Pindar's eyes: visual and material culture in Epinician poetry
Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2017
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers |
| Beschreibung: | x, 318 Seiten |
| ISBN: | 9780198746379 |
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| 520 | 3 | |a Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Abbreviations ix
Introduction: Eyes and Ts 1
Eyes and Ts: Deixis, Visuality, Ecphrasis, Referentiality 3
Memorial ization, Transmission, Material Culture,
Cultural Value 10
1. Efficacy: Nemean 5 and Herodotus on Aeginetan Victors,
Heroes, and Statues 16
I. Static Statues, Departing Poems 17
II. ‘Pindar’s Splendid Pictures’: Craft Analogies and Beyond 23
II. 1. Aborted Myth: Lyric Storytelling and Aesthetic
Perception 28
11.2. Narrative, Persuasion, Falsehood 35
III. Encomiastic Conclusions 45
III. 1. Catalogues and Materialist Voices 46
111.2. Lyric Architectonics 60
IV. Herodotus on Aeginetan Efficacy: Heroes, Cult Statues,
and Pindaric Reception 63
IV. 1. Moving Sculptures and Aeginetan Efficacy
in Book 5 67
IV.2. Cult Statues and Heroes at Salamis 74
IV.3. Lampon and Pausanias 80
V. Conclusion 88
2. Contact: Lyric Referentiality and Material Culture
in Nemean 8 90
I. Young Love: Pindar’s Touching Overtures 92
LI. The Construction of Love 93
1.2. Erotic Contextualizability? 98
1.3. Sight, Touch, Desire, Imagination 101
II. Contacting Aiakos 105
II. 1. Contextual Connectivity 108
11.2. Votive Reliefs 110
11.3. The First Person Foregrounded 113
11.4. Architecture for Aiakos 114
11.5. The Aiakeion as a Lyric Model 116
11.6. Pindar and Ritual? 118
viii
Contents
11.7. Kleos and Subjectivity 124
11.8. Ecphrasis, Deixis, Gesture 126
11.9. The Epiphanic Voice 130
III. Attitudes, Visions, Materialities 133
111.1. Haptics, Gesture, Epic Rhetoric 134
111.2. Past and Future, Monumentality and
Memorialization 145
IV. Conclusion 156
Coda: The Alcmaeon Encounter: Pythian 8.56-60 157
3. Ecphrasis and the Politics of Time in Pythian 1 168
I. Unity and Coherence 172
II. Lyric and Hymnic Traditions: Framing Lyric Power 174
III. Ecphrasis, Signification, and ‘the Irruption of
Time into Play’ 184
111.1. On Interpreting Portents 189
111.2. Volcanic Noise 200
IV. Time for Prayers 202
V. Tensions 214
VI. Revelation and Authority 219
VII. Noise Revisited 222
VIII. Conclusion: Monstrous Time 226
4. Language and Vision in the Epinician Poets 229
I. The Decorative Box of Words: Simonides’
Danae Fragment 229
1.1. Ecphrastic Framing 233
1.2. Vividness: Language, Imagery, Colour 236
1.3. Aesthetics, Communication, and Response 242
1.4. Conclusion 247
II. Vision and Material Culture in Bacchylides and
Pindar Compared 248
11.1. ‘Look This Way with Your Mind’ 248
11.2. The Passion Within: Ecphrasis and the Opacity
of Bacchylidean Lyric Narrative 235
11.3. Eyesight in Argos: Vision and Material Culture
in Pindar, Nemean 10 264
Conclusion 272
Bibliography 275
Index of Passages Cited 303
General Index 313
|
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| author | Fearn, David 1975- |
| author_GND | (DE-588)138841918 |
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| discipline | Geschichte Philologie / Byzantinistik / Neulatein |
| edition | First edition |
| era | Geschichte 500 v.Chr.-470 v.Chr. gnd |
| era_facet | Geschichte 500 v.Chr.-470 v.Chr. |
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| indexdate | 2024-07-10T07:52:00Z |
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| isbn | 9780198746379 |
| language | English |
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| spelling | Fearn, David 1975- Verfasser (DE-588)138841918 aut Pindar's eyes visual and material culture in Epinician poetry David Fearn First edition Oxford, United Kingdom Oxford University Press 2017 x, 318 Seiten txt rdacontent n rdamedia nc rdacarrier Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd rswk-swf Geschichte 500 v.Chr.-470 v.Chr. gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Sachkultur (DE-588)4051157-1 gnd rswk-swf Griechenland Altertum (DE-588)4093976-5 gnd rswk-swf Bacchylides lyr. TLG 0199 (DE-2581)TH000000457 gbd Herodotus hist. TLG 0016 (DE-2581)TH000001390 gbd Simonides Ceus lyr. TLG 0261 (DE-2581)TH000002813 gbd Griechenland Altertum (DE-588)4093976-5 g Griechisch (DE-588)4113791-7 s Lyrik (DE-588)4036774-5 s Sachkultur (DE-588)4051157-1 s Geschichte 500 v.Chr.-470 v.Chr. z DE-604 Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 p Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029804581&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fearn, David 1975- Pindar's eyes visual and material culture in Epinician poetry Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd Lyrik (DE-588)4036774-5 gnd Griechisch (DE-588)4113791-7 gnd Sachkultur (DE-588)4051157-1 gnd |
| subject_GND | (DE-588)118594427 (DE-588)4036774-5 (DE-588)4113791-7 (DE-588)4051157-1 (DE-588)4093976-5 |
| title | Pindar's eyes visual and material culture in Epinician poetry |
| title_auth | Pindar's eyes visual and material culture in Epinician poetry |
| title_exact_search | Pindar's eyes visual and material culture in Epinician poetry |
| title_full | Pindar's eyes visual and material culture in Epinician poetry David Fearn |
| title_fullStr | Pindar's eyes visual and material culture in Epinician poetry David Fearn |
| title_full_unstemmed | Pindar's eyes visual and material culture in Epinician poetry David Fearn |
| title_short | Pindar's eyes |
| title_sort | pindar s eyes visual and material culture in epinician poetry |
| title_sub | visual and material culture in Epinician poetry |
| topic | Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd Lyrik (DE-588)4036774-5 gnd Griechisch (DE-588)4113791-7 gnd Sachkultur (DE-588)4051157-1 gnd |
| topic_facet | Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Lyrik Griechisch Sachkultur Griechenland Altertum |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029804581&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT fearndavid pindarseyesvisualandmaterialcultureinepinicianpoetry |