Cinema at the Shore: the Beach in French Film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
|
| Schriftenreihe: | New studies in European cinema
v. 14 |
| Schlagworte: | |
| Beschreibung: | Print version record |
| Beschreibung: | x, 240 S. |
| ISBN: | 9783035305692 3035305692 9783034308342 3034308345 9781306561174 1306561175 |
Internformat
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| 100 | 1 | |a Handyside, Fiona |d 1974- |e Verfasser |0 (DE-588)1034093053 |4 aut | |
| 245 | 1 | 0 | |a Cinema at the Shore |b the Beach in French Film |c Fiona Handyside |
| 264 | 1 | |a Oxford |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2014 | |
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| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a New studies in European cinema |v v. 14 | |
| 500 | |a Print version record | ||
| 505 | 8 | |a Cover; Contents; Figures; Acknowledgements; Chapter 1 The Cinematic Beachscape; Chapter 2 The Girl in the Bikini: The Beach and French Cinema's Cultural Economy; Chapter 3 Sex (and Gender) on the Beach: Modes of Masculinity and Fantasies of Femininity; Chapter 4 Eric Rohmer à la plage: Musical Moments and Ethnographic Encounters; Chapter 5 The Old Woman and the Sea: Agnès Varda's Beachscapes; Chapter 6 The Possibilities of a Beach: Queerness and François Ozon's Beaches; Conclusion: Beyond the Beach; Bibliography; Index | |
| 505 | 8 | |a From Brigitte Bardot in her bikini at the Cannes Film Festival, to Francois Ozon's intimate portrayals of grief and loss, some of the most iconic and challenging moments in French cinema are associated with the beach. Cinema at the Shore argues that the Parisian cityscape is not the only significant definition of space in French cinema and instead explores the industrial, aesthetic and thematic relations of French cinema to the beach. Examining a range of films from the 1950s to the present day - including popular comedies by Jacques Tati and Patrice Leconte, the lively and ruminative documen | |
| 648 | 7 | |a 1900 - 1999 |2 fast | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Beaches in motion pictures | |
| 650 | 4 | |a Beaches | |
| 650 | 4 | |a Motion pictures / France / History / 20th century | |
| 650 | 4 | |a Motion pictures / Plots, themes, etc | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 7 | |a Beaches in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Beaches in motion pictures | |
| 650 | 4 | |a Motion pictures |z France |x History |y 20th century | |
| 651 | 4 | |a Frankreich | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 1-306-56117-5 |
| 830 | 0 | |a New studies in European cinema |v v. 14 |w (DE-604)BV019651627 |9 14 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029826258 | ||
Datensatz im Suchindex
| _version_ | 1804177722519322624 |
|---|---|
| any_adam_object | |
| author | Handyside, Fiona 1974- |
| author_GND | (DE-588)1034093053 |
| author_facet | Handyside, Fiona 1974- |
| author_role | aut |
| author_sort | Handyside, Fiona 1974- |
| author_variant | f h fh |
| building | Verbundindex |
| bvnumber | BV044424732 |
| contents | Cover; Contents; Figures; Acknowledgements; Chapter 1 The Cinematic Beachscape; Chapter 2 The Girl in the Bikini: The Beach and French Cinema's Cultural Economy; Chapter 3 Sex (and Gender) on the Beach: Modes of Masculinity and Fantasies of Femininity; Chapter 4 Eric Rohmer à la plage: Musical Moments and Ethnographic Encounters; Chapter 5 The Old Woman and the Sea: Agnès Varda's Beachscapes; Chapter 6 The Possibilities of a Beach: Queerness and François Ozon's Beaches; Conclusion: Beyond the Beach; Bibliography; Index From Brigitte Bardot in her bikini at the Cannes Film Festival, to Francois Ozon's intimate portrayals of grief and loss, some of the most iconic and challenging moments in French cinema are associated with the beach. Cinema at the Shore argues that the Parisian cityscape is not the only significant definition of space in French cinema and instead explores the industrial, aesthetic and thematic relations of French cinema to the beach. Examining a range of films from the 1950s to the present day - including popular comedies by Jacques Tati and Patrice Leconte, the lively and ruminative documen |
| ctrlnum | (DE-599)BVBBV044424732 |
| dewey-full | 791.43657 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43657 791.43 |
| dewey-search | 791.43657 791.43 |
| dewey-sort | 3791.43657 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900 - 1999 fast Geschichte 1900-2000 |
| era_facet | 1900 - 1999 Geschichte 1900-2000 |
| format | Book |
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| geographic | Frankreich |
| geographic_facet | Frankreich |
| id | DE-604.BV044424732 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:52:36Z |
| institution | BVB |
| isbn | 9783035305692 3035305692 9783034308342 3034308345 9781306561174 1306561175 |
| language | English |
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| physical | x, 240 S. |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
| record_format | marc |
| series | New studies in European cinema |
| series2 | New studies in European cinema |
| spelling | Handyside, Fiona 1974- Verfasser (DE-588)1034093053 aut Cinema at the Shore the Beach in French Film Fiona Handyside Oxford Peter Lang AG, Internationaler Verlag der Wissenschaften 2014 x, 240 S. txt rdacontent n rdamedia nc rdacarrier New studies in European cinema v. 14 Print version record Cover; Contents; Figures; Acknowledgements; Chapter 1 The Cinematic Beachscape; Chapter 2 The Girl in the Bikini: The Beach and French Cinema's Cultural Economy; Chapter 3 Sex (and Gender) on the Beach: Modes of Masculinity and Fantasies of Femininity; Chapter 4 Eric Rohmer à la plage: Musical Moments and Ethnographic Encounters; Chapter 5 The Old Woman and the Sea: Agnès Varda's Beachscapes; Chapter 6 The Possibilities of a Beach: Queerness and François Ozon's Beaches; Conclusion: Beyond the Beach; Bibliography; Index From Brigitte Bardot in her bikini at the Cannes Film Festival, to Francois Ozon's intimate portrayals of grief and loss, some of the most iconic and challenging moments in French cinema are associated with the beach. Cinema at the Shore argues that the Parisian cityscape is not the only significant definition of space in French cinema and instead explores the industrial, aesthetic and thematic relations of French cinema to the beach. Examining a range of films from the 1950s to the present day - including popular comedies by Jacques Tati and Patrice Leconte, the lively and ruminative documen 1900 - 1999 fast Geschichte 1900-2000 Beaches in motion pictures Beaches Motion pictures / France / History / 20th century Motion pictures / Plots, themes, etc PERFORMING ARTS / Reference bisacsh Beaches in motion pictures fast Motion pictures fast Film Geschichte Motion pictures France History 20th century Frankreich Erscheint auch als Online-Ausgabe 1-306-56117-5 New studies in European cinema v. 14 (DE-604)BV019651627 14 |
| spellingShingle | Handyside, Fiona 1974- Cinema at the Shore the Beach in French Film New studies in European cinema Cover; Contents; Figures; Acknowledgements; Chapter 1 The Cinematic Beachscape; Chapter 2 The Girl in the Bikini: The Beach and French Cinema's Cultural Economy; Chapter 3 Sex (and Gender) on the Beach: Modes of Masculinity and Fantasies of Femininity; Chapter 4 Eric Rohmer à la plage: Musical Moments and Ethnographic Encounters; Chapter 5 The Old Woman and the Sea: Agnès Varda's Beachscapes; Chapter 6 The Possibilities of a Beach: Queerness and François Ozon's Beaches; Conclusion: Beyond the Beach; Bibliography; Index From Brigitte Bardot in her bikini at the Cannes Film Festival, to Francois Ozon's intimate portrayals of grief and loss, some of the most iconic and challenging moments in French cinema are associated with the beach. Cinema at the Shore argues that the Parisian cityscape is not the only significant definition of space in French cinema and instead explores the industrial, aesthetic and thematic relations of French cinema to the beach. Examining a range of films from the 1950s to the present day - including popular comedies by Jacques Tati and Patrice Leconte, the lively and ruminative documen Beaches in motion pictures Beaches Motion pictures / France / History / 20th century Motion pictures / Plots, themes, etc PERFORMING ARTS / Reference bisacsh Beaches in motion pictures fast Motion pictures fast Film Geschichte Motion pictures France History 20th century |
| title | Cinema at the Shore the Beach in French Film |
| title_auth | Cinema at the Shore the Beach in French Film |
| title_exact_search | Cinema at the Shore the Beach in French Film |
| title_full | Cinema at the Shore the Beach in French Film Fiona Handyside |
| title_fullStr | Cinema at the Shore the Beach in French Film Fiona Handyside |
| title_full_unstemmed | Cinema at the Shore the Beach in French Film Fiona Handyside |
| title_short | Cinema at the Shore |
| title_sort | cinema at the shore the beach in french film |
| title_sub | the Beach in French Film |
| topic | Beaches in motion pictures Beaches Motion pictures / France / History / 20th century Motion pictures / Plots, themes, etc PERFORMING ARTS / Reference bisacsh Beaches in motion pictures fast Motion pictures fast Film Geschichte Motion pictures France History 20th century |
| topic_facet | Beaches in motion pictures Beaches Motion pictures / France / History / 20th century Motion pictures / Plots, themes, etc PERFORMING ARTS / Reference Motion pictures Film Geschichte Motion pictures France History 20th century Frankreich |
| volume_link | (DE-604)BV019651627 |
| work_keys_str_mv | AT handysidefiona cinemaattheshorethebeachinfrenchfilm |