Musical borrowing and quotation in the twentieth and twenty-first centuries:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Abingdon
Routledge
2014
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| Schriftenreihe: | Contemporary music review
Volume 33, number 2, April 2014 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Seite 125-242 Notenbeispiele |
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Datensatz im Suchindex
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| adam_text | Contemporary Music Review
VOLUME 33 NUMBER 2 APRIL 2014
Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries
Edited by Pwyll ap Sion and Lauren Redhead
Contents
Introduction
Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries
Pwyll ap Sion and Lauren Redhead 125
Articles
‘Not Necessarily Mahler’: Remix, Samples and Borrowing in the Age of Wiki
Jeremy Barham 128
Quotation, Psychogeography, and the ‘Journey Form’ in the Music Theatre
of Bernhard Lang and Chico Mello
Lauren Redhead 148
Hidden Disunities and Uncanny Resemblances: Connections and
Disconnections in the Music of Lera Auerbach and Michael Nyman
Pwyll ap Sidn 167
Theoretical Approaches to Quotation in Hip-Hop Recordings
Justin A. Williams 188
Voices, Violence and Meaning: Transformations of Speech Samples in Works
by David Byrne, Brian Eno and Steve Reich
Maarten Beirens 210
‘Can’t Touch Me’: Television Cartoons and the Paraphrase of Popular Music
Jeremy W. Orosz 223
About the Authors 241
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