The Gamin de Paris in nineteenth-century visual culture: Delacroix, Hugo, and the French social imaginary
The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as...
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1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2017
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Schriftenreihe: | Routledge research in art history
1 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father's symbolic role, and the intensification of the brotherly urchin's psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation |
Beschreibung: | xiii, 152 Seiten, 24 ungezählte Seiten Bildtafeln Illustrationen |
ISBN: | 9781138231139 |
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520 | 3 | |a The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father's symbolic role, and the intensification of the brotherly urchin's psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation | |
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Datensatz im Suchindex
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---|---|
adam_text | CONTENTS
ILLUSTRATIONS
LX
ACKNOWLEDGMENTS
XL
INTRODUCTION 1
1 REVOLUTIONARY ANCESTORS OF THE GAMIN DE PARIS 8
2 CHILD OF THE PEOPLE AND CHILD OF THE FATHERLAND IN
NINETEENTH-CENTURY FRENCH SOCIAL HISTORY 12
3 CHILD OF THE PEOPLE AND CHILD OF THE FATHERLAND IN
THE FRENCH SOCIAL IMAGINARY 17
4 THE GAMIN DE PARIS AND THE REVOLUTION OF 1830 22
5 THE GAMIN DE PARIS IN PANORAMIC LITERATURE AND IN
THE REVOLUTIONS OF 1848 54
6 THE GAMIN DE PARIS, THE SECOND EMPIRE, AND THE COMMUNE 73
7 THE GAMIN DE PARIS DURING THE EARLY THIRD REPUBLIC 96
EPILOGUE 118
BIBLIOGRAPHY 121
INDEX 145
|
any_adam_object | 1 |
author | Brown, Marilyn Ruth |
author_GND | (DE-588)188480218 |
author_facet | Brown, Marilyn Ruth |
author_role | aut |
author_sort | Brown, Marilyn Ruth |
author_variant | m r b mr mrb |
building | Verbundindex |
bvnumber | BV044405003 |
contents | Revolutionary ancestors of the Gamin de Paris -- Child of the people and child of the Fatherland in nineteenth-century French social history -- Child of the people and child of the Fatherland in the French social imaginary -- The Gamin de Paris and the Revolution of 1830 -- The Gamin de Paris in panoramic literature and in the Revolutions of 1848 -- The Gamin de Paris, the second empire, and the commune -- The Gamin de Paris during the early Third Republic -- Epilogue |
ctrlnum | (OCoLC)1001469634 (DE-599)BVBBV044405003 |
era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
era_facet | Geschichte 1800-1900 |
format | Book |
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record_format | marc |
series2 | Routledge research in art history |
spelling | Brown, Marilyn Ruth Verfasser (DE-588)188480218 aut The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary Marilyn R. Brown Delacroix, Hugo, and the French social imaginary New York ; London Routledge, Taylor & Francis Group 2017 xiii, 152 Seiten, 24 ungezählte Seiten Bildtafeln Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Routledge research in art history 1 Revolutionary ancestors of the Gamin de Paris -- Child of the people and child of the Fatherland in nineteenth-century French social history -- Child of the people and child of the Fatherland in the French social imaginary -- The Gamin de Paris and the Revolution of 1830 -- The Gamin de Paris in panoramic literature and in the Revolutions of 1848 -- The Gamin de Paris, the second empire, and the commune -- The Gamin de Paris during the early Third Republic -- Epilogue The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father's symbolic role, and the intensification of the brotherly urchin's psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation Hugo, Victor 1802-1885 Les misérables (DE-588)4139746-0 gnd rswk-swf Delacroix, Eugène 1798-1863 Die Freiheit führt das Volk an (DE-588)4275137-8 gnd rswk-swf Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Revolution 1848 (DE-588)4049688-0 gnd rswk-swf Julirevolution (DE-588)4073120-0 gnd rswk-swf Gesellschaftskritik (DE-588)4020643-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Junge Motiv (DE-588)4204302-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Delacroix, Eugène / 1798-1863 / Liberty leading the people Hugo, Victor / 1802-1885 / Misérables Liberty leading the people (Delacroix, Eugène) Misérables (Hugo, Victor) Arts, French / 19th century / Themes, motives Boys in art Revolutions in art Boys in literature Revolutions in literature 1800-1899 Paris (DE-588)4044660-8 g Julirevolution (DE-588)4073120-0 s Revolution 1848 (DE-588)4049688-0 s Junge Motiv (DE-588)4204302-5 s Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Gesellschaftskritik (DE-588)4020643-9 s Geschichte 1800-1900 z DE-604 Delacroix, Eugène 1798-1863 Die Freiheit führt das Volk an (DE-588)4275137-8 u Hugo, Victor 1802-1885 Les misérables (DE-588)4139746-0 u Erscheint auch als Online-Ausgabe, ebk. 978-1-315-31594-2 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029806956&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Brown, Marilyn Ruth The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary Revolutionary ancestors of the Gamin de Paris -- Child of the people and child of the Fatherland in nineteenth-century French social history -- Child of the people and child of the Fatherland in the French social imaginary -- The Gamin de Paris and the Revolution of 1830 -- The Gamin de Paris in panoramic literature and in the Revolutions of 1848 -- The Gamin de Paris, the second empire, and the commune -- The Gamin de Paris during the early Third Republic -- Epilogue Hugo, Victor 1802-1885 Les misérables (DE-588)4139746-0 gnd Delacroix, Eugène 1798-1863 Die Freiheit führt das Volk an (DE-588)4275137-8 gnd Revolution 1848 (DE-588)4049688-0 gnd Julirevolution (DE-588)4073120-0 gnd Gesellschaftskritik (DE-588)4020643-9 gnd Literatur (DE-588)4035964-5 gnd Junge Motiv (DE-588)4204302-5 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4139746-0 (DE-588)4275137-8 (DE-588)4049688-0 (DE-588)4073120-0 (DE-588)4020643-9 (DE-588)4035964-5 (DE-588)4204302-5 (DE-588)4114333-4 (DE-588)4044660-8 |
title | The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary |
title_alt | Delacroix, Hugo, and the French social imaginary |
title_auth | The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary |
title_exact_search | The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary |
title_full | The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary Marilyn R. Brown |
title_fullStr | The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary Marilyn R. Brown |
title_full_unstemmed | The Gamin de Paris in nineteenth-century visual culture Delacroix, Hugo, and the French social imaginary Marilyn R. Brown |
title_short | The Gamin de Paris in nineteenth-century visual culture |
title_sort | the gamin de paris in nineteenth century visual culture delacroix hugo and the french social imaginary |
title_sub | Delacroix, Hugo, and the French social imaginary |
topic | Hugo, Victor 1802-1885 Les misérables (DE-588)4139746-0 gnd Delacroix, Eugène 1798-1863 Die Freiheit führt das Volk an (DE-588)4275137-8 gnd Revolution 1848 (DE-588)4049688-0 gnd Julirevolution (DE-588)4073120-0 gnd Gesellschaftskritik (DE-588)4020643-9 gnd Literatur (DE-588)4035964-5 gnd Junge Motiv (DE-588)4204302-5 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Hugo, Victor 1802-1885 Les misérables Delacroix, Eugène 1798-1863 Die Freiheit führt das Volk an Revolution 1848 Julirevolution Gesellschaftskritik Literatur Junge Motiv Kunst Paris |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029806956&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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