subject_GND | (DE-588)119256908 (DE-588)1071861417 |
| title | Federico Barocci - inspiration and innovation in early modern Italy |
| title_auth | Federico Barocci - inspiration and innovation in early modern Italy |
| title_exact_search | Federico Barocci - inspiration and innovation in early modern Italy |
| title_full | Federico Barocci - inspiration and innovation in early modern Italy edited by Judith W. Mann |
| title_fullStr | Federico Barocci - inspiration and innovation in early modern Italy edited by Judith W. Mann |
| title_full_unstemmed | Federico Barocci - inspiration and innovation in early modern Italy edited by Judith W. Mann |
| title_short | Federico Barocci - inspiration and innovation in early modern Italy |
| title_sort | federico barocci inspiration and innovation in early modern italy |
| topic | Barocci, Federico 1535-1612 (DE-588)119256908 gnd |
| topic_facet | Barocci, Federico 1535-1612 Konferenzschrift 2013 Saint Louis, Mo. |
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