Cinematic urban geographies:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Palgrave Macmillan
[2017]
|
| Schriftenreihe: | Screening spaces
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxi, 350 Seiten Illustrationen 21.6 cm x 14 cm, 0 g |
| ISBN: | 9781137468307 1137468300 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents
1 Introduction
François Penz and Richard Koeck
1
Part I Cartographie Cinema: Maps in Films and Maps as Mental
Cinema
2 The Cinema in the Map - The Case of Braun and
Hogenberg’s Civitates Orbis Terrarum 23
François Penz
3 Cinematic Cartographies of Urban Space and the
Descriptive Spectacle of Aerial Views (1898—1948) 47
Teresa Castro
4 Charting the Criminal: Maps as Devices of Orientation and
Control in Fritz Lang’s M (1931) and Francesco RosPs
Le mani sulla città (1963) 65
Henry Keazor
Part II ‘Movie Centric’ Map of Cities — Map-Reading and
Cine-Tourism
Vll
CONTENTS
5 ‘Merely Local5: Film and the Depiction of Place, Especially
in Local Documentary 81
Ian Christie
6 The Cine-Tourist’s Map of New Wave Paris 95
Roland-François Lack
7 Set-Jetting, Film Pilgrimage and The Third Man 113
Frederick Baker
Part III Films as Sites of Memories - Lieux de Mémoires
8 The Cinematic Shtetl as a Site of Postmemory 137
Maurizio Cinquegrani
9 ‘Where Is the Dust That Has Not Been Alive?5: Screening
the Vanished Polis in Stirbitch: An Imaginary 155
Michael Hrebeniak
10 Melancholy Urbanism: Distant Horizons and the
Presentation of Place 175
Richard Coyne
Part IV Cinematic Topographies Within Their Social and Cultural
Practices
11 Cinematic Urban Archaeology: The Battersea Case 191
François Penz, Aileen Reid and Maureen Thomas
12 The Cinematic and the Televisual City: South London
Revisited 223
Charlotte Brunsdon
CONTENTS IX
13 ‘Los Angeles and Hollywood in Film and French Theory:
Agnes Varda’s Lions Love. and Lies (1969) and Edgar
Morin’s Journal de Californie (1970)’
Mark Shiel
Part V Database Cinema: Visualising the Cinematic Urban
Archaeology and Geo-Locating Movies in the City
14 Urban Cinematic Palimpsests: Moving Image Databases for
the City
Stavros Alifragkis and Giorgos Papakonstantinou
15 Geographies of the Moving Image: Transforming
Cinematic Representation into Geographic Information
Richard Koeck and Mathew Flintham
16 Ghost Cinema App: Temporal Ubiquity and the Condition
of Being in Everytime
Chris Speed, Maureen Thomas and Chris Barker
245
271
295
313
Index
337
This book proposes new methodological tools and approaches in order to tease out and elicit
the different facets of urban fragmentation through the medium of cinema and the moving
image, as a contribution to our understanding of cities and their topographies, in doing so it
makes a significant contribution to the literature in the growing field of cartographic cinema
a n cl u r b a n c i n e m a t i c s, by c h a r t i n g t he many t r a j e c t o r i e s a n d p o i n t s o f c o n tact between f i l m
and its topographical context. Under the influence of new technologies, the opening and
the availability of previously unexplored archives but also the contribution of new scholars
with novel approaches in addition to new work by experienced academics, Cinematic Urban
Geographies demonstrates how we can reread the cinematic past with a view to construct
the urban present and anticipate its future.
François Penz is the Director of The Martin Centre for Architectural and Urban Studies, UK. He
is an architect by training and Professor of Architecture and the Moving Image where he directs
the Digital Studio for Research in Design, Visualization and Communication. He has written
widely on issues of cinema, architecture and the city and is the author of Cinematic Aided
Design: the Architecture of Everydayness.
Richard Koeck is Professor and Chair in Architecture and the Visual Arts in the Liverpool
School of Architecture, UK and is Director of the Centre for Architecture and the Visual Arts
(CAVA). With a professional background in architectural design and filmmaking, his work is
often methodologically underpinned by techniques and theories that bridge analogue and
digital culture, such as digital film, animation, mapping and locative media. He subsequently
published widely on the theoretical and practical intersections of architecture, cities and
visual culture, including CineScapes: Cinematic Spaces in Architecture and Cities. |
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| title | Cinematic urban geographies |
| title_auth | Cinematic urban geographies |
| title_exact_search | Cinematic urban geographies |
| title_full | Cinematic urban geographies François Penz, Richard Koeck (editors) |
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