Breaking down the walls of heartache: how music came out
Popular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress; from...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
San Francisco
Backbeat
2017
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Popular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress; from Noughties lesbian icon Beth Ditto to Lady Gaga's 'Born This Way' manifesto. But if collected essays and/or features have addressed gay, lesbian, bisexual and transgender singers, songwriters, musicians and songs, no book has yet comprehensively and authoritatively drawn together all the threads to explore this as an unfolding, historical narrative: to tell the story of how music 'came out', from the days when homosexuals were deeply in the closet, but the love that once dared not speak its name sings it, and on daytime radio to boot. This story will reveal which songs have coded messages about sexuality, and which proudly declared the truth, including examples of heterosexual songwriters and singers who chose to address same-sex issues, from Rod Stewart's 'The Killing Of Georgie' the first UK number one with a gay theme to Suede's 'Animal Nitrate'. The narrative will unfold against a backdrop of historic social and political shifts, as LGBT rights pushed for visibility and equality, from the closet of the Fifties to the struggle and setbacks of the Sixties, the liberation of the Seventies, the mainstream invasion and AIDS crisis of the Eighties, the advances of the Nineties and the more immersed scene of the Noughties. These artists have indeed changed the world as we know it. Breaking Down the Walls of Heartache is a story for a wide audience, not just the LGBT community but a broad spectrum of music lovers who are fascinated by these characters, events, stories and songs. It is also a very timely tale, given the prominence of same-sex issues such as marriage equality, alongside the retrogressive steps in places such as Russia and parts of Africa, where songs encapsulating the gay/lesbian experience mirror those of the Sixties, signifying how the journey from illegality and bigotry to freedom is still far from over |
Beschreibung: | xvii, 573 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen, Porträts |
ISBN: | 9781617136528 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV044411964 | ||
003 | DE-604 | ||
005 | 20170905 | ||
007 | t | ||
008 | 170717s2017 ac|| b||| 00||| eng d | ||
020 | |a 9781617136528 |9 978-1-61713-652-8 | ||
035 | |a (OCoLC)1002238777 | ||
035 | |a (DE-599)BVBBV044411964 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Aston, Martin |e Verfasser |4 aut | |
245 | 1 | 0 | |a Breaking down the walls of heartache |b how music came out |c Martin Aston |
264 | 1 | |a San Francisco |b Backbeat |c 2017 | |
300 | |a xvii, 573 Seiten, 16 ungezählte Seiten Bildtafeln |b Illustrationen, Porträts | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a Popular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress; from Noughties lesbian icon Beth Ditto to Lady Gaga's 'Born This Way' manifesto. But if collected essays and/or features have addressed gay, lesbian, bisexual and transgender singers, songwriters, musicians and songs, no book has yet comprehensively and authoritatively drawn together all the threads to explore this as an unfolding, historical narrative: to tell the story of how music 'came out', from the days when homosexuals were deeply in the closet, but the love that once dared not speak its name sings it, and on daytime radio to boot. | |
520 | 3 | |a This story will reveal which songs have coded messages about sexuality, and which proudly declared the truth, including examples of heterosexual songwriters and singers who chose to address same-sex issues, from Rod Stewart's 'The Killing Of Georgie' the first UK number one with a gay theme to Suede's 'Animal Nitrate'. The narrative will unfold against a backdrop of historic social and political shifts, as LGBT rights pushed for visibility and equality, from the closet of the Fifties to the struggle and setbacks of the Sixties, the liberation of the Seventies, the mainstream invasion and AIDS crisis of the Eighties, the advances of the Nineties and the more immersed scene of the Noughties. These artists have indeed changed the world as we know it. Breaking Down the Walls of Heartache is a story for a wide audience, not just the LGBT community but a broad spectrum of music lovers who are fascinated by these characters, events, stories and songs. | |
520 | 3 | |a It is also a very timely tale, given the prominence of same-sex issues such as marriage equality, alongside the retrogressive steps in places such as Russia and parts of Africa, where songs encapsulating the gay/lesbian experience mirror those of the Sixties, signifying how the journey from illegality and bigotry to freedom is still far from over | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 4 | |a Feminismus | |
650 | 4 | |a Musik | |
650 | 0 | 7 | |a Sexuelle Orientierung |0 (DE-588)7568353-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Geschlechterrolle |0 (DE-588)4071776-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Erotik |g Motiv |0 (DE-588)4123157-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Rockmusik |0 (DE-588)4115774-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Rockmusiker |0 (DE-588)4115775-8 |2 gnd |9 rswk-swf |
653 | 0 | |a Homosexuality and popular music | |
653 | 0 | |a Feminist theory | |
653 | 0 | |a Sex and popular music | |
653 | 0 | |a Rock music / History and criticism | |
653 | 0 | |a Popular music / History and criticism | |
653 | 0 | |a Gender identity in music | |
653 | 0 | |a Queer theory | |
653 | 0 | |a Music / Philosophy and aesthetics | |
653 | 0 | |a Feminist theory | |
653 | 0 | |a Gender identity in music | |
653 | 0 | |a Homosexuality and popular music | |
653 | 0 | |a Music / Philosophy and aesthetics | |
653 | 0 | |a Popular music | |
653 | 0 | |a Queer theory | |
653 | 0 | |a Rock music | |
653 | 0 | |a Sex and popular music | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a Rockmusik |0 (DE-588)4115774-6 |D s |
689 | 0 | 1 | |a Erotik |g Motiv |0 (DE-588)4123157-0 |D s |
689 | 0 | 2 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Rockmusiker |0 (DE-588)4115775-8 |D s |
689 | 1 | 1 | |a Sexuelle Orientierung |0 (DE-588)7568353-2 |D s |
689 | 1 | 2 | |a Geschlechterrolle |0 (DE-588)4071776-8 |D s |
689 | 1 | 3 | |a Geschichte |A z |
689 | 1 | |5 DE-604 | |
856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029813744&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-029813744 | ||
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |
Datensatz im Suchindex
_version_ | 1804177701420924928 |
---|---|
adam_text | Contents
Introduction ix
1 The Art of Secrecy, The Sound of Lavender 1
2 The Twenties — ‘’T’ain’t Nobody’s Business if I Do’:
Sissies, Bull-Dykers and Freakish Man Blues 16
3 The Thirties — the Age of the Pansy Craze 24
4 The Forties — War Games and Nancy Boys 46
5 The Fifties - the Tutti Frutti Revolution 62
6 The Sixties — Gay Party Pop and the Rock’n’Roll Closet 105
7 The Seventies - Let The Children Boogie 176
8 The Seventies II — Disco, Punk and Out Come the Freaks 240
9 The Eighties — All The Nice Boys Love Sea Men - Pop
Comes Out 321
10 The Nineties — Rock’n’Roll - Queer to the Core 421
11 Twenty-first Century ֊ A Rainbow Riot 482
Acknowledgements 536
Picture Credits 539
Index 542
|
any_adam_object | 1 |
author | Aston, Martin |
author_facet | Aston, Martin |
author_role | aut |
author_sort | Aston, Martin |
author_variant | m a ma |
building | Verbundindex |
bvnumber | BV044411964 |
ctrlnum | (OCoLC)1002238777 (DE-599)BVBBV044411964 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04976nam a2200805 c 4500</leader><controlfield tag="001">BV044411964</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170905 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170717s2017 ac|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781617136528</subfield><subfield code="9">978-1-61713-652-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1002238777</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044411964</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Aston, Martin</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Breaking down the walls of heartache</subfield><subfield code="b">how music came out</subfield><subfield code="c">Martin Aston</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">San Francisco</subfield><subfield code="b">Backbeat</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvii, 573 Seiten, 16 ungezählte Seiten Bildtafeln</subfield><subfield code="b">Illustrationen, Porträts</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Popular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress; from Noughties lesbian icon Beth Ditto to Lady Gaga's 'Born This Way' manifesto. But if collected essays and/or features have addressed gay, lesbian, bisexual and transgender singers, songwriters, musicians and songs, no book has yet comprehensively and authoritatively drawn together all the threads to explore this as an unfolding, historical narrative: to tell the story of how music 'came out', from the days when homosexuals were deeply in the closet, but the love that once dared not speak its name sings it, and on daytime radio to boot. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This story will reveal which songs have coded messages about sexuality, and which proudly declared the truth, including examples of heterosexual songwriters and singers who chose to address same-sex issues, from Rod Stewart's 'The Killing Of Georgie' the first UK number one with a gay theme to Suede's 'Animal Nitrate'. The narrative will unfold against a backdrop of historic social and political shifts, as LGBT rights pushed for visibility and equality, from the closet of the Fifties to the struggle and setbacks of the Sixties, the liberation of the Seventies, the mainstream invasion and AIDS crisis of the Eighties, the advances of the Nineties and the more immersed scene of the Noughties. These artists have indeed changed the world as we know it. Breaking Down the Walls of Heartache is a story for a wide audience, not just the LGBT community but a broad spectrum of music lovers who are fascinated by these characters, events, stories and songs. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">It is also a very timely tale, given the prominence of same-sex issues such as marriage equality, alongside the retrogressive steps in places such as Russia and parts of Africa, where songs encapsulating the gay/lesbian experience mirror those of the Sixties, signifying how the journey from illegality and bigotry to freedom is still far from over</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminismus</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sexuelle Orientierung</subfield><subfield code="0">(DE-588)7568353-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Erotik</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4123157-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rockmusik</subfield><subfield code="0">(DE-588)4115774-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rockmusiker</subfield><subfield code="0">(DE-588)4115775-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Homosexuality and popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sex and popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Rock music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Gender identity in music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Queer theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Gender identity in music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Homosexuality and popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Queer theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Rock music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sex and popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rockmusik</subfield><subfield code="0">(DE-588)4115774-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Erotik</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4123157-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Rockmusiker</subfield><subfield code="0">(DE-588)4115775-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Sexuelle Orientierung</subfield><subfield code="0">(DE-588)7568353-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029813744&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029813744</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection> |
id | DE-604.BV044411964 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:52:16Z |
institution | BVB |
isbn | 9781617136528 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029813744 |
oclc_num | 1002238777 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xvii, 573 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen, Porträts |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Backbeat |
record_format | marc |
spelling | Aston, Martin Verfasser aut Breaking down the walls of heartache how music came out Martin Aston San Francisco Backbeat 2017 xvii, 573 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen, Porträts txt rdacontent sti rdacontent n rdamedia nc rdacarrier Popular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress; from Noughties lesbian icon Beth Ditto to Lady Gaga's 'Born This Way' manifesto. But if collected essays and/or features have addressed gay, lesbian, bisexual and transgender singers, songwriters, musicians and songs, no book has yet comprehensively and authoritatively drawn together all the threads to explore this as an unfolding, historical narrative: to tell the story of how music 'came out', from the days when homosexuals were deeply in the closet, but the love that once dared not speak its name sings it, and on daytime radio to boot. This story will reveal which songs have coded messages about sexuality, and which proudly declared the truth, including examples of heterosexual songwriters and singers who chose to address same-sex issues, from Rod Stewart's 'The Killing Of Georgie' the first UK number one with a gay theme to Suede's 'Animal Nitrate'. The narrative will unfold against a backdrop of historic social and political shifts, as LGBT rights pushed for visibility and equality, from the closet of the Fifties to the struggle and setbacks of the Sixties, the liberation of the Seventies, the mainstream invasion and AIDS crisis of the Eighties, the advances of the Nineties and the more immersed scene of the Noughties. These artists have indeed changed the world as we know it. Breaking Down the Walls of Heartache is a story for a wide audience, not just the LGBT community but a broad spectrum of music lovers who are fascinated by these characters, events, stories and songs. It is also a very timely tale, given the prominence of same-sex issues such as marriage equality, alongside the retrogressive steps in places such as Russia and parts of Africa, where songs encapsulating the gay/lesbian experience mirror those of the Sixties, signifying how the journey from illegality and bigotry to freedom is still far from over Geschichte gnd rswk-swf Feminismus Musik Sexuelle Orientierung (DE-588)7568353-2 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Rockmusiker (DE-588)4115775-8 gnd rswk-swf Homosexuality and popular music Feminist theory Sex and popular music Rock music / History and criticism Popular music / History and criticism Gender identity in music Queer theory Music / Philosophy and aesthetics Popular music Rock music Criticism, interpretation, etc Rockmusik (DE-588)4115774-6 s Erotik Motiv (DE-588)4123157-0 s Geschichte z DE-604 Rockmusiker (DE-588)4115775-8 s Sexuelle Orientierung (DE-588)7568353-2 s Geschlechterrolle (DE-588)4071776-8 s Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029813744&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Aston, Martin Breaking down the walls of heartache how music came out Feminismus Musik Sexuelle Orientierung (DE-588)7568353-2 gnd Geschlechterrolle (DE-588)4071776-8 gnd Erotik Motiv (DE-588)4123157-0 gnd Rockmusik (DE-588)4115774-6 gnd Rockmusiker (DE-588)4115775-8 gnd |
subject_GND | (DE-588)7568353-2 (DE-588)4071776-8 (DE-588)4123157-0 (DE-588)4115774-6 (DE-588)4115775-8 |
title | Breaking down the walls of heartache how music came out |
title_auth | Breaking down the walls of heartache how music came out |
title_exact_search | Breaking down the walls of heartache how music came out |
title_full | Breaking down the walls of heartache how music came out Martin Aston |
title_fullStr | Breaking down the walls of heartache how music came out Martin Aston |
title_full_unstemmed | Breaking down the walls of heartache how music came out Martin Aston |
title_short | Breaking down the walls of heartache |
title_sort | breaking down the walls of heartache how music came out |
title_sub | how music came out |
topic | Feminismus Musik Sexuelle Orientierung (DE-588)7568353-2 gnd Geschlechterrolle (DE-588)4071776-8 gnd Erotik Motiv (DE-588)4123157-0 gnd Rockmusik (DE-588)4115774-6 gnd Rockmusiker (DE-588)4115775-8 gnd |
topic_facet | Feminismus Musik Sexuelle Orientierung Geschlechterrolle Erotik Motiv Rockmusik Rockmusiker |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029813744&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT astonmartin breakingdownthewallsofheartachehowmusiccameout |