Art history as social praxis: the collected writings of David Craven
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2017]
|
| Schriftenreihe: | Historical materialism book series
volume 139 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | XVI, 567 Seiten |
| ISBN: | 9789004235854 |
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Datensatz im Suchindex
| _version_ | 1804177688640880640 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS XI
LIST OF SOURCES XIV
INTRODUCTION: DAVID CRAVEN, DEMOCRATIC SOCIALISM AND ART HISTORY 1
PART 1
ARTISTS
1 MONDRIAN DE-MYTHOLOGISED: TOWARDS A NEWER VIRGIL 41
2 CHARLES BIEDERMAN AND ART THEORY 57
3 MARCEL DUCHAMP AND THE PERCEPTUAL DIMENSION OF CONCEPTUAL
ART 69
4 ROBERT SMITHSON S LIQUIDATING INTELLECT 77
5 RICHARD SERRA AND THE PHENOMENOLOGY OF PERCEPTION 90
6 HANS HAACKE AND THE AESTHETICS OF DEPENDENCY THEORY 98
7 NORMAN LEWIS AS POLITICAL ACTIVIST AND POST-COLONIAL ARTIST 107
8 RENE MAGRITTE AND THE SPECTRE OF COMMODITY FETISHISM 124
PART 2
ART CRITICS
9 RUSKIN VS. WHISTLER: THE CASE AGAINST CAPITALIST ART 141
10 THE CRITIQUE-POESIE OF THOMAS HESS 155
11 JOHN BERGER AS ART CRITIC 172
VIII CONTENTS
12 MEYER SCHAPIRO, KARL KORSCH AND THE EMERGENCE OF CRITICAL
THEORY 188
13 CLEMENT GREENBERG AND THE TRIUMPH OF WESTERN ART 217
14 AESTHETICS AS ETHICS IN THE WRITINGS OF ROBERT MOTHERWELL AND MEYER
SCHAPIRO 228
PART 3
CRITICAL THEORY
15 PREREQUISITES FOR A NEW CRITICISM 243
16 HERBERT MARCUSE ON AESTHETICS 256
17 CORPORATE CAPITALISM AND SOUTH AFRICA 264
18 POPULAR CULTURE VERSUS MASS CULTURE 277
19 HEGEMONIC ART HISTORY 288
20 ART HISTORY AND THE CHALLENGE OF POST-COLONIAL MODERNISM 295
21 C.L.R. JAMES AS A CRITICAL THEORIST OF MODERNIST ART 303
22 PRESENT INDICATIVE POLITICS AND FUTURE PERFECT POSITIONS: BARACK
OBAMA AND THIRD TEXT 325
PART 4
LATIN AMERICA
23 FORMATIVE ART AND SOCIAL TRANSFORMATION: THE NICARAGUAN REVOLUTION
ON ITS TENTH ANNIVERSARY (1979-1989) 333
24 CUBAN ART AND THE DEMOCRATISATION OF CULTURE 340
25 THE LATIN AMERICAN ORIGINS OF ALTERNATIVE MODERNISM 363
CONTENTS IX
26 POST-COLONIAL MODERNISM IN THE WORK OF DIEGO RIVERA AND JOSE CARLOS
MARIATEGUI 381
27 REALISM REVISITED AND RE-THEORISED IN PAN-AMERICAN TERMS 396
PART 5
ABSTRACT EXPRESSIONISM
28 ABSTRACT EXPRESSIONISM, AUTOMATISM AND THE AGE OF
AUTOMATION 407
29 ABSTRACT EXPRESSIONISM AND THIRD WORLD ART: A POST-COLONIAL
APPROACH TO AMERICAN ART 447
30 NEW DOCUMENTS: THE UNPUBLISHED FBI FILES ON AD REINHARDT, MARK
ROTHKO, AND ADOLPH GOTTLIEB 490
31 A LEGACY FOR THE LATIN AMERICAN LEFT: ABSTRACT EXPRESSIONISM AS
ANTI-IMPERIALIST ART 502
32 POSTSCRIPT. DIFFERENT CONCEPTIONS OF ART: AN OUTLINE 513
BIBLIOGRAPHY 517
INDEX 553
Art History as Social Praxis
The Collected Writings of David Craven
Edited by
Brian Winkenweder
✓ S
6 8*
BRILL·
LEIDEN I JBOSTON
Contents
Acknowledgements xi
List of Sources xiv
Introduction: David Craven, Democratic Socialism and Art History
PART 1
Artists
1 Mondrian De-Mythologised: Towards a Newer Virgil 41
2 Charles Biederman and Art Theory 57
3 Marcel Duchamp and the Perceptual Dimension of Conceptual
Art 69
4 Robert Smithson’s ‘liquidating InteQecf 77
5 Richard Serra and the Phenomenology of Perception 90
6 Hans Haacke and the Aesthetics of Dependency Theory 98
7 Norman Lewis as Political Activist and Post-Colonial Artist 107
8 René Magritte and the Spectre of Commodity Fetishism 124
PART 2
Art Critics
9 Ruskin vs. Whistler The Case against Capitalist Art 141
10 The Critique-Poésie of Thomas Hess 155
11 John Berger as Art Critic 172
VIII
CONTENTS
12 Meyer Schapiro, Kari Korsch and the Emergence of Critical
Theory 188
13 Clement Greenberg and the ‘Triumph’ of Western Art 217
14 Aesthetics as Ethics in the Writings of Robert Motherwell and Meyer
Schapiro 228
PART 3
Critical Theory
15 Prerequisites for a New Criticism 243
16 Herbert Marcuse on Aesthetics 256
17 Corporate Capitalism and South Africa 264
18 Popular Culture versus Mass Culture 277
19 Hegemonic Art History 288
20 Art History and the Challenge of Post-Colonial Modernism 295
21 C.L.R. James as a Critical Theorist of Modernist Art 303
22 Present Indicative Politics and Future Perfect Positions: Barack
Obama and Third Text 325
PART 4
Latin America
23 Formative Art and Social Transformation: The Nicaraguan Revolution
on Its Tenth Anniversary (1979-1989) 333
24 Cuban Art and the Démocratisation of Culture 340
25 The Latin American Origins of Alternative Modernism 363
CONTENTS
IX
26 Post-Colonial Modernism in the Work of Diego Rivera and José Carlos
Mariâtegui 381
27 Realism Revisited and Re-Theorised in ‘Pan-American’ Terms 396
PART 5
Abstract Expressionism
28 Abstract Expressionism, Automatism and the Age of
Automation 407
29 Abstract Expressionism and Third Woiid Art* A Post-Colonial
Approach to American Art 447
30 New Documents: The Unpublished FBI Hies on Ad Reinhardt Mark
Rothko, and Adolph Gottlieb 490
31 A Legacy for the Latin American Left: Abstract Expressionism as
Anti-Imperialist Art 502
32 Postscript Different Conceptions of Art: An Outline 513
Bibliography 517
Index 553
|
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