Classical literature on screen: affinities of imagination
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Klappentext |
| Beschreibung: | xii, 410 Seiten Illustrationen |
| ISBN: | 9781107191280 |
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Datensatz im Suchindex
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| adam_text | Titel: Classical literature on screen
Autor: Winkler, Martin M
Jahr: 2017
Contents
List of Illustrations [page viii]
Acknowledgments [xi]
Introduction [1]
1 Narrative from Text to Image [1]
2 Tiresias Memory: From Homer to Film Studies [4]
3 Chapter Sequence [12]
4 Ancients and Modems: Author s Confession [17]
PART I CREATIVE AFFINITIES:
ANCIENT TEXTS AND MODERN IMAGES [19]
1 The Classical Sense of Cinema and the Cinema s Sense of
Antiquity [21]
1 Quintilian on Emotions: Rhetoric and Imagination [21]
2 Visualization: Enargeia and Phantasia [25]
3 In the Beginning, Homer [29]
4 From Homer to Cinema [33]
2 Pasolini s and Cocteau s Oedipus: No Quarrel of the
Ancients and the Modems in the Cinema Age [41]
1 Horace on the Ancients and the Modems [42]
2 Charles Perrault against Antiquity [44]
3 Oedipus from Sophocles to Pasolini [46]
4 Cocteau s Orphic Oedipus [51]
5 From Horace and Perrault to Cinema [54]
PART II ELECTIVE AFFINITIES:
TRAGEDY AND COMEDY [57]
3 Medea s Infanticide: How to Present the
Unimaginable [59]
1 Pier Paolo Pasolini s Medea [62]
2 Arturo Ripstein s Such Is Life [65]
3 Jocy de Oliveira s Kseni [67]
4 Jules Dassin s A Dream of Passion [68]
5 Satoshi Miyagi s Medea [74]
vi
Contents
6 Lars von Tiier s Medea [77]
7 Natalia Kuznetsova s Medea [82]
8 Post-Classical Medeas [84]
9 Medea s Children [89]
10 Happy Ending? [94]
11 Endings: Possible and Impossible [98]
4 Striking Beauties: Aristophanes Lysistrata [99]
1 Comedy and Theory: No Funny Business [100]
2 Battleground of Emotions [103]
3 Lysistrata in the Silent and Early Sound Eras [110]
4 Triumphs of Love [113]
5 Ridin High; or, How the West Was Fun [119]
6 (Trans-)Mission Accomplished? [131]
7 Lysistrata the Feminist: Zetterling and Her Girls [140]
8 The Beeb Lurking in Pompeii [149]
9 Lysistrata Defies Greek Dictators and Helps Bring About
Gay Lib [153]
10 Katabasis: Lysistrata in the Lower Depths [158]
11 Lysistrata Flips the Script in the Hood and Moves into the
HouseofBabes [160]
12 Lysistrata Goes Global [163]
13 A Chicago Tail: Chi-Raq [169]
14 To kinéma Aristoph.anik.on [176]
15 Coda: Tail End [179]
PART III NON-ELECTIVE AFFINITIES:
PLOT AND THEME [181]
5 More Striking : Aristotelian Poetics in Achilles Tatius,
Heliodorus, and Alfred Hitchcock [183]
1 Aristotle and Mystery Plots [184]
2 Achilles Tatius: Sudden Deaths [191]
3 Heliodorus: Death in a Cave [197]
4 Hitchcock: Sudden Death in the Shower [202]
5 Aristotle Vindicated [211]
6 lohn Ford, America s Virgil [214]
1 The Courses of Empire [214]
2 Frontiers [216]
3 Ford s Cavalry Trilogy [220]
4 Ambiguity and the Price of Empire [225]
5 Darkness Visible [233]
6 History and Epic [240]
7 Remembrance of Things Past [245]
Contents
vii
PART IV COUNTER-AFFINITIES:
IDEOLOGICAL AND NARRATIVE
DISTORTIONS OF HISTORY [247]
7 Fascinating Ur-Fascism: The Case of 300 [249]
1 Leonidas at Stalingrad but Not at Kolberg [250]
2 Sparta and Nazism [256]
3 The Body: Beauty, Heroism, Kitsch [263]
4 300: An American Bergfilm? [268]
5 The Fascist Nébula [270]
6 CGI Modernity and Fascist Traditionalism in 300 [273]
7 Contemporary Rhetoric [279]
8 Political Paranoia and Ordinary American Fascism [282]
9 Ideological Myopia [287]
10 Return of the Fuzzy [291]
8 Good Nero; or, The Best Intentions [297]
1 In Praise of Nero [298]
2 Good Boy! [300]
3 Not Wisely and Not Too Well [302]
4 Christian Forgiveness [310]
PART V AESTHETIC AFFINITIES:
PORTRAITS OF LADIES [313]
9 Regal Beauties in Franco Rossi s Films of the Odyssey
and Aeneid [315]
1 Romantic Nausicaa [317]
2 Baleful Helen [321]
3 Proud Penelope [323]
4 Doomed Dido [332]
10 Helen of Troy: Is This the Face That Launched a Thousand
Films? [341]
1 Art, Beauty, and a Little Sex [342]
2 Fade-In: From Mythical to Real Beauty [343]
3 Beauty Parade: The Main Attractions [344]
4 Fade-Out: Hedy s Helen and the Eternal Woman [363]
Bibliography [366]
Index [405]
Martin Winkler argues for a new approach to various creative
affinities between ancient verbal and modern visual narratives.
He examines screen adaptations of classical epic, tragedy,
comedy, myth, and history, exploring, for example, how ancient
rhetorical principles regarding the emotions apply to moving
images and how Aristotle’s perspective on thrilling plot-turns
can recur on screen. He also interprets several popular films,
such as 300 and Nero, and analyzes works by international
directors, among them Pier Paolo Pasolini ( Rex, Medea),
Jean Cocteau ( The Testament of Orpheus), Mai Zetterling {The
,
Girls), Lars von Trier {Medea), Arturo Ripstein {Such Is Life),
John Ford (Westerns), Alfred Hitchcock {Psycho), and Spike Lee
{Chi-Raq). The book demonstrates the undiminished vitality of
classical myth and literature in our visual media, as with screen
portrayals of Helen of Troy. It is important for all classicists and
scholars and students of film, literature, and history.
MARTIN M. WINKLER is University Professor and Professor
of Classics at George Mason University. His most recent books
are Cinema and Classical Texts: Apollo’s New Light (Cambridge,
2009), The Roman Salute: Cinema, History, 2009), and
Arminius the Liberator: Myth and Ideology (2015). He has also
published numerous articles, book chapters, and reviews, and
edited several essay collections on classical antiquity and film.
Cover illustration: Maria Corda in The Private
Life of Helen of Troy. The William Knight
Zewadski Collection.
Martin Winkler argues for a new approach to various creative
affinities between ancient verbal and modern visual narratives.
He examines screen adaptations of classical epic, tragedy,
comedy, myth, and history, exploring, for example, how ancient
rhetorical principles regarding the emotions apply to moving
images and how Aristotle’s perspective on thrilling plot-turns
can recur on screen. He also interprets several popular films,
such as 300 and Nero, and analyzes works by international
directors, among them Pier Paolo Pasolini ( Rex, Medea),
Jean Cocteau ( The Testament of Orpheus), Mai Zetterling {The
,
Girls), Lars von Trier {Medea), Arturo Ripstein {Such Is Life),
John Ford (Westerns), Alfred Hitchcock {Psycho), and Spike Lee
{Chi-Raq). The book demonstrates the undiminished vitality of
classical myth and literature in our visual media, as with screen
portrayals of Helen of Troy. It is important for all classicists and
scholars and students of film, literature, and history.
MARTIN M. WINKLER is University Professor and Professor
of Classics at George Mason University. His most recent books
are Cinema and Classical Texts: Apollo’s New Light (Cambridge,
2009), The Roman Salute: Cinema, History, 2009), and
Arminius the Liberator: Myth and Ideology (2015). He has also
published numerous articles, book chapters, and reviews, and
edited several essay collections on classical antiquity and film.
Cover illustration: Maria Corda in The Private
Life of Helen of Troy. The William Knight
Zewadski Collection.
|
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| discipline | Allgemeines Geschichte Philologie / Byzantinistik / Neulatein |
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| spellingShingle | Winkler, Martin M. 1952- Classical literature on screen affinities of imagination Classical literature History and criticism Motion pictures and literature Latein (DE-588)4114364-4 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Griechisch (DE-588)4113791-7 gnd |
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| title | Classical literature on screen affinities of imagination |
| title_auth | Classical literature on screen affinities of imagination |
| title_exact_search | Classical literature on screen affinities of imagination |
| title_full | Classical literature on screen affinities of imagination Martin M. Winkler |
| title_fullStr | Classical literature on screen affinities of imagination Martin M. Winkler |
| title_full_unstemmed | Classical literature on screen affinities of imagination Martin M. Winkler |
| title_short | Classical literature on screen |
| title_sort | classical literature on screen affinities of imagination |
| title_sub | affinities of imagination |
| topic | Classical literature History and criticism Motion pictures and literature Latein (DE-588)4114364-4 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Griechisch (DE-588)4113791-7 gnd |
| topic_facet | Classical literature History and criticism Motion pictures and literature Latein Literatur Film Griechisch |
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| work_keys_str_mv | AT winklermartinm classicalliteratureonscreenaffinitiesofimagination |